Fu Shan, who claimed to be a disciple of Lao Zhuang, was proficient in the examination of medical martial arts in the history of Zhuzi calligraphy and painting, and was called the "Sixth Master of the Early Qing Dynasty" by Liang Qichao along with Gu Yanwu, Huang Zongxi, Wang Fuzhi, Li Yong, and Yan Yuan. Calligraphy beginner Zhao and Dong, almost can be chaotic, because of the admiration for Yan Zhenqing's character and calligraphy, writing large characters and small characters are happy to yan body. Deng Sanmu's "Linchi Even" said: "Fu Shan's Xiaokai is the most refined, extremely clumsy, but not much, generally in cursive to meet people's quests, but his cursive is not a little dusty, the appearance of ethereal connotations is stubborn, just like his personality." In the theory of calligraphy, the "Four Nings and Four Noes" was proposed, which had a far-reaching influence. This post is selected as "Ananda Yin", which is more casual and simple than the beginning of the text, "Xianwen".
Fu Shan Kai shu "Xianwen" partial
Ananda
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