White plantain
Pro "Half-cut Monument of Kofukuji Temple"
When it comes to white bananas, people often think of its scattered and flowing cursive writing, but the cursive works that best represent the height of white banana calligraphy are his cursive works in his later years. It is generally believed that the study of white bananas has undergone a process from calligraphy to writing, and then gradually to cursive and cursive writing, and this process of change can be confirmed in the surviving works of white bananas. Although we rarely see Bai Shuo's early calligraphy works, from the relevant records, Bai Shuo has worked greatly in Ouyang Qian ("JiuchengGong Liquan Ming") and Yu Shinan ("Epitaph of Princess Runan"), and thus traced back to Chung Sui and Wang Xizhi, from "Pingzheng" to "dangerous", from ups and downs to sparse.
Today, we appreciate the White Banana Pro", "Half-cut Monument of Xingfu Temple". In the ninth year of the new century (721), the monks of Xingfu Temple collected Wang Xi's travels to form the "Xingfu Temple Stele". This inscription was excavated during the Ming Dynasty, and because only more than 30 lines and more than 700 characters remained at the time of excavation, it was also called "Half Cut Stele of Xingfu Temple".
White Banana Pro 《Kofukuji Half-cut Monument》
More than 1,200 years after the "Xingfu Temple Stele" was carved, in the late autumn of 1941, The White Banana used the "Xingfu Temple Half-Cut Stele" as the base to pass through the remaining more than 700 characters.
In fact, in terms of understanding the "Second King", Bai Banana's works created in the 1940s have been deeply recognized by the times - but from the perspective of this temporary work, it seems that Bai Banana's transmission of Wang Xizhi's calligraphy style still lacks a dashing and comfortable side, especially does not have the exquisite and moving characteristics of Bai Banana's later works.
From the above figure, we can see that the "Half-Cut Stele" is indeed not as accurate as the "Holy Order" in reflecting Wang Xi's writing style. However, as a base for the study, it provided The White Plantain with a different style of king character from the Holy Order.
From the stroke point of view, it is thick and symmetrical and slightly relaxed, the pen is smooth and the line pen is soothing; structurally speaking, it lacks a subtle hierarchical relationship, and also weakens the compact echo relationship between the strokes, but it is a little more peaceful and correct; from the chapter point of view, the "Half-Cut Stele" weakens the difference between the weight of the word and the word, and rarely chooses words similar to the "Holy Order" that are biased toward cursive writing and the exaggeration of the scale, but makes the overall style more unified.
Because Bai Banana has made great efforts in both Ou and Yu, in the 1940s, Bai Shuo's usual works often revealed the characteristics of Slender Knots and Slender Characters, and Calmly Treating Ruoyu with a Pen. The fall of this temporary work roughly belongs to this style, and it is also the only place that clearly shows the self-style of the white banana throughout the text.
Of course, Mr. Bai Banana was faithful to the style of the original post and his pen was meticulous when he came to "Half Cut Monument". On the one hand, it is because of his scholarly claims, and on the other hand, it may also be because the artistic style of the Half-Cut Stele is what he agrees with, and even likes, although there is a large gap between this extension and the Holy Order.
Deng Baojian inscription
Deng Baojian is a professor in the Department of Calligraphy, School of Art and Media, Beijing Normal University
At the back of this work is a passage of Deng Baojian's trek, in which he compares the two sages, Shen Yinmo and Bai Shuo, and says:
In the recent world, Mr. Shen Yinmo and Mr. Bai Shao'er did not follow the ups and downs of the world, and took the Jin and Tang Dynasties as the law, and eventually became a generation of sect masters. Throughout the history of books, the most exquisite people in Jin are not Zhao Ziang and Dong Xiangguang. And Mr. Shen and Bai Er are also zhao and dong ye. Why? Shen's strict elegance is close to Zhao's, and Bai's Qingtong Xiaosan is close to Dong's. Shen's Gedu can enter the temple, and Bai's calligraphy has a lot of escape. Yi Qi is natural, but it cannot be extremely special without the accumulation of learning.
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