What do you, who love culture, want to do this spring? If you haven't thought about it yet, you may wish to let the Jiaoshan Monument Forest take you to the cloud exhibition together! The Zhenjiang Jiaoshan Inscription Museum and the Suzhou Inscription Museum cooperated to invite you to visit all kinds of exquisite Suzhou inscriptions together in the form of a cloud exhibition to feel the beauty of the inscription culture together, so that you can have a spiritual and sensory cultural roaming journey without leaving your home during the epidemic prevention and control period. So let's get ready, pour ourselves a cup of hot tea, and enter this beautiful Jiangnan inscription world together!
Han Mo Haojie: Song Sijia Calligraphy Inscription Rubbings Exhibition
The art of calligraphy in the Song Dynasty occupies an important place in the history of Chinese calligraphy, and its most important practitioners are Su Shi, Huang Tingjian, Mi Fu and Cai Xiang of the Northern Song Dynasty. That is, the four families of the Song Dynasty, "Su, Huang, Mi, and Cai", they are considered by later generations to be the calligraphers who can best represent the calligraphy achievements of the Song Dynasty. Sheng Shitai said in the "Cangrun Xuan Stele": "The Song Dynasty is called a person who can write, and the four families win alone. However, among the four families, Su Yunli, Huang Liuli, and Mi Qiaoba, while Cai Gong was alone in hun hou. ”
As the largest professional inscription museum in Jiangnan, suzhou inscription museum has a large collection of fine calligraphy inscriptions and rubbings from past dynasties. This time, our museum held a special exhibition of Song Sijia inscription rubbings, sorted and classified the calligraphy inscription rubbings of the four people in the collection of "Su, Huang, Mi, and Cai", and selected nearly 100 of the most representative rubbings for systematic display, which comprehensively displayed the extremely high calligraphy achievements of Song Sijia. These exhibits, whether in terms of content form or from the perspective of calligraphy art, can bring a refreshing feeling to everyone and make the audience resonate with the appreciation of calligraphy art. More importantly, through this exhibition, we hope to convey to the audience that Beituo, as a unique cultural carrier in China, is an ancient culture in which people bring the historical beauty generated by natural records into the realm of eternal art. The protection of the stele technique can let many calligraphy lovers appreciate its style, and let the fine art remaining in the long river of history be passed on from generation to generation!
Su Shi (1037-1101)
Su Shi (苏轼), zi zhan , a resident of Dongpo , a native of Meishan, Sichuan. He is good at writing and writing, and his penmanship is fleshy and vigorous, with ups and downs and naturalness, focusing on freehand writing, and pinning his love on the dot paintings written by the letter hand. Su Shi's calligraphy seems plain and simple, but it has a vast atmosphere, giving people a sense of artistic beauty of "the wind and waves of the sea" and "the shape of ancient maples and strange stones".
Huang Tingjian (1045-1105)
Huang Tingjian (黄廷健), courtesy name Lu Zhi (鲁直), was a Native of the Valley Dao, later known as "Yellow Valley", and later known as Fu Weng ,a native of Fenning, Hongzhou (present-day Xiushui, Jiangxi). Huang Tingjian's calligraphy was initially taught by Zhou Yue, and later took The Fa Yan Zhenqing and Huai Su, influenced by Yang Ning's style, especially in the "Crane Ming", the penmanship is based on the side danger, the vertical and horizontal strange, the font is open, the penmanship is thin, and the style is self-contained.
Rice (1051-1107)
Mi Fu (米芾), Ziyuan Zhang, Xiangyang Manshi, Haiyue Waishi, Lumen Jushi. His ancestral home was Taiyuan, Shanxi, and he later settled in Zhenjiang, Jiangsu. When mi fu was young, he painstakingly learned Tang Kai such as Yan, Liu, Ou, and Chu, and laid a solid foundation. His calligraphy works, from large poems to small rulers and inscriptions, have the characteristics of being happy and vivid, changing and changing, and being strong and fresh.
