When Wang Ximeng was 18 years old, he painted the legendary work "A Thousand Miles of Rivers and Mountains"
Huai Su wrote "Self-Narration Sticker" at the age of 42
Huang Gu was about 50 years old and wrote "Theravada"
Wang Duo, 56 years old, wrote the Cursive Du Poetry Scroll
These are all flowers that bloom in full bloom, and there is no forest scattered so late
"Learn to write after the age of thirty, and learn cursive after the age of sixty"
Around the age of 70, it bears fruit
Lin Sanzhi is a typical late bloomer
But xi cursive writing has reached its peak in just over ten years, which can be described as amazing
Lin Sanzhi
But Lin Sanzhi believes that this is the result of his eighty years of studying art
Living in China's most difficult and turbulent years
He studied calligraphy and painting at a very young age and was a teacher in his early years
Later, he went to Shanghai to learn to paint landscapes from Huang Binhong
He kept in mind Huang Binhong's teaching that "to teach the ancients, we must also be a teacher to create"
Tight clothing and food, accumulation of travel expenses, travel through the motherland to the north and south of the river
Take the art of writing to the next level
Most of the time is still a hard life, lonely study art
Live in a dark alley, live in a simple house
Get up at four o'clock every day and practice tai chi first
Then go back to the room and hang a hundred words
Or Kai or Li, understand its experience, condensed in the pen
Over the years, he accumulated two large cabinets full of "Yan Liu" and "Han Monument"
Lin Sanzhi's works
He takes writing very seriously
Once, Du Fu Caotang in Chengdu asked him to write a couplet-
Sideways heaven and earth are often nostalgic, independent and vast self-chanting poetry
In a hurry, he went into battle temporarily and did not think about it repeatedly
As a result, "self-chanting poems" were written as "self-poetry"
The seeker said it was okay, you can turn it over when you engrave
And Lin Sanzhi shook his head hurriedly: That line of qi is not right
So he rewrote several more, which moved the seeker to the extreme
In the 80-year career of book creation
He repeatedly refined and summed up a set of his own creative methods
For example, one morning, he lived and only wrote the same content
Write it a dozen times, dozens of times
Spread it on the ground, pick out the best, and rub the rest
He said: Writing in this way, practice can make skill, can enter the good situation, easy to get fine products
Although I only started practicing cursive at the age of 60
But the accumulation of eighty years, the rapid comprehension of cursive writing
Undoubtedly pivotal
In life, Lin Sanzhi is constantly witty, and he recites poems in the bookstore:
I am a bald man in the mountain, and I am deaf in the autumn...
Just as he was about to continue, his family called him to help him dig rice
He reluctantly went into the kitchen, took a few handfuls of rice, put some water, and shook it a few times
The family said: Have you never seen this happen?
He smiled: This is called freehand! And then chanted:
I am a bald man in the middle of the mountain, and I am deaf in the autumn.
Tao rice can also be capitalized, and nutrition is not lost in the belly.
In 1966, Lin Sanzhi was sixty-nine years old
The wife died of illness, Lin was very sad, and suddenly made both ears deaf
In the same year, the "Cultural Revolution" movement broke out and experienced seven years of wandering life
Chinese New Year's Eve the Spring Festival of 1970, he accidentally fell into the open pool
Severe burns all over the body, treatment began to heal after four months
The five fingers of his right hand were glued together, but fortunately his thumb, index finger and middle finger were rescued
Shang Ke wrote, self-proclaimed "half-disabled old man"
Or continued to write, never put down the pen in his hand
Portrait of Lin Sanzhi
Lin Sanzhi's early years of Lishu are very flavorful
Soft with rigidity, rigidity and softness, qingxiu and vigorous
But he himself was not satisfied: he had gone too far, not as good as the ancients
Always very humble to say: it seems too literary, not metallic enough!
His cursive ink color is rich in color and his penmanship is strong
In terms of overall pattern, it is good
Looking at one word or two words alone, it is worse
Despite this, Lin Sanzhi practiced grass in his later years and achieved peak achievements
It is already a miracle, what else can posterity say?
In 1972, his cursive banners were highly praised by pundits
The title of the book was first shocked, when he was seventy-five years old
In January of the following year, his works caused great repercussions in Japan
Since then, the Japanese calligraphy community has highly praised his books
Visiting groups visiting China are proud to visit Lin Sanzhi
Mr. Qi Gong wrote an article
Said to see Mr. Lin Sanzhi's cursive writing, let him make comments and leave a message
Mr. Qi Gong wrote four big words without thinking about it, "Five Bodies Throwing land"
After Lin Sanzhixian went, China at that time called him a contemporary grass sage
Praise him as "a generation of masters, three masters of saints"
Lin Sanzhi Memorial Hall
People always pay attention to Lin Sanzhi's cursive achievements
Praise its ten years to reach the pinnacle
Why not face up to the eighty years of accumulation behind it
Why can't you see the spirit of being over sixty years old and not saying old?
It's not too late to start now
There are no shortcuts to success
The big instrument is never afraid of late growth
Grass Saint. Minglin, also known as Yilin, the word scattered, the number of three fools, the left ear, the old man on the river, etc. A native of Wujiang Town, Anhui Province and County. Since childhood, he has loved calligraphy and painting. In 1972, when the Sino-Japanese calligraphy exchange was selected, it became famous in one fell swoop, and Zhao Puchu and Qi Gong called them poetry, books and paintings.
Other works
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