Chinese painting uses the poetic realm to create scenery and intentions, with noble sentiments and aesthetic tastes in the picture; in the specific artistic expression process, the use of passionate brush and ink traces to express the author's inner thoughts and emotions, through the compositional atmosphere of the picture, the shape of objects, the shades of light and shade, etc. show a variety of artistic beauty. In this regard, the contemporary painter Fang Jinluo's paintings are permeated with a spirit and freedom, good at constructing poetic spiritual realms and images, with high rhymes, and containing a simple and clumsy atmosphere in free swing, integrating the contemplation of nature and active life into a beautiful artistic language.
The Plateau Still Lake Is more beautiful (68x1361m) was made in 2011
Fang Jinluo's paintings have distinct characteristics from the intention to the expression of pen and ink, and the landscapes, flowers and birds send affection and borrow objects to convey meanings. The objects that are prominently expressed with the brushstrokes and ink colors between brushstrokes and freehand strokes inject the picture into the modern form, constituting an artistic style that is both traditional and full of strong atmosphere of the times, giving people a distinct visual effect. It can be seen that Fang Jinlu's works emphasize artistry and creativity, emphasize spiritual description and inner charm, concise and vivid pen and ink, both form and god, and pursue vitality and agility, forcing Xiao to convey God; the spatial level displayed in the work is rich and varied, using the expression of freedom and pride, as well as exquisite and elegant painting skills to express the "state of mind". This specific emotional symbol as a performance clue in the work makes the work have a rare "context" in embodying the beauty of obscurity, ethereality, tranquility, distance and vastness, which makes the image of the painting transcend the natural form and become the basis for expressing its own emotions, highlighting the expression of contemporary consciousness. Fang Jinluo's profound understanding of traditional and contemporary cultural language broadened his horizons, using the aesthetics of the times to depict nature; using the humanistic spirit of the nation to feel life, and incorporating the mountains, rivers, flowers, birds, and cultural landscapes into his specific state of mind, which can be described as ingenuity.
The style is solitary and arrogant, and the smoke wave is a river autumn (136x68cm) was made in 2012
In the long-term sketching practice, Fang Jinluo teaches nature, is good at finding beauty and expressing beauty from the natural world, he has left many sketching footprints in life, drawing materials to find creative inspiration, and forming emotional release with the communion of nature. Looking at his landscape painting works, there is an image world rich in personality and spirit, and brings a kind of atmospheric majestic momentum with light and elegant brush and ink; with pen and air, with ink to rhyme, the works are ethereal and elegant, and the virtual reality of distant mountains and near peaks reflects each other, bringing people a sense of tranquility and majesty. In particular, he pays attention to the trend of pen line dot painting; the embodiment of one breath, the pen and brush are born together, and the corresponding inner charm of the pen and brush is also the meteorological place where his works have obtained glory, robustness and majesty. From his works, we see not only the aesthetic, majestic and majestic picture, but also the tranquility and elegance of the natural world, and read not only his deep love for nature, but also the beauty, eternity, charm and harmony that are always revealed; the beauty and infinite vitality of nature are vividly expressed, which makes people have a long aftertaste. In the pursuit of flower and bird painting imagery, Fang Jinlu pays attention to the integration of contemporary spiritual values of traditional pen and ink, integrates the mood in it, and emphasizes the inheritance of traditional pen and ink. From the inside to the outside, from the form to the meaning, it can be said that there is a high and easy atmosphere to follow! Whether it is the outline of the pen, the line of transportation, or the color of the ink, it naturally reveals the pen end, which not only emphasizes the freehandness of the pen and ink, but also the quiet and leisurely character in the natural world that is pursued. It is this kind of natural interest that gives flowers, birds, animals and other objects to flow naturally, so that his creation can be shaped, free to the mind, full of emotion and radiant natural beauty. Fang Jin Furnace continues to go deep into life and experience nature with full enthusiasm, and has created a large number of works of art full of vitality and charm through sketching. Here, we bring together his masterpieces of calligraphy and painting and his new works in recent years, and together we can appreciate his unique poetic rhythm and refreshing artistic atmosphere.
Fang Jinluo, born in 1944, Jinhua, Zhejiang, graduated from Zhejiang University in 1967 and worked in a research institute in Beijing. Scientist, red scholar, Chinese painter. Vice Chairman of the Chinese Sinology Society, Honorary President of Art Figure Magazine, Honorary President of the China Literati Research Institute, Director of the China Digital Art Museum, Artistic Director of the Encyclopedia of Chinese Art, Honorary Dean of honolulu Art Academy, Life Academician of the Royal Academy of Arts of Belgium, Foreign Lifetime Academician of the Royal Swedish Academy of Painting, etc.
He has created a large number of excellent works of Chinese flower and bird painting and landscape painting, with a clean and upright atmosphere, elegant and quiet, a thick academic background, a distinct personal style, a solid foundation of pen and ink, a strong atmosphere of the times, bold innovation on the basis of inheriting tradition, outstanding achievements, outstanding contributions, strong appeal and influence.
Emura Kiyohatsu (69x68cm) was made in 2011
He has published more than ten kinds of personal painting collections such as "Contemporary Famous Artists Painting Collection - Fang Jin Furnace" and "Chinese Contemporary Painting Masters - Fang Jin Furnace Painting Collection"; dozens of kinds of classics such as "Chinese Material History", "Chinese Character Dictionary", "Literary Association Art Everyone", "Art Centennial - Top Ten Peak Artists of New China", "Classics and Masters".
He has won the "National Culture and Art Award", "Chinese Art Lifetime Achievement Award", "Chinese Art Special Achievement Award", "Chinese Literature and Art Academic Award", "Chinese Culture scholar award", "Asian Culture and Art Award", "Human Civilization Contribution Award Gold Medal in culture and art category", "World Art Golden Crown Award", "World's Highest Art Little Golden Man Award", "World's Highest Art Temple Award", etc.
He enjoys the honorary titles of "Academic Doctor of Culture and Art", "Influential Figure in China", "Creator and Founder of New Chinese Culture", "Top Ten Contemporary Cultural Scholars in China", "Top Ten Giants of Chinese Art", "National Image Ambassador", "Contributor to Human Civilization", "Outstanding Cultural Figure of UNESCO in the World", "United Nations Literary and Art Publicity Ambassador", "United Nations Cultural Ambassador", "World Top Ten Influential Artists", "World Outstanding Artists" and so on.
Jiang Yun (68x68cm) in 2020
After a night of spring rain, the emerald beautiful Wanshan (138x69cm) was made in 2011
Harubus Ono (129x248cm) in 2013
Lu Hua Ying Yue Ming Qing Ying, Jiang Shui Han Qiu Dian Su Hui (97x180cm)) was painted in 2013
Ningxiang Li Tianzhao Jinyu and Jirui Fudi Danhua (70x180cm) were painted in 2020
Autumn Frost, Proud Winter Snow, Spring Rain, Summer Wind, and Brilliant (180x97cm) were created in 2012
Autumn Shadow (70x69cm) was painted in 2015
Very Spring Color (180x97cm) was made in 2013
Born bone proud of the wind smoke, branches of the spirit rat happy (68x68cm) was made in 2006