1
The content is inappropriate and the meaning is inappropriate
When creating, I did not pay attention to the poems that were relevant to the theme of the book. For example, participating in the National Day book fair, I wrote Du Fu's "Spring Hope" poem: "The country is breaking the mountains and rivers in. For example, when I participated in the book fair commemorating the victory of the Red Army's Long March, I wrote Wang Wei's poem "Zhuliguan": "Sitting alone in a hedgehog, playing the piano and whistling for a long time..." This is obviously out of date and the text is not on the right topic.
Also, after writing the main text of the poem, the word "Dunshou" is used when writing the paragraph, which is caused by not really understanding the meaning of "Dunshou" (Dunshou is one of prostrations and kneeling).
In addition, the use of "excerpts", "excerpts", "excerpts" and "so-and-so books" before and after the line of money is also repetitive.
Moreover, after writing the main text, when the money is poor, when the signature is signed, there are words "and remember" and "and read", without any explanation or annotation text, "remember" What "knowledge" is it?
In addition, many works do not have a majestic momentum, do not see the ink color, but forced to say "a wave", "sweat", there is also a sense of sentimentality and unreality.
Wang Xizhi's "XingYong Ti", the original traces have been lost.
2
formalism
The form is indeed very important for the work to be hung up for people to examine, but what form to adopt must be reasonable, and the works that commit formalistic mistakes are roughly as follows:
(1) Small print and large length. Dense small characters run through the entire six-foot and eight-foot rice paper, and it is very difficult to read a line, let alone the whole text.
(2) Large characters and small lengths. A few numbers, galloping on the paper surface of the short distance, standing between the narrow rulers, extremely incongruous.
(3) Wild grass is written in segments. A poem and a paragraph of text, but divided into multiple pieces of small paper combined into a sheet, is tantamount to self-severing breath and setting up obstacles.
(4) Multi-color collage. Several colors are put together into one paper, and then written, or on different colors, each book is a piece of paper and combined into one. The sense of production is too strong.
(5) Multi-body miscellaneous writing. A work has a variety of books, and the desire for expression is obvious, often discordant and cluttered.
(6) Blind plutonium printing. Some write huge characters, no large seals, use small seals to superimpose them into large seal shapes or decorative strips, and some write long scrolls, albums or small characters, and stamp everywhere between the lines, all of which make no sense.
(7) Inappropriate old waxing. Use Chinese painting pigments, brush water, tea, Gong water, salt water and the like to dye the new paper old to seek antique color; there are also waxing on the paper to make the ink path rough and mottled to seek "golden stone gas", and first use the brush to draw the color channel of bamboo and wood simple shape and then write a simple book, and pad the wooden board, cardboard, and foam plastic board with grain texture under the paper to seek the ink path to fly white... If you are uncomfortable, it is self-defeating.
Post after the Rain, 25.7x14.9 cm on paper. Collection of the Palace Museum in Beijing
3
Text error
This manifests itself in four ways:
(1) Improper drafting. Do not know the grass method, take it for granted to reduce the point of painting, let the pen smear, can not read.
(2) Use both traditional and simple. A work uses both traditional and simplified characters, and it is complicated when it is remembered, and it is simple when it cannot be remembered, and there is no sense of standardization.
Wang Xizhi's "Distant Eunuch Posters" on paper (facsimile) collection of the National Palace Museum in Taipei
(3) Write typos. Some are the misuse of traditional characters, variant characters, and polysemantic characters, such as tea "several" written as geometric "several"; "queen" written as "after" before and after; stirring" and "writing as peace" "gong"; meaning my "Yu" written as superfluous "yu"; tens of millions of "li" written as "inside" inside and outside; "cloud" of speech written as "cloud" of clouds and mist; "scroll" of books written as "rolls" of curls; "hair" of heads written as "hair" of development; and "stems" of cadres without "doing" to "stems"... Some are miswritten in traditional Chinese characters, and there are "water" inside and outside the door of the "闊" character; "憂" font has "heart" inside and outside the body... Some are painting snakes to add feet, "Hua", "God" and other words with long vertical endings and "sea", "difficult" and other cursive characters habitually add a little more.
(4) Missing words.
Wang Xizhi's "Han Cut Thesis" Chapter On Paper, 25.6×21.5cm, Tianjin Museum Collection
4
Copy the book
There are roughly four situations.
(1) Relying on the grid to write, or draw the grid, or stack the grid, it is difficult to make a plan without the grid. In the long run, it weakens the overall situation and resilience, and inhibits spirituality and talent.
(2) Look up the word patchwork, find the required fan characters from the large dictionary or different inscriptions, put together a piece, write an article, and do its own thing on the paper.
(3) Stick to one painting and one word, stroke by stroke, word by word, little connection between dot paintings, no echo between words and words, and no breath.
(4) Break the writing order, not according to the traditional writing method from top to bottom, from right to left order, but on the paper with a good grid to write the words with a pencil, starting from the top, filling one grid at a time, moving down as a whole; or folding the grid in advance, writing horizontally from left to right, from top to bottom line after line... Writing in this way, you can't see the echo between the words, the volume is gone, and the change in ink color is unreasonable.
Wang Xizhi's "Yuan Sheng Ti" on paper (facsimile) is collected by Fujii in Japan
5
Abuse of tools
There are four most common types of errors:
(1) Write large characters with small pens, or dot paintings are thin and weak, and the lines are soft; or drumming crossbows for force, throwing tendons and bones.
(2) Sheng Xuan wrote the main book, the dot line was too permeable, sometimes there were ink pigs, full of paper knots.
(3) Cooked paper writes large grass, the lines float, and the ink color is scorched.
(4) Add more water to the ink, more water will seep into the water, the pen will be fast, the fast will be sloppy, the knot is not formed, the dot painting is not refined, and the ink is light and hurtful.
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