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Moon flowers, every year red moon red, flowers bloom four hours, four seasons of evergreen, so there is a reputation of periwinkle.
The flowers are colorful, but they are not demon. With "Don't have a fragrant super peach plum outside,
More with the plum bucket snow frost "character, no matter the cold and heat can see its delicate posture,
Therefore, it is deeply loved by people.
The structure of the corolla of the moon has its distinct characteristics. The inner flap is fragmented and shaped, and blooms outward. The outer lobe is large and thin, curled downward on both sides, and pointed in the middle, the so-called "pointed lobe". This is a petal shape unique to the moon flower, which is different from other flowers. Another is the square lobe, which is formed by the downward folding of both sides and the middle of the flap, and the flap without curling is still a round flap. These three petals are born on the flower in two to three layers on the outside of the flower, and together with the inner and middle petals, they form a unique shape of the moon flower. The changes in the square, round and pointed shape of the outer petals determine the morphological beauty of the flower posture.
The changes in the overall composition of a flower or even several flowers depend on the change in brushwork driven by the size of the pen's click force and the wrist force, and after understanding these structural features, consider how to express them. In the painting method of the moon season, there are mainly two kinds of lice and intentional hook dyeing. There are many varieties of moon flowers, and there are not many that can be painted, the colors are mainly red, white, pink, yellow, blue, purple, and some also have two or three colors mixed in a new variety formed by a flower. The new varieties of prickly lice are mainly dipped from light to dark by the tip of the pen, and the dipping color should reflect the change of color scale and the color is not cloudy. With one click, the color should be connected and blended to be moist and bright, and the color is always fresh. The difficulty of using color lies in this, and it must be mastered after many repeated practices.
First, the point method
(i)
Taking the pink moon season as an example, four painting plates are set up, and the pale grass green, diluted zinc titanium white, aqua ake and carmine colors are mixed with garcinia and flower blue. The rolled Wenzhou leather paper is cut according to the required size, and then the zinc titanium white is first dipped in the white cloud, and then the grass green is dipped on the nib, and then the tip of the pen is dipped in aberration before the pen is dropped. From the white center of the pen tip inwards, point out five to six strokes to the left, right, and bottom, and repeat the left and right directions, respectively, and produce blocks of different sizes with the force of the click. These five or six strokes wrapped inside and out are the prototype of the inner flap. The tip of the pen faces outward, points out the first to second layers of the middle petals in the order of arrangement, and then dips the light grass green and light dawn red, and clicks the square, pointed and round petals according to the change of flower structure. The "press" of this click is to click the pen and then press the belly of the pen to point out the large petals with a full water color. The pen should be crisp and neat, and the pen should leave immediately after falling on the paper, so as not to wet the moisture on the pen and affect the posture of the petal shape.
(ii)
Enter the color improvement stage on the basis of the first point of the petals, first use the small white cloud dipped in a slightly thicker akebode red pen to dry the water, and draw a number of triangular polylines at the inner petals according to the structural changes of the flower type to show the broken petals, and then use the same pen to add a slightly heavier color to the local edge of the middle petals to show the layer. Thin lines of curls are written on the local edges of the externally conducted large valve tips with pale red color, and polylines are added where the boundary between the lobes is not clear.
(iii)
Use slightly thicker zinc titanium dioxide to hit the powder on the outer large flap and the middle lobe while wet, increasing the thin permeability of the water color on the flap. Finally, zinc titanium dioxide is used to add a white thin line on the partial layered polyline of the inner flap to show the layer, and the white thin line is written between the large petals to make the flower structure level clearer.
(iv)
With concentrated zinc titanium dioxide dipped in thick garcinia in the flower center of the indicative place of three or five points of flower buds, the arrangement of the buds is stacked up and down, there are clusters and dispersions. The color of the branches and leaves is a combination of grass green dipped in rouge, rouge dipped in ink, and grass green dipped in flower blue. As for the red, purple, blue, and ink moon seasons, there is no difference between the method of pointing out the moon and the pink moon season, and the difference is only in the dipping color.
