He is the master of traditional Chinese calligraphy aesthetics, is a poetry, book, painting three masterpieces of the art world, is one of the most prestigious contemporary calligraphers, he is famous in the world, has the name of contemporary "grass sage", known as "three hundred years out of a forest scattered", he defended the chinese calligraphy in the international center.
He is the model of the harmonious unity of human art Lin Sanzhi ——
Lin Sanzhi's calligraphy works
In the chinese contemporary book world, Lin Sanzhi is a legendary name, his poetry and painting are exquisite, and his reputation has spread overseas, but he has always only recognized himself as a poet, and he never thinks of himself as a family for calligraphy and painting, which shows the depth of his cultivation.
Lin Sanzhi is a typical example of "late success of the great instrument", and became famous in 1972 during the Sino-Japanese calligraphy exchange selection, when he was over seventy years old. In 1973, the first issue of People's China magazine published its cursive banner "Qingping Le Huichang", which shook the book world at home and abroad.
Zhang Ji Fengqiao Night Berth Vertical Axis Ink on Paper Lin Sanzhi
Lin Sanzhi's 8-year-old study of books, starting from Tang Kai, is all over the ancient and modern famous stele, cursive writing with the king as the sect, Huai Su as the body, Wang Duo as the friend, Dong Qichang and Zhu Zhishan as the guests, hard work, thousands of hammers and hundreds of exercises.
In his early years, he studied with Mr. Fan Peikai, a sage from the township sage, and later learned poetry from Mr. Zhang Li'an, a hanshan jinshi. After that, in order to seek the art of Tao, he was only in Charge of Shanghai, and studied under Mr. Huang Binhong as his teacher, and his books, poems, and paintings advanced.
Lin Sanzhi on painting a poem 145×354cm Lin Sanzhi Memorial Collection
Huang Binhong guided Lin Sanzhi not to stick to the old theory, straight into the original calligraphy text, and taught the method of using pen and ink, which was of vital significance for Lin Sanzhi to eventually become Chinese cursive. Lin Sanzhi's calligraphy has become part of the Chinese calligraphy tradition.
Lin Sanzhi once served as a deputy county magistrate, but was soon transferred to the Jiangsu Academy of Calligraphy and Painting, which he was more accustomed to. He is more concerned with poetry, calligraphy and painting than with changes in the world; he is more concerned with arguing with ancient calligraphers and painters for short and long, rather than arguing with today's people; he has no quarrel with the world, his heart is not distracted, he is out of the dust, and he is free from a modern hermit.
Lin Sanzhi kept in mind Huang Binhong's teaching that "the teacher is the ancient, but also the teacher", through several years of cutting down on food and clothing, he accumulated some travel expenses, which was convenient for Chinese New Year's Eve 1934 and seven years old to resolutely pack up, bid farewell to the old mother, wife and children, and travel alone. It took eight months, through the nine provinces of Suzhou, Anhui, Lu, Jin, Henan, Shaanxi, Sichuan, Ejiu, You Songshan, Huashan, Zhongnan Mountain, Taibai Mountain, Emei Mountain, Lushan Mountain, Chaojiang, Three Gorges and other famous mountains and rivers, the journey of more than 16,000 miles, through hardships and obstacles, to get more than 800 paintings, nearly 200 poems, and observe the carved stone calligraphy along the way, the mind and the vision is wide open. This move is also rarely implemented, which shows his persistence and perseverance in pursuing ideals. Later, he visited Huangshan twice, experienced the method in the famous mountains and rivers, found new ideas, and especially felt the spiritual charm of the scenery of the mountains and rivers.
Lin Sanzhi created the "forest body" cursive book of "thin and flowing". Its characteristics are: thin and round, brilliant Huazi, partial and positive dependence, flowing and natural. Lin Sanzhi's cursive writing reflects the highest achievement of Chinese cursive art in the past three hundred years. Lin Sanzhi's cursive calligraphy defends the central position of Chinese calligraphy in the world.
Lin Sanzhi Ancient Ginkgo Row 151×83cm 1978 Lin Sanzhi Memorial Collection
Lin Sanzhi is very creative. He said: "Dare to compare with the ancients and foreigners." For example, writing cursive, daring to compare with Wang Juesi and Fu Shan... How can you do without this kind of arrogance? When the student's skill reaches a certain level, he will always say: "Be bold and let go." "To learn the ancients is to jump out of the ancients, to have their own faces, and to write out their temperament." "Those who learn from me die, and those who betray me live." "It's hard to write well." "You need to get rid of everything, go straight to the horse, and go straight in, which can really become a scholar." The old man happened to be born in the year of the "Pengshu Reform Method", so he often joked: "I am an innovator!" ”
Lin Sanzhi's decades of hard study have nourished the atmosphere, rhyme, meaning and interest of his books, enabling him to reach an extraordinary and extremely high realm, and his contribution to the cause of modern Chinese calligraphy art can really be described as "great achievement".
