Chrysanthemum and knife (2) swaying posture Gu Pan Zixiong Let's see a poem that may have been Li Qingzhao's poem "Dotted Lips" composed by Li Qingzhao around the age of sixteen: Kick off the swing, get up and straighten your hands. Dew flowers are thin and thin

Chrysanthemum and knife (2) swaying posture Gu Pan Zixiong

Let's look at a poem that may have been written by Li Qingzhao when he was about sixteen years old:

Kick off the swing and get up to straighten your hands. Dew is thin and thin, and the sweat is lightly clothed.

See someone coming, socks socks slip, and shy away. Leaning on the door and looking back, he sniffed the green plum.

The front writes out the image of an innocent and lively, delicate girl, and the back portrays the unique psychological activity of the girl's love sinus at the beginning of the opening: both "and shy away", but also "leaning on the door to look back", this shyness, a look back, the inner world will set off a corner, there is a "curtain roll west wind" wonderful.

Previously, the people in the flower room also had similar writings, such as:

Pomegranate skirt, so the slim jade finger, secretly twisted double phoenix gold thread. (Ouyang Jiong, "He Ming Dynasty")

The aquatic man sand on the woman, looking back, laughing pointed to the banana forest to live. (Ouyang Jiong, "Nanxiangzi")

Jade fiber remotely pointed to the depths of the flowers, scrambling to look back, and the peacocks both danced to greet the sun. (Li Xun," Nanxiangzi)

But this is the man writing "she", which is to examine the object with the man's eyes and aesthetic attitude. Li Qingzhao, on the other hand, is a "self-portrait", writing "I", which is naturally more vivid and vivid, and has a moral significance.

As I said earlier, Li Qingzhao's soul is free-spirited and unrestrained, and her morality is also frank and calm, and she wrote about her girlish feelings in this way, in ancient times, it was a great rebellion, and Wang Zhuo's "Biji Manzhi" said that her kind of words were composed: "Lu Xiang's absurd words, wantonly falling pen, since the ancient gentry's house can write women, there has never been such a carelessness." Yes, we know that Ban Zhao is quite "moral", she also specially wrote "Female Commandments", Zuo Di and Bao Linghui are also "virtuous", so both Ban and Zuo can enter the palace.

Li Qingzhao, on the other hand, is quite disdainful of these moral precepts, and her "lack of care" is on the one hand that she is talented and irrepressible, on the other hand, she is also bright in heart and has no guilt. Drinking and playing poetry, her life is really like a spring flower, spontaneously blooming, calmly blooming, swaying and not acting, looking forward to self-esteem without narcissism. She respects the laws of life itself, feels life, nature, and human feelings keenly, and she is happy and peaceful, self-sufficient and self-sufficient.

Among the female writers of the past, there is only about one Zhang Ailing who can compare with Li Qingzhao, and there are too many similarities between the two, including an unforgettable love affair and its bleak ending. But compared with Li Qingzhao's temperament, Zhang Ailing is far behind.

Zhang Ailing is cold, narrow-minded, sharp, selfish and unconscious, while Li Qingzhao is sunny, kind, and feminine, loving and not arrogant. She does not have zhang Ailing's profound old spicyness, and Zhang Ailing does not have her benevolence and gentleness. Zhang Ailing is dissecting life and examining sentient beings; she is enjoying life and aestheticizing everything. Zhang Ailing is sick, she is healthy. Zhang's article is a cold arrow, and her word is a bright gun. Zhang Ailing's misfortune stemmed from her cold personality, and although Li Qingzhao was extremely unfortunate in her later years, she still did not change her gentle personality.

Li Qingzhao's "no care" is her valuable point. It is also because of this free and unhindered state of mind that she can write such free and free words. No matter whether it is a small order or a slow word, in her pen, it is all the same implicit and free. It was also her "indifference" that she dared to write "The Theory of Words" and point out and comment on the generations of lyricists.

She commented that the second lord of the Southern Tang Dynasty was "the sound of the subjugation of the country mourning and thinking", and Liu Yong was "changing the old voice to make a new sound" but "although the consonant rhythm, but the words are dusty"; some chicken and dog fragments of the northern Song Dynasty, although "there are witty words from time to time", but "broken He Enough famous artists". Even such figures as Yan Shu, Ouyang Xiu, and Su Shi were not timid, acknowledging that they were "scholarly celestial beings" and criticizing them for being "dissonant" and "poems that could not be read in sentences", while Yan Jidao, He Zhu, and Qin Guan all had their own shortcomings: Yan Wushu, He Lacked Solemnity, Qin Shao was real, and Huang Tingjian used too many canons.

In ancient China, there were some female writers, but female critics were only Li Qingzhao, which is related to her "unconcerned" personality.

Her husband Zhao Mingcheng commented that she was "beautiful and beautiful, dignified in its character, returning to the world, really can be hidden" ("Title Li Qingzhao Thirty-one-year-old Self-Portrait"), Zhao Mingcheng commented on his own unscrupulous comments on the ancients, unscrupulously exposed his wife is a tribute and love, willing to live in seclusion with her, of course, if there is such a woman to be in seclusion, the life of seclusion should not be lonely, it should not be difficult.