"Braveheart 2", a theme of family and country feelings, was staged into an "anti-Japanese drama" by Shengsheng. This TV series, which I used to have great expectations for, is now really a little disappointed. Take Guo Jing

"Braveheart 2", a theme of family and country feelings, was staged into an "anti-Japanese drama" by Shengsheng. This TV series, which I used to have great expectations for, is now really a little disappointed.

With Guo Jingyu's Guo Jiaban and Yang Zhigang starring in TV dramas, I have watched too many of them, such as: "Playing Dog Stick", "Big Rice Song", "Niangdao", etc., basically into my eyes. I heard that "Braveheart 2" was finally released after a few years of card review. That is, for "Braveheart 1", it is rare to pay 19 yuan on network TV and watch this drama.

In the long interval of three or four breaks, awkwardly finally watched this drama on the first day of the Tiger New Year. However, the curve of mentality contrast, from the highest point of the beginning peak, to the final complete bottom.

I'm not a picky person, but this play really makes me feel like A man on my back, like a fish in my throat, like a needle in a felt.

It is not an exaggeration to say that it is a "divine drama". First, the falsity of the plot is in several places, with sufficient evidence. For example, a Confucian teacher who teaches Chinese can use the level of a bomb expert to kill the officials of the little devils in a row, blow up two traitors of a certain level, and make bombs by himself, God!

Second, the chaos of the plot and the incoherence of the transition of time points make people very confused. This is a story narrated from the Japanese army attacking Shanghai to the Japanese surrender, spanning seven or eight years, the story is fragmented, and many of them are raw and hard to pull together the plot.

Third, from the perspective of literature and story, this drama is really unsatisfactory. What is the hallmark of a good work? It is to integrate the characters and stories into the times, so that the audience can resonate with the beat of the previous era.

Apparently, Braveheart 2 didn't do that. If you remove the anti-Japanese language that the actors chant, peel off The Japanese military uniform of Higashimura. So, what are we seeing? It is almost a personal feud between Tong Jiaru and Dongcun, a song and dance of Wei Zhongcheng Middle School, and a group of non-committal spectators in Ping'an. It is completely impossible to see the bloody rain and wind, and the "isolated island" in the occupied area of Shanghai is the specific background of the era of the War of Resistance. If you remove the label of "war of resistance", you can change to any city, any period.

Secondly, there are many unreasonable and outrageous places, and the most unacceptable plot is the last episode. Tong Jiaru and Dongcun duel on an island in a small lake. As soon as the camera turned, a group of them suddenly appeared from the bottom of the lake. Dressed in wetsuits, goggles and carrying submachine guns, they are standard for the most advanced commandos. Wow, were they the "Navy SEALs" of the War of Resistance?

Of course, I have to spit on Yang Zhigang's acting skills. In this play, his acting skills are obviously regressive, his lines are blunt, his inner emotional control is too weak, and his exaggerated expressions are all superficial kung fu.

Finally, under the gossip, the screenwriter made Yang Zhigang a very "peach blossom luck" person, what is the situation? In the play, it seems that a woman wants to marry him, (and finally the three women marry her) Tong Jiaru is really lucky, but it is really against the peace.

Therefore, I said that the drama regrettably undertakes the style of other divine dramas, which is outrageous. Just look at it in general, hehe can do it.

I don't know how everyone feels after watching this drama? Discussion and voting are welcome!

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