1974 Calligraphy - Oriental Desire to Know Vertical Axis Ink on Paper Lin Sanzhi
Lin Sanzhi learned cursive writing after he was sixty years old, and in the following thirty years, Lin Sanzhi's white head was diligent, cold lights and night rain, and gradually became his own face in cursive art, and the more he entered the realm in his later years, he finally became famous. Lin Sanzhi believes that "poetry is the first, painting is second, and books are third", and the tombstone he wrote by himself is "poet Lin Sanzhi".
Lin Sanzhi, who is more than eighty years old, has not stagnated under the fame, he has ignored the "wind and candles" until his death, for more than ten years, whether he is asked for by others or participated in exhibitions, he has been creating with enthusiasm, and a large number of works have been circulated in all directions.
Lin Sanzhi Character Four screens colored paper
Mr. Zhao Puchu wrote a poem called "Sanweng Contemporary Called Three Absolutes", and wrote during a special visit in Nanjing: "Lin Lao's calligraphy is unparalleled in the world. The Japanese calligraphy master Aoyama Sugi praised after viewing Lin Sanyuki's fine calligraphy: "The Grass Sacred Relic Is here." As early as 1962, when gao ershi first saw Lin Sanzhi's calligraphy, he once exclaimed: "This is called a word."
Lin Sanzhi's "Four Hours of Reading And Poetry" on Paper, 27×17.5cm, 1921 Collection of Lin Sanzhi Art Museum, Ma'anshan
Mr. Guo Moruo has a saying: "Lin Sanzhi's calligraphy represents China!" Mr. Qi Gong once said: "In and out of Han Wei, put the pen into grass, vertical and horizontal, everything is not as good as the ambition." Mr. Qi Gong once said: "In and out of Han Wei, put the pen into grass, vertical and horizontal, everything is not as good as the ambition." Mr. Zhao Puchu has a more detailed exposition: "The second king of Yuanshao, The Emperor, and the sages of the Ming and Qing dynasties... It is not good to create nature, so that the cursive art that has been silent for a long time in the library reappears brilliantly. ”
Lin Sanzhi's first cursive book "Sino-Japanese Friendship Poem"
This work reflects the highest achievement of Chinese cursive art in the past three hundred years, witnesses the major events of calligraphy exchanges between China and Japan, and defends the central position of Chinese calligraphy in the world. Expert appraisal is "divine product", "Lin San's first cursive", "Lin San's king", is a national treasure.
Lin Sanzhi (1898-1989), also known as Lin, also known as Yilin, Zi Sanzhi, was born in Jiangpu County, Nanjing (now Pukou District, Nanjing), with his ancestral home in Wujiang Town, Hexian County, Anhui. Gong calligraphy, poetry, good at landscape. Before his death, he served as a representative of the First People's Congress of Anhui Province, deputy director of the Farmland Committee of Jiangpu County, deputy governor of Jiangpu County, full-time painter of Jiangsu Provincial Chinese Painting Institute, first-class artist of Jiangsu Provincial Chinese Painting Academy, and honorary chairman of the Provincial Calligraphers Association.
In 1972, he became famous during the Sino-Japanese calligraphy exchange selection, and his calligraphy work "Sino-Japanese Friendship Poem" was praised as "Lin Sanzhi's First Cursive Calligraphy". Zhao Puchu, Qi Gong, etc. called poems, books and paintings "the three masterpieces of contemporary times", known as "grass saints", and Lin Sanzhi cursive writing was called "forest body".
Lin Sanzhi's calligraphy masterpieces include "Xu Yao's Poetry on Huaisu Cursive", "A Self-Composed Poem on a Book", "Li Bai's Cursive Song Line" and so on.
On December 6, 1989, Lin Sanzhi died at the age of 92 due to sputum obstruction of the trachea and ineffective rescue.
Lin Sanzhi composed his own poems Nanjing Pukou Qiuyu mountain cultural celebrity memorial collection
Lin Sanzhi's self-composed poems Ma'anshan Lin Sanzhi Art Collection
Lin Sanzhi Cursive Inscription Nanjing Qixia Temple Bilu Bao Hall Holding Pillar Union
Jiang Pu Chun Xiu Tu Lin Sanzhi
List of works of famous calligraphers and painters after 1949
All works are not allowed to leave the country (11 people):
In principle, works are not allowed to leave the country (25 people):
Chasing deer in the painting world, who can make the list
The list of "2021'Art Weekly" Painting World Awards:
!["Grass Saint" Lin Sanzhi's 24-year-old book of small letters, too cattle![fig]](data:image/gif;base64,R0lGODlhAQABAIAAAP///wAAACwAAAAAAQABAAACAkQBADs=)