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Leisurely Painting Landscapes
Speaker: Zhang Haoning
Zhang Haoning, a graduate of tsinghua university's advanced seminar on Chinese painting, a member of the Hebei Provincial Beauty Association of China, a member of the Hong Kong Artists Association, China, won the Excellence Award in the Chinese Youth Calligraphy Art Competition organized by the Central Committee of the Communist Youth League in January 2015, and participated in the art exchange activities for the 40th anniversary of the establishment of diplomatic relations between China and Thailand in Bangkok with the Chinese art delegation in July. In 2016, the personal official website was opened. In 2017, he was invited to participate in the "Cross-Strait Cultural Exchange Exhibition" at the Hong Kong Cultural Centre to celebrate the 20th anniversary of Hong Kong's return to the motherland.
As one of the four national essences, Chinese painting is not only an art, but also a method of cultivating the mind.
What is expressed is the inner emotion and artistic conception, and the emphasis is on the rhyme and the shape of pen and ink.
Between strokes and paintings, it shows tenderness and heroism.
Landscape painting is the spiritual home of the literati of all generations, poetic and picturesque, and sends love between landscapes and rivers.
Use the tools
Pen: Small orchid bamboo or Jiajian Zhongbai cloud pen
INK: Yidege ink
Rice paper: 38 x 38 cm raw Xuan Inner Circle Soft Card
砚: Brick table or small porcelain plate - ink storage, larger white porcelain plate - ink adjustment
Coloring tool
To paint Chinese landscape painting, it is necessary to use special Chinese painting pigments, the color is more pure, so try not to replace it with other pigments; common colors: titanium white, aquamarine, arsenic, ochre, garcinia, three green (stone green).
Preparatory steps
Reading the painting (reference structure line analysis diagram) observes the mountain stone trend, composition, proportion, etc. in the painting in detail; first dip the ink in the large porcelain plate, add water to adjust the medium ink color, suck off the excess water in the brush on the waste paper, and slightly dip the tip of the pen into the thick ink.
Step 1
Draft part: starting from the foot of the mountain, first outline the general trend of rubbing the mountain stone, Chinese painting pays attention to the bone method with a pen, must first erect the bone, and then grow flesh, in order to have momentum.
Step 2
At the beginning, outline the outline frame, use the pen for the rubbing of the mountain stone, pay attention to the texture of the line, the water in the pen can not be too much, to draw with a slightly dry brushstroke, do not be rigid with the pen.
Step 3
The leaf wrapped on the left is greener in color than the previous two; more ash and ochre are added to the deepest folds; and the edge of the farthest leaf is added to the earth red.
Step 4
Draw the trees next to the pavilion, the trunk should not be too smooth with a pen, and the texture of the slightly dry and thirsty brush strokes like the painting mountain stone should show the roughness of the bark, in line with the natural state of matter.
Step 5
Draw a few trees on the side of the pavilion in turn, paying attention to the interrelationship between the branches; the branches should be natural, especially in the place of the branches, and the tree knots should be expressed in order to be vivid.
Step 6
Pay attention to the front and back shading relationship, and now outline the rocks behind the trees.
Step seven
Draw a group of rocks on the left side of the picture, always pay attention to the overall compositional proportions, and at this moment, look at the position angle of the left side of the mountain stones.
Step 8
Continue to depict the rocks on the left, and the place where the stone road is connected should be painted slightly virtual, paying attention to the brushstrokes that have always maintained this slightly dry state.
Step 9
After the foreground rocks are basically painted, the mountains in the middle scene begin to be outlined, and the internal structure is rubbed out. In a group of mountain stones, the rubbing is based on the principle of not rubbing under the top.
The bottom of the stone is not on the top: that is, it is necessary to choose the place where the mountain stones are stacked and covered to be rubbed, and the top of the mountain stone is as white as possible.
Step 10
Paint the rocks obscuring the back, contouring to keep the center forward with the pen, so that the strokes can guarantee the strength and not the slenderness.
Step 11
Draw the mountain stones in the middle scene layer by layer, first draw the closest, the most advanced, and gradually draw the far-reaching mountain stones.
Step 12
Using the brush strokes of the rubbing to express the structure of the mountain stone, as well as the relationship between each mountain stone, pay attention to the texture of the brushstroke, and control the moisture is the key.
Step 13
After the basic framework of the mountain in the middle part comes out, pay attention to the composition, you need to make a virtual zone between the foreground and the mountain stone in the middle scene, that is, the two parts of the mountain stone are not next to each other, there needs to be a gap, so that you can open the distance between the two, more layered and spatial.
Step 14
Add a distant view to make the picture richer, Chinese painting is a position of the front ink color is thick, the position of the far ink color is faint; here when painting the distant scene, use light ink to paint.
Step 15
Depicting vistas and details, such as boats on the surface of the water, mountain dwellings and miscellaneous trees, can not only add layers, but also make the picture more vibrant and interesting.
Step 16
Further depiction, first of all, the mountain stone needs to accumulate ink layer by layer, and it is not enough to rub the dot dyeing once, especially in these key places in the picture, it is necessary to accumulate ink color several times, so that the whole painting has a thick and light change.
Step 17
Depict details, add moss points and leaves of mountain stones, moss points and miscellaneous trees need to be divided into thick and light layers, with thick ink and light ink respectively, so that the ink color is more abundant; at the same time, the water surface is wiped out of the water ripples.
Step 18
This group of trees, drawn in two forms, sandwich leaves and point leaves, is contrasted to draw. Sandwich leaves, the leaves drawn, to be dense, the outer contour can not be too aligned, there must be jagged beauty; along the direction of the brush stroke, dye the mountain stone with light ink; the key parts can be dyed several times, pay attention to the ink color must be light, and need to wait for the ink line to dry before dyeing.
Step 19
Coloring part: mountain stone dyeing light ochre ink color; color grading method - use ochre to add ink, add a lot of water to open the thin dyeing, try to avoid the ink line; water stones and boat edges, light ink dyeing ripples.
Step 20
The miscellaneous trees and moss dots on the mountain are dyed light green, and the coloring method - flower green plus garcinia yellow plus a little light ink and a lot of water, adjusted to light grass green, slightly added a little stone green; the stone road is dyed with a very light stone green thin dyeing, and the leaves are finely dyed with thick stone green; the water surface can be slightly adjusted into the light flower blue with the green of the painted tree, and the horizontal dyeing is transverse. Tree trunks, houses, boats are dyed with light ochre ink.
Step 21
Adjust the tone of the whole painting uniformly, the inscription, the seal, and the painting is complete.
Landscape painting is the essence of loving nature and the beauty of heaven and earth, so yin and yang, obscurity, day and night have endless fun, depicting the great rivers and mountains of the motherland and the beauty of landscapes.
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