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Zhang Xuguang's calligraphy has become the sadness of "shell art"

Zhang Xuguang's calligraphy has become the sadness of "shell art"

Mr. Zhang Xuguang had a great influence on the world of calligraphy, and his research on the Holy Order was profound, especially the lectures on the Study of the Holy Order. His calligraphy is quite accomplished in both letters and lines. Among the various bodies of calligraphy, only cursive can best reflect the realm of using the pen, more able to express the feelings of the writer, Mr. Zhang Xuguang for professional calligraphers to understand this can be a natural thing, for this reason in recent years he began to involve cursive learning, his cursive is gradually called "circle book". The eyes of the masses are shining, and there is naturally a certain truth in people calling it a circle book. Watching his cursive writing is indeed full of paper circles, there are several long trunk roads, as well as dry and wet and dense, there is nothing else, it is really a shell of "circle, long road, dry and wet and dense", his calligraphy to this step to this day really makes the majority of calligraphy people can not understand and disappointed, it is really "shell art"!

Zhang Xuguang's calligraphy has become the sadness of "shell art"

In the past, when watching Mr. Xuguang write a line book, his arms, wrists, and fingers were extremely stable, and his pen was calm, reflecting the pen realm of the ancients' "astringent posture, stubbornness", the lines can be described as "vigorous", the glyph structure completely naturally shows the framework of the holy order, as a calligrapher has fully reached the necessary path of the tradition, but the traditional method and the merit are slightly inferior, if you can be calm in the traditional cultivation, you will be able to be in a better state of cursive writing. Nowadays, when he writes cursive, his wrist is not calm, but the wrist is backwards and backwards, which is completely contrary to the ancients' saying that "the pen returns its duty, and does not need to dodge and take advantage of the extreme", and it is a pity that a wrist is reversed and decades of work are wasted!

Zhang Xuguang's calligraphy has become the sadness of "shell art"

At present, compared with other writers, the most desirable point of his cursive writing is the taste of "lines and strength", and other aspects can be "ugly mounds"!

The ancients said "big and confused", Mr. Xuguang can be called "the big and confused of the book", a confused and full of blows "global aesthetics, cursive calligraphy does not need to be recognized, can exist without Chinese calligraphy ...", the tradition has not reached the fire and then entered the ugly and strange place, and merged into the "Ten Thousand And One Like a Group of Customs Exhibition".

Everything is the shallowness of wensi and morality, and it is all for the "fame and fortune" of the ear!

Leaving aside tradition, Asahiko calligraphy has become a "virtual light loss method"!

Zhang Xuguang's calligraphy has become the sadness of "shell art"
Zhang Xuguang's calligraphy has become the sadness of "shell art"
Zhang Xuguang's calligraphy has become the sadness of "shell art"
Zhang Xuguang's calligraphy has become the sadness of "shell art"
Zhang Xuguang's calligraphy has become the sadness of "shell art"
Zhang Xuguang's calligraphy has become the sadness of "shell art"

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