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Bamboo in different environments presents different styles, such as clear bamboo, rain bamboo, wind bamboo and snow bamboo. Combined with the actual environment, careful observation, more brush strokes, and flexible use of various methods, in order to paint bamboo vividly and naturally, full of vitality. This article talks about the painting method of wind and rain and snow bamboo.
Wind bamboo painting method
Painting bamboo is a bit windy, and it feels vivid and elegant, so wind bamboo is often painted. Painting the breeze swaying, but also the wind dancing, painting the spring wind and the warm, or the autumn wind, you must first conceive, concentrate on the breath, and then put down the pen. Wind bamboo angan is best to grow obliquely against the wind, and bend downwind, so that the windward momentum is more powerful.
1. Select a tube of sheep pen, dry bamboo from the bottom up, and the ink line should be from thick to shallow. The dry should not be too thick, and there should be a gap in the bamboo knot. The bamboo stem of the painting style bamboo has the tendency to bend downwind.
2: Add a second bamboo stem to the right side of the bamboo stem.
3, dip in light ink, outline the bamboo knot, to change with the change of bamboo stem.
4, the bamboo branches are soft and thin, and the bending by the wind is significant, but it must also have a sense of elasticity, which should be different from painting willow branches.
5. Add twigs to the roots, which should be inclined with the curvature of the bamboo stem.
6, bamboo leaves should be skimmed downwind, but also to take care of the growth structure of the leaves, there are jagged interlacing, as needed to balance the picture composition, skimming leaves should be smooth.
7. The trend of wind bamboo leaves should grow downwind, and the direction is the same.
8. Add bamboo leaves to fully express the beauty of bamboo leaves fluttering under the wind. Grasp the overall picture composition, and convey the dynamic feeling of bamboo branches and leaves.
9. Painting style bamboo should experience the interaction of physical properties and forces, and then put the pen and swing, in order to produce a real and vivid effect of branch and leaf dance.
Note: Bamboo stems and bamboo leaves should be thick and light, bamboo leaves should be dense and dense, and the composition should be concise and bright.
10, bold use of the pen, the layering of the picture should be rich.
11. Lighten the ink, draw the bamboo leaves of the small branches, and draw with the wind.
12, and then dip in thick ink to add bamboo leaves, cloth leaves should also be reasonable and natural.
13. Then wash the brush, mix with the appropriate water dipped in light ink in the belly of the pen, and draw the bamboo leaves at the back to enhance the layering of the picture.
finish!
The painting method of rain bamboo
Most of the bamboo leaves of the rain bamboo should sag, and the greater the rain, the greater the degree of sagging. But when we draw leaves, we can't just sag, and if we just sag, we will become the "human" word arrangement. Wet it with ink and take advantage of the wetness to make it in one go. In order to make the picture more vivid and moving, people also like to paint ink bamboo when the wind and rain are mixed. When painting, it should be soft and rigid, not only should there be a tendency to sag under the rain, but also a sense of wind direction, vivid and changeable, not soft and boneless.
1. Select a tube of small sheep pen, dip the belly of the pen into light ink, dip the side of the pen into thick ink, the tip of the pen is reversed to the left, and then turn the pen upwards to draw the first section of bamboo stem.
2. Continue to paint bamboo stems, although it is a stroke and a section, but the brush intention should be connected and the momentum should be coherent. The flying white left in the process of writing should be retained.
3, dry to draw round, ink color under the weight of light.
4. When the bamboo is dried for seven or eight minutes, dip in thick ink and hook the bamboo knots.
With one side of the pen dipped in thick ink, the dried bamboo drawn is thick and light. This method of using ink is called "ink shooting method", also known as "dipping ink method", or light to take thick, or to thick light light. Most of the freehand paintings use this method.
5. Affected by wind and rain, the bamboo branches of rain bamboo have the tendency to bend and droop after rain. When drawing bending dry, it is necessary to start from the knot, the bend joint is not bent dry, and the whole bamboo stem has a certain curvature.
6. After the bamboo node of the second root is good, add the third bamboo stem to have the effect of near real and far virtual.
7, the bamboo leaves of the rain bamboo after the rain naturally droop, the pen belly is light ink, the tip of the pen is dipped in thick ink to paint the bamboo leaves, and the interspersed relationship between the combination of leaves and leaves should be handled properly.
8: Dip in thick ink and add leaves. It is necessary to have the superposition and change of different forms such as "one" word and "introduction" word, and be flexible and changeable.
9. Dip in light ink, add leaves to the bamboo knots of the thin branches, and pay attention to the relationship between the front and back. Then dip the light ink to dry the picture. Bake outward from around the trunk and do not flatten.
10, then add bamboo leaves to the branches, the pen should be solid, and the front must be brought back.
11. The leaves of the branches should have different changes in front and back and pitch, and the pen should be solid and virtual.
The intersection of technology and leaf should have a certain angle, which should not be completely consistent, nor should the angle be too large.
12: Dip in light ink and add bamboo leaves to the roots.
