Lu Xinyuhao's Spring Festival Gala "overturned", and the old problem pointed out by Guo Degang was committed again.
On January 31, the CCTV Spring Festival Gala, which is regarded as the "global Chinese Chinese New Year's Eve meal", met with the audience as scheduled, and the confidentiality of this Year's Spring Festival Gala was done very well, and before the final program list was announced, the audience knew very little about the preparations for the party, which somewhat raised the audience's expectations for the party.
Every year, the language program is the highlight of the Spring Festival Gala, and the guest lineup of the performance makes the audience full of expectations, but the presentation of the final program is somewhat unsatisfactory.
Shen Teng, Ma Li, Chang Yuan, and Allen performed the skit "Not Yet Returned", and judging from the name of the sketch, it is a bit like the feeling of echoing "No Support" ten years ago, but Shen Teng is no longer hao jian of that year, but has become "old Shen".
"Not yet" This sketch is a bit hasty at the end, I originally thought that according to the routine of happy twist, how to finally have to come to an old Shen quietly take money to do public welfare plot, but not.
Jia Ling, another ace actor, played the mother-in-law with Zhang Xiaofei again on the Spring Festival Gala stage, "ginseng rooster", "gouge the heart", "small belly chicken intestines" and other stems, the presentation effect is not bad.
Compared with the sketch, this year's cross-talk can only be described by one word, that is, "embarrassing".
Jiang Kun and Dai Zhicheng joined hands again after many years, originally wanted to come to a wave of memory killing, but the whole process was awkward, and they didn't get the slightest bit of laughter.
In general, this work is two words "convenient", almost exactly the same as the works of more than ten years ago, or "Director Zhang" and "Night of the Military Port".
Awkward all night, originally thought that the "new force of cross-talk" Lu Xin and Yuhao, who were on the Spring Festival Gala for the first time, could make the audience happy, but they did not expect that this cross-talk had no novelty from beginning to end, it was all old paragraphs.
A good crosstalk does need to be polished a lot, but it is usually polished in a small theater to see the audience's reaction, and then modify it.
Lu Xin's cross-talk performed by Yuhao at the Spring Festival Gala are all old passages when they participated in "Laughing Proud of the Rivers and Lakes" and "Happy Comedians", almost word for word, and the audience can memorize it.
This time period of Lu Xin and YuHao, Zhao Benshan, Guo Degang, Miao Fu, etc. have used it, which shows the expectations of the director group and the audience for the two. If you can produce a wonderful program, it will be of great benefit to the two people's acting careers.
Unfortunately, these two young actors did not grasp it.
Leaving aside the old paragraphs, there were also problems in the performance of the two people that day, the presentation of the whole work was too fast, the teasing was too urgent, the praise was a bit rushed, and it felt completely self-indulgent, and the audience was not in the same channel.
After watching the two cross-talks that night, the audience unconsciously thought of Guo Degang and his Deyun Society.
Guo Degang often said a sentence: "It's not how good I am, it all depends on my peers." At the Spring Festival Gala of the Year of the Tiger, the audience must have a deeper understanding of this sentence.
In fact, the problems that Appeared on the stage of Lu Xin and Yuhao at the Spring Festival Gala were pointed out by Guo Degang when he was a judge in "Smiling Proud of the Jianghu".
At that time, Lu Xin and Yu Hao performed this paragraph, imitating Andy Lau, Shan Tianfang and Cui Jian. Guo Degang is a person who loves talents, and the first time he heard the two of them, he directly threw out an olive branch and invited them to join the Deyun Society.
Although they were politely rejected by the two, Guo Degang carefully pointed out the problems they had in the cross-talk performance, Lu Xin's rhythm was too fast, Yu Hao was too anxious, and did not leave the audience with time to react, if there was a slight pause, it would be better.
Perhaps because of too much nervousness, the "old problem" of the two on the Spring Festival Gala stage this time was committed again. Some people also say that the previous program timed out, Lu Xin and Yu Hao accelerated the pace, I think this should not be a reason, everyone thinks?
