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Early morning reading 丨 Sun Qifeng: What is the difference between "realistic" and "freehand"?

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Early morning reading 丨 Sun Qifeng: What is the difference between "realistic" and "freehand"?

What is the difference between "realism" and "freehand"?

The "realism" and "freehand" mentioned here refer to the creative ideas and creative methods. The so-called "freehand" does not refer to the kind of "freehand brush painting method" that is different from the "gongbi", but refers to a kind of creative idea that is relative to "realistic", if compared with those Western paintings with rigorous shapes and realistic images, Chinese painting is generally inclined to "freehand". If it is only in the category of Chinese painting itself, then it should be said that it is a combination of freehand and realism.

Realism is more faithful to nature, freehand dares to get rid of the shackles of nature, and the subjective ideas of the painter are more expressed, that is, more emphasis is placed on the "intention" of the painter. "Foreign teacher creation, middle gain of the source" refers to the unity of objectivity and subjectivity, and the one-sided pursuit of realism will only fall into the circle of naturalism, resulting in the same "photo ism" as photographs. On the contrary, if it is divorced from the subjectivity of reality, it will become an abstract pen and ink game.

Early morning reading 丨 Sun Qifeng: What is the difference between "realistic" and "freehand"?

What is Gong Pen and what is Freehand? What is the difference between the two?

Brushwork and freehand, this refers to two different ways of expression. The main characteristics of the pen are rigorous shape, neat pen and ink, and meticulous portrayal. The main features of freehand are conciseness, generalization, and more emphasis on pen and ink interest. The capitalization is further simplified, highly refined, and its effect is more intense and eye-catching. In terms of the relationship between form and god, from the "writing of God in form" and "exquisite portrait" of the gongbi to the "dissimilarity" of "taking the form of God". Using calligraphy as an analogy, if the brush is close to the method, then the freehand painting is close to the grass, and the big freehand is a bit like wild grass. The main difference between the work pen and the intention pen is, of course, the first method of expression, but in the matter of observing the object and experiencing the object, it is not without difference, or at least it can be said that it is not without emphasis.

Gongbi painting pays more attention to the delivery of structure when observing the object, while freehand painting observes the object focuses on a glimpse of impression and overall momentum. However, it must be pointed out that the structure and momentum should be unified, so only "some emphasis" should be made, not one side should be abolished. Regarding part-time work belt writing, also known as half-work writing, it refers to a painting method that combines the work pen and the italian pen, in fact, it is not necessary to write each half. It is often written in the work, or written in the work. This method of painting makes the combination of work and writing, and the combination of thickness and thinness. Due to the contrast in techniques, it can produce a good artistic effect.

Early morning reading 丨 Sun Qifeng: What is the difference between "realistic" and "freehand"?

What is the drawing method? What is Painting Theory?

The so-called painting method refers to the specific painting method of a certain object, such as the painting method of orchids and the painting method of bamboo, so it is said to be specific and individual. Painting theory generally refers to summarizing common points from the painting methods of many individual objects, rising to the concept of rationality, and forming a theory. Painting theory is abstract, with universal guiding significance, the use of painting theory, painting theory is reflected in the painting method, so the painting theory and painting method are inseparable. Only by understanding the theory of painting can we guide individual painting methods, and only by understanding the theory of painting can we be one of the ten. The outline of the picturesque stone outline should be folded to be three-dimensional. Painting birds must have a virtual and real relationship to be vivid, the use of pen to have changes, the use of ink to have a thickness, the composition of the subject and virtual reality, etc. are all part of the painting theory. While learning the painting method, it is necessary to understand the painting theory, which is very necessary for beginners.

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