13. The pen belly contains light ink, and the tip of the pen is dipped in thick ink to enrich the bamboo leaf layer at the root.
14. Dye the left side of the rice paper, and add bamboo leaves with light ink to increase the layering of the picture.
15. Dip a little heavier ink and draw the bamboo leaves on the front side. The layout of the bamboo leaves should not be disorganized, and should be arranged according to the general trend of the picture.
Attention!
The leaves are put together to conform to both the law of beauty and the law of growth. To do this is not so simple, you need to grasp the essentials and practice repeatedly.
finish!
The painting method of snow bamboo
To paint snow bamboo, you must first consider the size of the snow accumulated on the bamboo, the position of the snow, the composition of the painting and the relationship between black and white, and then write down. We must not simply think that snow bamboo is just snow pressing on bamboo. Can paint general bamboo, can only show that there is a foundation for painting snow bamboo, but to show the snow on the bamboo, you have to study its morphological characteristics, only in this way, you can paint snow bamboo.
1, choose a tube of small sheep pen dipped in light ink, the center draws bamboo stems, the root ink color is thicker, the tip ink color is lighter (coarse dry is thicker, fine dry is lighter), the ink should be fresh, to work, to see the pen in the ink, the change is rich, can not be flat coated, general piece.
2, on one side of the fine dry, the pen should be elastic, pay attention to the movement of fine drying and the change of press.
3. Draw the bamboo knots in turn with thick ink.
4, continue to add fine dry, when drawing snow bamboo, fine dry under the pressure of snow, to be sickle-shaped.
5: Add the dried bamboo leaves. The branches and leaves in a stem are divided into the facing, back and left and right sides, and the painting of more than two poles must have the distinction between guest and host, thick and light.
When drawing, it should be noted that the leaves should have the difference between primary and secondary, size, fat and thin and different directions, and there should also be a dense and intercourse relationship.
6, dip in light ink, add paintings to the back and tip of the leaves, pay attention to the changes in the near real and far away, the ink color of the bamboo leaves should be thick and light.
7: Mix a small amount of ochre color with clear water and draw a full moon.
Whether it is the full moon or the background color, it must be lighter than the color of the bamboo, and the picture of the primary and secondary is not clear.
Attention!
The bamboo branches on the node, because they are snow bamboo, try not to connect. The branches should be vivid, and the ink lines should be alive and elastic, and should not be painted as matchsticks. When painting leaves, the leaves of snow bamboo are different from wind and rain, and it is necessary to write the word "father" and pay attention to the arrangement of virtual and real size.
8, the moisture in the pen should be sufficient, start dyeing from around the full moon, do not dye the picture, paint well. If you leave a small amount of flying white, you can retain it, making the picture more breathable.
9, when the base color is semi-dry, dip in light ink, bake and dye around the dried bamboo and the full moon, dye from the inside to the outside, and have a tendency to gradually fade and integrate into one.
Attention!
When making a detailed rendering for the picture, the ink color should not be too light, nor should it be too thick, it should be thick and light, and the layers should be clear. Rendering does not need to be performed one branch at a time, you can leave some blank rendering at the edge of the leaf, especially those parts where the branches and leaves are upward and loose, and the general effect can be expressed.
10, white powder, should not be too thin. The outer contours around the bamboo stems and leaves are dyed white, and the snow on the top is thicker, and vice versa.
11. Draw the snow on the curved dried and dried, and dye it according to the laws of nature.
12, the pen belly contains an appropriate amount of pigment, do not dilute, the pen in "bullet", "fling", "point" and other methods to sprinkle snow, the pigment unevenly scattered on the screen.
13. When the picture is dry at seven or eight minutes, dip in thick ink and draw the bamboo leaves in front. Pay attention to the overlapping relationship between bamboo leaves, and there should be a contrast between thickness and lightness.
14, dip in light ink, draw bamboo leaves, the picture should be balanced, can not be added hastily without ideas.
15. Add bamboo leaves with thick ink at the branches, and add them in the form of "one" and "person" respectively.
Attention!
The whole bamboo must deal with the changes in the thickness and emptiness of the leaves. It is necessary to grasp the overall sense of harmony of the picture.
16, and then dipped in a thicker white, along the change of bamboo leaves dyed, should not be too flat, with a pen to be naturally free.
17. Reduce the purity of the color and dye the edges of the leaves at the bamboo shoots.
18. According to the previous method, sprinkle snow again to enrich the painting and layers.
19. Deal with the relationship between bamboo leaves and snow, and grasp the overall harmony.
20, the color of the snow should be thick and light, so that the picture is more natural and vivid.
21. Scatter the color unevenly on the picture, setting off the artistic conception of "snow". Always consider the location of the snow, the composition of the picture, and the relationship between black and white.
finish!
Attention!
Beginners must pay attention to the situation and artistic conception of this work, and do their best to have a picture in mind. The bamboo leaves in this painting are flat and squared in an oblique direction, which powerfully expresses the wildness of the wind, and shows the spirit of the bamboo not afraid of strong winds, and the branches and leaves show a strong and indomitable force scene. The next pen is like a storm.
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