Wang Xianzhi's "Goose Flock Thesis" inkblot is passed down as the Mi Fu Lin Ben
Engraving of the Baojin Zhai Fa Ti
The Goose Flock Thesis is a book written by the King of the Eastern Jin Dynasty. This thesis, the line of reference, changes with the trend, is not the usual, the strokes are continuous, the momentum is unrestrained, there is no scruples, which reflects the high degree of combination of the uninhibited disposition of dedication and the ability to grow together.
The ink of the original work is not examinable, and there is a Song Dynasty rice pro book. Many famous calligraphers in the past have copied, such as Xian Yushu in the Yuan Dynasty, Xing Tong and Wang Duo in the Ming Dynasty, and Fu Shan in the Qing Dynasty.
The Goose Group Thesis is engraved in volume 10 of the Chunhua Ge Ti, and is also engraved into the Baojin Zhai Fa Ti by the Southern Song Dynasty Cao Zhi Ge, the two engravings are similar, and the base is the same, and the Bao Jin Zhai Fa Ti is copied from the Chunhua Ge Ti.
【Interpretation】
Offerings and waiting for re-worship: Do not judge the sea salt houses up and down, than the recurrence of worries. My sister told me nothing else. Revere Liu Daoshi's flock of geese and return to it. The offerings shall be thanked to him. Wait for the offering to be worshipped.
【Authenticity Verification】
During the Northern Song Dynasty, Huang Tingjian and Huang Bosi were both identified as forgeries. The reasons are: First, the so-called "worship of the false Liu Dao earth goose flock and return to the same" in the post is an anecdote about Wang Xizhi's writing of the Tao Te Ching and the exchange of geese in the mountain vagina contained in the Book of Jin. Second, the Eastern Jin Dynasty fashion did not revere the illusion. Third, his calligraphy is "furious and furious", without the charm of Jin people. Mr. Wang Zhuanghong, a modern stele researcher, also believes that the "Goose Group Thesis" inscribed in the Chunhua Ge Ti is a forgery.
Engraving of "Chunhua Ge Ti"
Mi Fu Pro Ben
Wang Duo ProBen
Fu Shan Linben
Wang Xianzhi studied calligraphy intensively, and was famous for his calligraphy and cursive writing, and had a deep foundation in calligraphy and calligraphy. In the history of calligraphy, together with Wang Xizhi, he is called "Two Kings" and is known as "Little Sage". Together with Zhang Zhi, Zhong Xuan, and Wang Xizhi, he is also called the "Four Sages in the Book". The Tang Dynasty Zhang Huaihuan's Book Estimates rated his book as "first class". At the same time, Wang Xianzhi was also good at painting, and the Tang Dynasty Zhang Yanyuan's "Records of Famous Paintings of Past Dynasties" pointed out that his paintings were "Zhongpinxia".
Wang Xianzhi practiced calligraphy with his father since he was a child, with great ambitions, and later took Zhang Zhi as one. He is known for his calligraphy and cursive writing, but he also has a deep foundation in calligraphy and calligraphy. Because Tang Taizong did not greatly appreciate his works, his works did not have as much preservation as his father's works. The famous work "The Thirteen Elements of Roselle Endowment" is also known as the "Jade Edition of the Thirteen Elements". Predecessors commented that Wang Xianzhi's calligraphy was "Danxue Phoenix Dance, Qingquan Dragon Leap." Precision and ingenuity". His pen changed from "inward expansion" to "outer expansion".
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