Cai Xiang (1012-1067)
Cai Xiang (蔡襄), courtesy name Junmo, was a native of Xinghua (present-day Xianyou, Fujian). Cai Xiang likes to write well-behaved calligraphy, its calligraphy is thick and dignified, simple and elegant, self-contained, exhibiting Cai Xiang's calligraphy, suddenly feeling a wisp of spring breeze, full of Beautiful and gentle atmosphere. Sheng Shitai said in the "Cangrun Xuan Stele": "The Song Dynasty is called a person who can write, and the four families win alone. However, among the four families, Su Yunli, Huang Liuli, and Mi Qiaoba, while Cai Gong was alone in hun hou. ”
Su shi
Sima Guang Shinto Monument
Form of work Vertical axis
Calligraphic style italics
Introduction to the works
In 1088, the second year after Sima Guang's death, in order to show his merits, Emperor Zhezong sealed the six characters of "Monument of Loyalty and Purity", and The Qinling University Scholar Su Shi wrote and wrote the Dan inscription, and the Jade Book official Wang Pan was instructed to engrave this stele.
In 1094, Emperor Zhezong listened to the rumors and ordered that the Sima Guang Shinto Monument be smashed and buried deep in the ground, and the cemetery was reduced to rubble.
In 1148, the new county commander Wang Ting directly visited the Gurudwara Sima Wen Ancestral Hall, and saw an apricot blossom tree growing at the ruins, tall and tall, with a canopy like an umbrella, and lush foliage, which was a spectacle. Ordered to dig and dig, 4 sections of the monument must be broken in the dirt. After that, Wang Xianling broke the stele, but still re-engraved according to the original rubbing text, together with the forehead and the trek, a total of 6 stones were erected, so this stele is also called "apricot blossom stele".
This stele is a calligraphy written by Su Shi at the age of 51, with an inscription of more than 2,000 words, with a round and fat pen, free and unrestrained, flat body, true and natural, and a mature work in the middle of his life. The whole article seems plain and simple, but there is a mighty atmosphere, which is the best in Su Shi's works. Master Li Kuchan once commented on this stele that "Su Kai shu should be the first with this post".
"Sacrifice of Huang Several Dao Texts"
Form of work Lenses
Calligraphic style line writing
Introduction to the works
In June of the eighth year of Yuan Feng, Su Shi was recalled to Fenglang in Beijing and later promoted to Hanlin to study for a bachelor's degree and a rebbe Shangshu, which greatly changed life and political treatment in Dongpo. This is a eulogy he wrote for the death of his good friend Huang Haoqian. Huang Haoqian (黄好谦), also spelled Huang Haoqian (黄好耯), was enlisted in June of the third year (1070) of the Northern Song Dynasty with the post of Emperor Shenzong of the Northern Song Dynasty, and then successively held the posts of Taichang Chengquan Inspector Yushi and other positions. In August of the eighth year of YuanFeng (1085), Asasaro was appointed as the driving department langzhong. In the second year of yuan, he was appointed as the governor of Yingzhou, but before he arrived, he died in April and May of that year. Su Shi was fifty-two years old at the time of writing this article, and this work is elegant and elegant, true and natural, and is one of the very few calligraphy treasures in Su Shi's works, and has always been praised.
Huang Tingjian
"Yellow Valley Youlan Fu" Zhu Tuo twelve screen strips
Form of work Vertical axis
Calligraphic style line writing
Introduction:
"Youlan Fu" written by the Tang Dynasty poet Han Boyong, comparing Youlan and Xiao Ai, praises the loyal and honest sages and denounces the villains who cheat on power, which is a literary work with profound meaning.
"Youlan Fu" is a large character line book for Huang Tingjian in his later years under the emperor's edict, the size is staggered, the large characters are more than a foot, and the small characters are full of inches. Avoid properly, staggered, harmonious as a whole, and very charming. On the basis of the original strange and upright yellow body, it is more vigorous and powerful, and it is flowing and handsome. There is really an artistic conception of "large beads and small beads falling on the jade plate".
