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1. Pen and ink
Pen and ink is a means of expression for Chinese painting, not just a painting technique. Many people do not know this, or will not use it, will use it and have no cultural care. The lack of culture is a "hard wound" that cannot be understood and passed on by pen and ink.
What is pen and ink? Liu Xi, a Qing dynasty, carried a cloud: "High rhyme, deep affection, firmness, and greatness, and the lack of one cannot be a book." "Booker, heart painting also." If you don't understand pen and ink, how can you talk about the tao in writing, and what is the connotation of Chinese painting?
2. Qi rhyme
"Qi rhyme vivid" is not only one of the six laws of the Southern Qi Sheikh, but also the art of China, Chinese literature, martial arts, and medicine, all of which are inseparable from "qi rhyme".
"Vivid" is not just a literary concept, it is already a survival concept of Chinese. Therefore, Chinese painting is humanistic and scientific. The fifth generation of Jing Hao proposed that the pen has four potentials: tendons, qi, bones, and flesh. And "qi rhyme" comes from pen and ink, pen and ink from learning, from personality, and from the romantic feelings of compassion when the author feels it. Therefore, there is a saying that "the personality is not high, and it is difficult to seek its height in the painting style".
3. Momentum
"Potential" is a kind of picture relationship, but also a kind of cultivation, without "potential" there will be no "vivid rhyme". There are two kinds of "potential": one is the trend of the picture structure (creating danger); the other is the trend of pen and ink movement (vivid rhyme).
Chinese painting is vivid, "metaphysical", "potential" is the first impression that comes to the face, or dangerous, or thick, or wild, or handsome, whether it is landscapes, characters, flowers and birds, is a kind of harmonious opening and closing relationship, endless, endless.
4. Environment
The realm of Chinese painting is far from being a natural scene or a scene of Western painting.
If the painter does not understand the reason and mistakenly enters the scenic spot, the more he draws, the more he draws, the more he draws, the farther away from the true meaning of Chinese painting. As everyone knows, "the realm is born outside the image" and "the realm is created by the mind". Shi Tao has the aphorism that "the famous mountain is not allowed to travel, and the painting must be like the mountain must be strange", and the painter should have a deep understanding.
5. Write
"Writing" is the most authentic parent language of Chinese painting.
There are two interpretations of "writing": one is from the heart, for the natural expression of true disposition; the other is to travel in the arts, is the interpretation of "skill into the Tao", pay attention to the shape of the dot line, strive to achieve "high rhyme, affection, firmness, and grandeur", and transfer one's own talent, cultivation, and cultivation to the pen and ink through "writing".
6. Scattered
Scatter and tight are the corresponding relationship, only the loose picture will be loose, loose is virtual, virtual is to absorb things, and things are rich and timeless.
Now Chinese painting has gone to two extremes, one is the popular "big freehand", scribbling and deceiving people; the other is the wind of contrivance, seeking greatness, seeking satisfaction, seeking perfection, seeking truth, not seeking art, but in the work of work, greater than who puts down the strength, I do not know and will not take into account the true meaning of Chinese painting - the "Tao".
7. Mysterious
What is the Tao? Lao Tzu said, "The Tao is a thing, and only trance is sorrow." Trance, there are elephants in it, trance, there is something in it. There is a spirit in it, and there is a essence in it; it is very true, and there is faith in it. ”
This kind of trance-like mystery is precisely the spiritual realm of Chinese painting that is getting deeper and deeper. Zheng Banqiao's "rare confusion" is also the place where the picture is mysterious.
8. Shape
"Shape" is a unique method of object shaping in Chinese painting, far from the "type" of Western painting, so the more finely painted and depicted, the farther away from the true meaning of Chinese painting.
"Metaphysical" refers to the spiritual level of the object-image relationship, is derived from nature and sublimated in the heart of the "image", not based on the actual object-image relationship as the criterion, but in line with the needs of the heart, eyes, and hands as the standard. "The magic is between the similar and the unlikely also".
9. Freehand
"Freehand" is a literary concept, never a kind of painting. The reason why Chinese paintings quote the word "freehand" is because of its conciseness and meaning, with a little better than a lot of meaning.
"Jane" is simple, not simple. Simplicity is "to rule ten thousand with one", and complexity is "to rule one by ten thousand". Shi Tao's saying of "one painting" is the best interpretation of capitalization. Intention pen, work pen, white stroke, heavy color, can be freehand, the same must pay attention to the brushwork, pay attention to ink, pay attention to the metaphysical aesthetic meaning. Scribbles can be called stick figures, but they are not freehand.
10. Blank
Blank space is a unique psychological space for Chinese painting, and it is also the inevitable place for the breathing of the picture.
Without a blank space, Chinese painting would lack a mysterious imagination space; without a blank space, the "qi" and "potential" of Chinese painting would cease to exist.
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