Text, photo/ Yangcheng Evening News all-media reporter Zhao Yingguang correspondent Huang Songshu
The thousand-year-old cultural vein is endless, and the three rivers meet the tide of calligraphy and painting. On New Year's Day 2022, when the old is resigned and the new is welcomed, the "Sanjiang Huichao - Chen Xizhen, Lin Kailong, Liao Jianwu Welcome Calligraphy and Painting Exhibition" sponsored by the Shantou Arts and Crafts Association and Guangdong Dachao Chuangmei was held in the new exhibition hall of Dachao Chuangmei. It is reported that the exhibition exhibited a total of nearly 100 new works by three calligraphers and painters, through the old, middle-aged and young partners, the combination of calligraphy and painting, at the beginning of the new year, showed danqing elegant rhyme, brought a cultural feast to the local citizens, attracted many calligraphy and painting lovers to visit the exhibition.
Many calligraphy and painting lovers visit the exhibition
In ancient China, there was a saying that "calligraphy and painting are of the same origin" and "books are painting for the heart", Zhao Mengfu said that "it is necessary to know that calligraphy and painting are the same", and Master Shi Tao said that "the painter is also from the heart". The reporter saw at the exhibition site that the calligraphy and painting works exhibited by the three calligraphers and painters were dazzling and colorful: or the traces of the pen were longitudinal, the dragon and snake were hanging on the wall, or the ink stains were muddy, the smoke clouds were full of paper, the essence of the true book art, and the elegant rhyme of The Exhibition Danqing was also.
The scene of the calligraphy and painting exhibition
It is reported that one of the exhibitors, Chen Xizhen, is a member of the Chinese Calligraphers Association, a director of the Guangdong Calligraphers Association, and a former chairman of the Shantou Calligraphers Association. His book takes simplicity, atmosphere, vulgarity and fun as the pursuit, and initially takes the "Two Kings" as the foundation, and incorporates a number of Legal Theps such as the Han Li Wei Monument, and the stele and the poster are combined to form its own unique style. His works have been exhibited and awarded in Guangdong and China for many times, and have been collected by many institutions such as the Museum of the Chinese Revolution and all levels of society.
Lin Kailong, who has been a contributor and illustrator of the national key project "History of Chinese Art" (twelve volumes), is now a researcher at the China Academy of Art's Chinese Intellectual History and China Painting and Calligraphy Research Center, and has always advocated "basing on the locality, paying attention to absorption, advocating the realm, and emphasizing pen and ink", and his paintings often use "one painting" to break through chaos, and then lead to the situation and generate the realm.
Liao Jianwu, also known as Liao Zhicheng, is a freelance artist after the 70s. In order to study Chinese painting in the past years, he resolutely resigned from the enviable public office, lived alone in the mountains of Shantou Nan'ao Island, and honed his own pen and ink in the wind and waves of the island.
According to the relevant person in charge of the organizer of the exhibition activities, the works of the three calligraphers and painters exhibited this time are colorful, free, pen and ink fun, and divine encounters, which is not only the expression of their temperament, but also the "trace ink" sent by the soul, which truly reflects the artistic pursuit and cultivation of the three calligraphers and painters", and also shows the artistic style and charm of the coastal Zoulu and cultural Shantou from a certain aspect.
Source | Yangcheng Evening News Yangcheng Pie
Editor-in-charge | Li Cheng