The Seven Buddhas of the Book of Huang Tingjian
Artwork Form Album
Calligraphic style italics
Introduction:
The Seven Buddhas refer to the seven Buddhas of Buddhist legend, namely Vishnu Buddha, Corpse Abandoned Buddha, Vishnu Buddha, Revelation Buddha, Janahanyani Buddha, Gaya Buddha, and Shakyamuni Buddha. "偈", Sanskrit 偈達, literally translated as ode. In December of the sixth year (1091) of the reign of Emperor Zhezong of Song, huang Tingjian, then 47, was invited by the Zen master Guangjian of Lushan to write the Book of the Seven Buddhas and carved a stone on the reading desk of Xiufeng Temple in Lushan. The Seven Buddhas are an important document in the history of Zen Buddhism that indicates the context of development. Huang Tingjian said in the "Trek": "The Seven Buddhas say 偈, Gai Zen Yuanye." The shallow ones fight for the last stream and do not know where to go, so the remainder is the jungle book. "It shows that he attaches great importance to this classic.
The inscription is one of Huang Tingjian's few large-character calligraphy, which uses a pen to cross the odd ridge, with a long horizontal and vertical, and a large stroke to see the power. The whole piece is majestic, with the pen to soar the road, fun, the horizontal pen is stubborn and elastic, the vertical painting is vigorous and deeply hidden, which fully reflects the characteristics of Huang Shu's majestic, strange and elegant, robust and indulgent.
《Jingfu bo shrine》
Artwork form Frame
Calligraphic style line writing
Introduction:
Huang Tingjian's large-character calligraphy works, also known as "Book Liu Guest Poems", "Fu Bo Ti" and so on. The content is Liu Yuxi's scroll, "Fubo" refers to the famous Han Dynasty general Fubo general Ma Yuan. The book was written in May 1101 (1101) When Huang Tingjian was 57 years old, he was proud of his later years, and Wen Zhengming of the Ming Dynasty commented on him: "It is really wonderful to fold and leak." ”
Rice dumplings
"Hongxian Old Question"
Artwork form Frame
Calligraphic style line writing
Introduction:
The two large-character calligraphy posts of the two seven-character poems written and written by Mi Fu are self-composed poems written by Mi Fu when passing through the beautiful Hongxian County (present-day Si County, Anhui). Ink roll on paper, a total of 37 lines, each line 2, 3 words. In the works handed down by Mi Fu, there is very little calligraphy in large characters, and the big characters are not the strengths of Mi Fu, and Mi Fu tastes that his book is called "brush characters", which is more obvious in his large characters. The post is prioritized, the sense of rhythm is very strong, and the ink is dry and wet, thick and light, and it is integrated, and it is naturally interesting. Interpretation: "Hongxian old title cloud: a day of fast Ji qingshu qi, Jian sail thousands of miles of green elm wind." Full of calligraphy and painting with the bright moon, ten days with the flowers. Re-title: In the old tour of the green elm and green willow, Huafa's pale face has not retreated. Angel Remnant Si Pen Research, Shengzhi Elementary School is the family style. Chang'an is old again, and when will I set the way to return to the east. The inscription pillar bian zhou is really old, and there is no cause to play the skin public." Very few large character books have been passed down, and this one is a masterpiece of large characters in his later years, so it is very precious.
"Zhangji Old Tomb Table"
Artwork Form Album
Calligraphic style line writing
Introduction:
The full name is "Song Wuwei ZhangjuShi Epitaph", written by the Northern Song Dynasty Zhou Shen, Chen Dunfu seal cover.
The epitaph carved stone was originally inaction, and now it is gone. The inscription details the life deeds of the tomb owner Zhang Di in his life to help the poor and weak, uphold justice and praise him at the time, which is a precious historical document. When Mi Fu came to Wuwei, Zhang Jilao was deceased, but he was impressed by his noble medical virtues, so at the request of his son Zhang Ji, he made a tomb table for emperor Huizong of Song in May of the first year (1107).
"Zhang Ji Lao's Epitaph" is the immortal name of Mi Fu's most proud small-character calligraphy in his later years, with exquisite penmanship, full of sharpness, and the peak of the book is casual and natural, heavy and elegant.
"Pegasus Endowment"
Artwork Form Album
Calligraphic style line writing
Introduction:
According to the Book of Han, during the reign of Emperor Wu of the Han Dynasty, the Wusun state had excellent horse breeds, and every year it was necessary to pay tribute to the Han Dynasty. Emperor Wu of Han was very fond of Wusun Ma and gave it the name "Tianma". The Calligrapher of the Song Dynasty, like Emperor Wu of the Han Dynasty, was very fond of this horse, so he created the "Heavenly Horse Endowment". "Tianma Fu" is a treasure of the Mi Fu Xingshu and one of the authentic works of his calligraphy.
