Chinese national talent - famous painter Zhao Jiasong

The new era needs literary and artistic masters, and it is also completely capable of creating literary and artistic masters! The new era needs a literary and artistic peak, and it can also cast a literary and artistic peak! In the long history of China for 5,000 years, there is a brilliant brilliance of artistic changes and amazing creativity everywhere, and it is their brilliant brilliance that enables Chinese civilization to live endlessly in the long river of history.

Zhao Jiasong is a native of Chaohu City, Anhui Province. Since childhood, he has loved literature and art. Later, in addition to engaging in legal services, he immersed himself in the study of Chinese flower and bird paintings, and YouXi literati paintings. At the beginning of his artistic life, he studied painting with Sun Qifeng's small freehand flowers and birds as the model, carefully pondered, and studied it with subtlety. Later, after reading Ren Bonian, Wu Changshuo, and Pan Tianshou, I picked up the elements that were suitable for me, and finally had a little bit of my own experience and understanding, and appealed to the ink, wrote what he saw in his eyes, expressed what he longed for in his heart, and insisted on going his own way to this day! Since learning painting, he has participated in many painting exhibitions in the province for many times, and has successively joined the Anhui Young Artists Association as its member, the Chaohu Artists Association and elected as a director, the Nanjing Yihaichao Calligraphy and Painting Institute, the Anhui Provincial Calligraphy and Painting Research Association and other professional art organizations. It has made certain developments and breakthroughs in the field of fine arts to which it aspires. 2021 Chinese Artists Spring Festival Gala Image Ambassador, Special Edition Artist of the National Two Sessions; His works were published in the Chinese edition of People's Daily and the European edition.

Pen and ink are funny and rhyme Xiao Yi - remembering the famous painter Zhao Jiasong

In the process of chinese painting for thousands of years, literati painting is the mainstream of Danqing cultural inheritance. The Song people advocated opera ink, which is a sign of the maturity of the literati's painting skills. The Ming dynasty began to paint Zen, which is a sign of the full connotation of literati painting. Mr. Zhao Jiasong, a famous contemporary painter, pondered the tao of painting, traced back to the roots, learned from the Song people, and mastered the Ming people, and was fascinated by the inheritance and innovation of literati painting, so that the spirit and taste of contemporary literati painting became a model of ancient and modern eternal transmission. His humanistic painting method is deeply taught in the two Song Dynasties, so he attaches great importance to the expressiveness of pen and ink. Painting Meilan bamboo chrysanthemum, skillful in bone method with a pen, cultivated into a good kung fu of object pictograms.

Long hook short, one term slippery, no knots. Long lines are drawn in books with distinct writing! Short-term bars are effective and not messy. Each line is organized and orderly, rigid and soft. There is no drawback to seeing a stroke, and no line has become a scattered soldier, and the core essence of Chinese painting with line modeling is incomparable. Looking at the contemporary painting world, the problem of Chinese painting gradually losing brushwork has become a fraud, and the brush method is missing, which is not to say painting, but to "paint". Linear and spiritless, the painting style is obsolete, so that Chinese painting loses the identity of Chinese painting.

On the other hand, Mr. Zhao's flower and bird works are strong and strong, rigid and soft, sharp and slender, and powerful on eight sides, and must be sincerely inspired: the depth of traditional painting methods, wonderful in the degree of brushwork, generations are endless!

In the use of ink to give color, Mr. Zhao's freehand flowers and birds also have unique ingenuity, deep in tradition and heart with the times, and have a good image of vivid charm with the color of the class. Take water as the way, take ink as the instrument, know the nature of water without making it argue with ink, the water is just right to adjust the ink, the ink is harmonious, and the laying is smooth. It is in the same vein as the ink rejuvenation of the Qing Dynasty, there is the reckless texture of Wu Changshuo's ink, the strength of the eight major inks, and the strong sense of contrast when Zheng Banqiao set the ink.

Imitate the sages, do not lose themselves, thick and light dry and wet scorch, can accumulate eight layers and ten layers, will not step on the mud, is still a clear layer, pleasing to the eye. It is also possible to break the ink. Water breaks ink, ink breaks water, light ink breaks thick ink, water, ink, pen, paper are all familiar, and the effect of annihilation is like a dream. The virtual reality is born, the qi rhymes vividly, and people sigh that this method of using ink is exactly the mystery of entering the painting path!

Add light rouge and lightness, which generates a fashion sense of the painting style with the times. Color does not hinder ink, ink does not hinder color, contemporary literati painting freehand, do not draw dull form beauty and charm beauty jump on the paper, elegant and popular appreciation, very contemporary aesthetic tension.

I don't hate today's people who don't know me, I only hate that the ancients don't see me, if you put his paintings together with the eight major paintings, it can be seen that the innovative kinetic energy of the ancients and not sticking to them is very sufficient. This kind of cultural excellence of contemporary literati painting is just a model of adding magic in the wonderful and updating in the new.

Mr. Painting has a valuable pattern of not seeking the best but the best. Mainly engaged in legal services, Dan Qing is obsessed. Therefore, entering the door of Danqing, there is no deliberately produced idea, and the opportunity to create painting is born of interest, becomes talented, transcends painting, and is the natural nature of natural enlightenment. Every time the pen and ink are not hindered, the freehand ink is not delusional, and after the visual experience of sketching, the vividness of the literati paintings is created, the most elegant, and extremely interesting.

The pen and ink are interesting and the atmosphere is relaxed. Paint Zen wind, write one. Inside the painting is the skillfulness of the technique, and outside the painting is the synthesis of Confucianism and Taoism. Each work can enter the temple, but also can please the public, a literati style of naturalistic painting. As a result, his literati paintings can become a positive energy to help the dragon vein inheritance of Danqing culture!—— Lin Zhixian (popular science writer, first-class calligraphy and painting critic)

Zhao Jiasong works