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Mi Fu's "On Cursive Writings" is a high-definition accompanying text

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Mi Fu's "On Cursive Writing Posts", also known as "Grass Sacred Thesis", "On Book Posts", "Zhang QianTi", paper, cursive, 24.7 cm in length and 37 cm in width, collected by the National Palace Museum in Taipei, about the second year of the Northern Song Dynasty (1087).

"On Cursive Writing" is one of the important documents on the "grid" of cursive writing in ancient mainland China, and is a kind of evaluation article on cursive writing by Mi Fu, expressing a little of his views on cursive writing. In the creation and theory of calligraphy, mi fu praised the Jin dynasty and suppressed the Tang Dynasty, and did not follow the innovative spirit of the predecessors to subvert the tradition, which has made great achievements in the history of calligraphy.

Zeng Minxing's "Alone Awakening Magazine" said: "Mi Yuanzhang has a penchant for ancient calligraphy and painting, and whenever he sees what others hide, he writes realistically. It can be seen that Mi's enthusiasm for Lingu has reached the level of obsession.

Mi Fu's "On Cursive Writings" is a high-definition accompanying text

【Interpretation】 If cursive writing does not enter the Jin personality, it will become the next product. Zhang Is a vulgar man, a chaotic ancient law, a shock to ordinary people, and a person of his own knowledge. Huai Su is less bland, slightly to the heavens, and the times are pressed down, not high ancient. High and low, but can be hung up in the liquor store. The debate is particularly abhorrent also.

[Translation] If cursive writing does not have the wind and bone of the Jin people, it will only become the next product. The Tang Dynasty calligrapher Zhang Qian, who changed the style of calligraphy since ancient times, looked at the cursive calligraphy created by Sun Da Niang's dancing sword, which was shocking and vulgar, and some people appreciated it. Huai Su learned the clouds in the sky, and the cursive writing was plain and natural. Nowadays, the times have changed, and although the cursive writing cannot surpass the ancients, it has become leisurely and leisurely, hanging in the tavern, as a pastime after drinking, it is still beyond reproach. The debater was particularly disgusted.

:: Tú whitely; only; only.

:: gāo gǔ is elegant and simple.

:: Liquor store (jiǔ sì) A place where alcohol is sold or offered to people to drink.

::Biàn guāng (辩光) late Tang Dynasty calligrapher, character Dengfeng, commonly known as Wu, Yongjia (Wenzhou, Zhejiang) people.

:: Zēng è Hate, loathe.

On Cursive Writing

Rice leaf / cursive

Mi Fu's "On Cursive Writings" is a high-definition accompanying text

[1] If cursive writing does not enter the jin personality, it will become the next product. Zhang Is vulgar

Mi Fu's "On Cursive Writings" is a high-definition accompanying text

[2] The Son, the chaotic ancient law, the astonishing mortals, the self-knowledgeable. bosom

Mi Fu's "On Cursive Writings" is a high-definition accompanying text

[3] Su Shao plus bland, slightly to the heavens, and the times pressed it,

Mi Fu's "On Cursive Writings" is a high-definition accompanying text

[4] Can not be high ancient. High and low, but can be hung up in the liquor store. The debate is particularly abhorrent also.

【Final】

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