Red Moon Season Painting Demonstration
With a slightly thicker zhu zhen dipped in akebode red, first use four or five strokes to dot the inner layer, these five strokes have a length and length, and visually have the feeling of petals. The rotation of the pen naturally emptied the paper floor, just like the dots of the middle and outer petals, there must be changes in the pen. The same is the lateral flap, due to the different visual angles, some strokes are wide, need to be pressed under the belly of the pen, and some can be lightly touched.
The flower buds are dipped in vine yellow dots with thick white powder, the flowers and leaves are dotted with thick and light ink colors, and the color of the branches and thorns is the same.
White Moon Season Painting Method
The traditional white moon season painting method is mostly based on intentional hooks and then dot dyeing. This painting method highlights the characteristics of calligraphy's pen stroke and line modeling, and its dot dyeing is to use light grass green on the basis of the hook line, and the layers between the petals can be divided, and there is no need for white powder dyeing. Another method of dot painting is to integrate and borrow the monthly point method of the Lingnan school in the traditional dot painting method, which is a combination of realism and freehand, highlighting the expressiveness of color and emphasizing objective authenticity.
The color development of the white moon season is first by laying the base color, the second is by the background color of the heavy color leaves, in addition, there is also the auxiliary color of the leaves around the flowers, and the three are indispensable. The heavy color of the leaves is mainly grass green dipped in rouge, and some heavy colors are dipped in heavy ink after dipping rouge, and there are a few leaves with dark ink on the branches. After the heavy color leaves are spotted, the pale leaves are lined along the left and right and lower parts of the corolla, and the color is light grass green or light grass green dipped in light flower blue. Heavy leaf hook heavy ink tendon, light leaf hook light ink tendon, through the interspersed overlap of thick and light leaves, the role of leaf support flowers is fully reflected, and the color of its branches and sharp thorns is grass green dipped in rouge.
The painting method of the Yellow Moon Season
The dipping of the Yellow Moon Season is Garcinia garcinia and vermilion. After the point, zinc titanium dioxide contrast color, color improvement. The pen is first dipped in light garcinia, and then dipped in vermilion on the tip of the pen, from the inner layer of the petal into the pen, according to the flower structure, the pen is combined with the whole piece from thick to light, and the point pen between the petals should have continuity. The pen should be free, smooth and informal. When wet, use a slightly thicker white powder, the tip of the pen towards the root of the petal crashes into the petal, and then use a thin pen dipped in thick white powder to raise the boundary between the petals and the petals, and propose the form of downward curling of the individual petal tips. Color should be mentioned at one time, do not mention it repeatedly.
The color of the yellow moon season is thick rouge, and the flowers and leaves are dotted with thick ink color, mainly thick ink. The branches are also outlined in ink. The thorns on the branches are made of carmine color at the left and right sides of the branches.
Blue Moon Season Painting Method
The blue moon season is rare in the traditional monthly season painting method, and the blue flowers lining the ink leaves are strongly contrasted in color, and the colors are vivid and unique. The color of the petals is two green dipped in thick flower blue, which is the point of the two colors after repeated dipping, and the more intense the color, the more colorful it is. The color of the flower bud is thick garcinia dipped in vermilion, the flowers and leaves are different shades of ink color dots, and the leaf groups should have changes in size, orientation and dense interspersure, and the color of the branches and thorns is the same.
Purple Moon Season Painting Method
The purple moon season is dipped first in light grass green, then dipped in light vermilion, and then repeatedly dipped between rouge and flower cyan. The point dark flap must be a lateral tip facing forward and facing outward, and the thickness and lightness level will appear as the point is pressed. The pale color flap is mainly after pressing the belly of the pen, the grass green and vermilion color on the pen belly can be revealed, and the rich color scale changes on the pale petal are from the light dipping color at the time of the pen. The color of the dot color is directly related to the level of the corolla, the color of the heavy color petal is the mutual dipping color of the thick rouge and the thick flower blue, in addition to the color of the inner flower center part, the petal tip part of the outer large petal, between the petals and the petals, and the rolling down fold of the petal should be focused on the color. In addition to the color improvement involving the corolla level, it cannot be ignored that the paper-floor gap naturally formed by the fast pen speed between the petals gives the corolla level empty inspiration.
