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Predecessors for the seen or collected calligraphy and paintings, often written into notes, compiled into monographs, which is a good reference for posterity identification, the authors of the recorded books, most of them have worked hard in the appraisal, although it is inevitable that there are errors, but most of them are correct, worth learning and reference, in order to enrich our appraisal experience, but also pay attention to the fact that it is not necessarily on the bibliography that must be the real thing, because the previous generation of bibliographies are mostly manuscripts, some have been circulated for a long time before publication, prone to errors. The level of compilers of various bibliographies varies, the times, regions, methods, etc. are different, and the nature and characteristics of each bibliography should be clearly understood in order to be better used for oneself.
Bibliographies are divided into palace internal government bibliographies and personal collection bibliographies as well as hand-handling, bibliographies, and more reading of each bibliography can understand the circulation of a work, inscriptions, seals, sizes, decorations, and comparison with physical objects to help solve difficult problems in identification.
1, The Bibliography of the Inner Palace of the Imperial Court
The earliest internal government bibliography is the Xuanhe Pictorial Notation, which was compiled by the court painters in the second year of Song Xuanhe (1120). It concentrates on the famous paintings collected by the court since the Jin and Wei dynasties, all 231 people, counting 6396 axes, divided into 10 doors and 20 volumes, and evaluated according to the era of the painter, which has important reference value for the study of the history of painting, and the Yuan Dynasty (Picture Painting Treasure Book), the Ming Dynasty's "Coral Net> etc. are very important Internal Province Tibetan painting bibliographies. The 44 volumes of "Shiqu Baodi" completed during the Qing Dynasty, as well as the "Shiqu Baodi Recompliation" and the "Shiqu Baodi Three Compilations" are the most complete and important bibliographic books of the Qing Dynasty.
2. Private bibliography
Personal collections or a family collection of calligraphy and paintings B famous are Anqi's "Dark Green Huiguan", Pang Yuanji's "Catalogue of Imaginary Paintings" and so on. Private collections are limited and can only be used as a reference, and private bibliographies may also prejudice certain works due to personal likes and dislikes, over-evaluating a certain work, and may also affect the attitude of later scholars. Private bibliographies can only be used as auxiliary bases, but they are also one of the supplementary bases and should not be underestimated.
3. Hand-in-hand and bibliographical writings
Experts, connoisseurs, antique merchants engaged in calligraphy and painting, and also wrote some bibliographies, such as Yu Fengqing's "Inscription of Calligraphy and Painting", Wu Qizhen's "Record of Calligraphy and Painting", Gu Fu's "Spectacular Life", Wu Sheng's "Great View Record" and so on. There are also calligraphy and painting framers written by the "Records of the Remaining Couples", which have very important reference value for the identification of calligraphy and painting.
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