The pen is strong and powerful, and the article depicts Pegasus as exquisite and full of momentum. The Kangxi Emperor of the Qing Dynasty called him an ancient man who had never come before him and no one who came after him. Throughout the unique personality of the stele calligraphy, stable and vulgar, dangerous and not strange, fat and thin, dense and just right. In terms of chapters, we pay attention to the overall charm, while taking into account the perfection of details, and adapt to changes in the writing process. In the use of the pen, calm and painful, whether in the beginning and fall of the pen has its own charm, want to promote the first inhibition, want left first right, although it is a fixed word on the paper, but let people feel that the rhythm is clear, ups and downs, natural and free, never pretentious.
"Send Xue Lang Zhongshao Peng Book"
Artwork form Frame
Calligraphic style line writing
Introduction to the works
Xue Shaopeng, Zi Daozu, CuiWei resident, Chang'an people. In the first year of the Yuan Dynasty (1086), he was appointed as Chengren Lang, supervising the Taiping Palace of the Qing Dynasty, and the official to the secretary cabinet was repaired, and he was created as Zi Tong Cao. Famous for HanMo, good taste appreciation. Friends with Mi Fu, each appraisal is still good, and the gain and loss are compared. The "Book Genealogy" of Sun Guoting was passed down, and later generations pushed it into a fine book. "Xue Shaopeng and Yu, with the same love of calligraphy and painting, tasted and asked, yu replied with a poem: 'The world's words Mi Xue or Xue Mi are like brothers or brothers. Xue Shaopeng Gongzheng, Xing, cursive, qingrun and beautiful, with Jin and Tang people, has always been highly evaluated by scholars. It is on a par with Mi Xue, known as "Mi Xue". Throughout this post, the knot body is eclectic, leaning forward and backward, left and right, but there is no trace of deliberate management, making the calligraphy appear colorful and relaxed.
Cai Xiang
"Quanzhou Wan'anDu Bridge"
Artwork Form Album
Calligraphic style italics
Introduction:
The full text is a total of 153 words, written in italics, recording the time, age, length and width of the bridge, the silver two spent, the participating figures, etc., carved on two stone stele, each stele is 2.89 meters high, 1.46 meters wide, 0.3 meters thick, and the inscription is divided into 6 lines, each word is 1.8 cm long and 1.5 cm wide.
The original open-air cliff was carved on the left side of the shore, and Xuanhejian (1119-1125) was re-carved in the ancestral hall by Cai Xiang's great-grandson Cai Huan Tuoben, who was a great-grandson of Cai Xiang in Zhizhou after serving as the commander of Quanzhou. The inscription is majestic and simple, the temperament is xuanang, the essence of Yan Lugong, and the legacy of the rigor of The European Book, which is the representative work of Cai Gong's big characters.
Cai Xiang Codex
Form of work Lenses
Calligraphic style line writing
Introduction:
From this post, it brings together different styles of books from different periods of Cai Xiang. Cai Xiangkai's book takes the Tang Dynasty, the whole takes the broad structure of Zhenqing's "Many Pagodas", and also takes the pen and structure of the Chu characters, and the breath has Yu Shinan's warmth and stability, thick and dexterous, and the strokes are exquisite.
The exhibition also has paintings related to the Song Dynasty and the Soviet Union
The "Inscription Technique Display Experience Center" of Suzhou Inscription Museum was officially opened on May 18, 2012, and is the first "Inscription Technique Display Experience Center" established in the national museum industry. The "Center" is dedicated to the on-site display of some of the craftsmanship of inscription techniques, such as inscriptions and monuments, and the audience can participate in interactive experiences.
Suzhou inscription production technology has a long history, with exquisite and meticulous, unique format, rich content and unique, its complete categories, a wide range of themes, the formation of Suzhou's unique industry inscription culture. Among them, calligraphy and inscription production is the most prominent representative of Suzhou inscription production technology, occupies an important position in the history of Chinese inscription carving, and its production skills include exquisite stone, sharp carving knife, erudite carving, exquisite elegance, and requires the four characteristics of inscription production and original work. In 2011, Suzhou's inscription making technique was approved as "Jiangsu Province Intangible Cultural Protection Heritage".
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