The color of the purple moon season flower buds is thick white powder dipped in thick garcinia, and the colors of the flowers and leaves and branches and sharp thorns are all dipped in thick and light ink, which not only seeks the foil of the leaves to the flowers, but also seeks the coordination and elegance of the overall color.
Ink Moon Season Painting Method
The dots of the ink moon season must first emphasize the pen and ink interest, and rely on the layers of ink colors to shape the flower shape in a single ink color flower. Thick and light dry and wet is the key to dealing with the ink color level, in which ink blending and dipping ink must be used properly. There are two kinds of painting methods, namely, the wet pen gray ink dipped in the inner layer of the deep ink dot, the painting method of thick ink and layering, and the method of light ink thirst pen rubbing and thirst pen color improvement.
Second, the intention to hook dot dyeing method
There are two kinds of hooks in the moon season, one of which is the freehand stroke method, which is different from the hook of the gong pen and is the hook of the pen. The brushwork is integrated into the stroke of the line, the hook line has strength, there are light and heavy ups and downs, and the painting method first emphasizes the flower-shaped structure, which is based on the combination of realism and sketching.
The second is the thirst pen erasure freehand hook, thick ink plus layered painting method, this kind of painting method highlights the virtual and real relationship of the hook pen, first with the thirst pen light ink rubbing combined with the brush method to write out the prototype of the inner structure of the corolla, and then with intermittent pen and ink, if the broken brush stroke outlines the middle petal of the corolla and the outer petals of different forms, the hook line strives to be free and vivid, the virtual is real, the real is virtual, and the brushwork is flexible and loose.
The dot dyeing after the hook is about the summary of the dot pen, not dying one petal at a time, but dipping the color from the flower center part into the pen, pressing down immediately after the point, and then sweeping the large pen, going with the flow, the meaning of "meaning" lies in this. The appearance of unstained petals or flying white brushstrokes will undoubtedly help the petals to be reflected in the light surface level. The color used for spot dyeing is mainly used in the white moon season, pink moon season, yellow moon season, green moon season and other pale moon seasons.
The individual paintings that are intended to be dot dyeing can also be combined with the dot petals to form a picture, and the combination of dots and dots can play a certain role in the composition of the active picture and the adjustment of the contrast of colors. The color of the flower buds is the same as that of the point petals, and the color of the branches and leaves and sharp thorns is the same as that of the point petals.
Third, the painting method of the moon and season leaves
The structure of the moon leaf is an odd number of pinnate compound leaves, generally three strokes, five strokes, and some seven strokes. The freehand dot leaves can generally grasp the structural relationship, and the important thing is to deal with the changes in the pen and color between the dense, virtual, hidden and weeping leaves, up leaves, old leaves, and young leaves between the leaf groups.
The color of the leaves should be avoided, and the combination of thick and light ink leaves is a good way, but you can't paint all the moon leaves as ink leaves, or you have to find a way in color grading and dipping. The color of the leaves is mostly thick grass green dipped in rouge, dipped in flower blue, rouge dipped in ink, flower blue dipped in ink or pure ink color dots, the dipping color of young leaves is vermilion dipped in rouge, grass green dipped in rouge. The interspersing of leaf groups should pay attention to the changes in orientation, size, positive side, drape, color intensity, concealment, concealment, and virtual reality. More importantly, when the point leaves are interspersed with leaf groups, leave room for interspersed branches.
Leaf veins, the main tendon a stroke, the left and right side of the tendon side one to two strokes, heavy color leaf heavy ink tendon, light color leaf light ink tendon, concise as the top. The green serrations of the leaf edges are indicatively pointed out after the hook, and their arrangement does not have to be neat.
Fourth, the painting method of the main stem and branch stem of the month
The main trunk of the painting uses a large hard millidou pen with a sideways retrograde and stagnant brushwork, and the trend of the essay is written from the bottom up, and the dry flying white brush meaning can better express its vigor and clumsiness. The young stems are quite vigorous and beautiful, and the left and right branches and leaves are written with a center pen to show their smoothness and flexibility.
The sharp thorns on the moon season are picked out flat with a hard millimeter pen, and the left and right should be misaligned, and parallel symmetry should not be avoided. Painting vertical banners, banners and other large months and seasons, the composition must have a trunk, the pen must have a main auxiliary, two to three or four stems can be.
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