The following are the 14 modern and modern top calligraphy masters compiled by the editor, including Deng Shiru, Zhao Zhiqian, Kang Youwei, Yu Youren, Sha Menghai, Shu Tong, Qi Gong and other people's calligraphy couplets, please choose a work that you like the most!
Zhao Zhiqian ( 1829 1884 )
Qing Dynasty calligraphy seal engraver, number sorrowful nunnery. People from Shaoxing, Zhejiang. Kaishu Zong Wei Stele. Restore the stele pedestrian line, create a unique style of the stele line book. The pen is fierce and the line is sharp. The characters are stretched and flowing, the pen seems to be flat and vigorous, which can be described as dignified and mixed, just strong and graceful.
Kang Youwei ( 1858-1927 )
Qing Dynasty politician and calligrapher. Guangdong Nanhai people. Calligraphy is unique to Wei Stele, good at calligraphy, calligraphy. This combination pen is mainly centered, the middle side is used together, and the pen path seems to be wrapped in cotton iron, and the dry pen is more vigorous and old. The body is between the lines, and the style is heavy and strange.
Yu Youren (1879-1964)
Modern calligrapher. Shaanxi Sanyuan people. Gongwei stele calligraphy and cursive writing. The style is magnificent and the opening is majestic. This line of writing is associated with the Wei Monument, and the line is as light as a weight. Big open, big, big weather. The lower paragraph and the seal are attached to the "Yang" skimmer painting. Very interesting.
Wang Wenzhi ( 1730--1802 )
Qing Dynasty calligrapher. The word Yu Qing, the number of the dream building. Jiangsu Sultan. The calligraphy originates from Dong Qichang in the Ming Dynasty, traced back to the second king, handsome and colorful. This joint pen is bold. The pen is strong and strong, the handwriting is strict and the wine is off, and the spirit is refreshing. Qi rhymes between the Song people and the Wei and Jin dynasties.
Deng Shiru (1743-1805)
Qing Dynasty calligrapher. Anhui Huaining people. Seal engraver. Calligraphy was founded in the Qing Dynasty, and all four bodies were refined. The Northern Wei People's Line, which is simple and thick, graceful and colorful, has a sparse layout, and overflows with words outside the paper.
Wu Lu (year of birth and death unknown)
Qing Dynasty calligrapher. Word Su Tang. A native of Jinjiang, Fujian. This pen is subtle, light and heavy, up and down, and harmonious throughout. The upper and lower lines of words are mixed and interesting. The joint "place" and "warbler" pen are light and thin, and the side is supplemented by the above paragraph, and the lower "swallow" is thin and auxiliary to the lower paragraph, so it is natural.
He Shaoji ( 1799-1873 )
Qing Dynasty calligrapher. Zi Zhen, the number Ofe Dongzhou. A native of Daozhou, Hunan. The calligrapher Yan Zhenqing and the Northern Wei Dynasty were good at sealing in their later years. The style of the book is strong and strong, calm and happy, and this link is extremely dense and changeable, unique and colorful.
Wang Renkan (1848--1893)
Modern calligrapher and painter. The word Kezhuang, also the word Nin'an, the number of the public fixed. A native of Fuzhou, Fujian Province. Emperor Shuzong's early Tang Dynasty Ouyang Inquiry and Chu Chailiang had their own appearance. This joint pen is strong and strong, the glyph is tightly knotted, and the corner is pulled out, which is in the same vein as the European character. The layout is dense and harmonious and natural.
Song Boru ( 1854-1932 )
Modern calligrapher and painter. The word Zhidong, the late name Shibata. Shaanxi Tiquan people. Calligraphy is based on the king. This pen is exquisite and skillful. The knot is shortened and balanced. The writing is meticulous and fleeting. Usually warm to the point of having a Jinren charm.
Qiao Dazhuang ( 1892--1948 )
Modern calligraphy seal engraver. The name was once young, and the word was strong. People from Huayang, Sichuan. This joint writing is concise, concise, and ingenious. The knot is flat in the danger, and there is stillness in the movement. The words "forced", "of", "first", "ming" and so on are extremely generalized. The words "崦", "While", "Pelican" and so on are extremely dangerous, and the Tao is stable.
Lu Weizhao 1899-1980 )
Modern calligrapher and painter, a native of Pinghu, Zhejiang. Calligraphy in the Wei monument, seal Li, the skill is thick, with non-seal non-subordinate "land body" famous in the book world. The stele north of this link is a book of people's walking, vigorous and old, the word takes the dangerous situation, there is a state of imagination, and the shore collapses and breaks the embankment. It is actually a fine work of Lu's books.
Sha Menghai ( 1900 1992 )
Modern calligrapher, calligraphy theorist, educator". A native of Yinxian County, Zhejiang Province. This line of books takes more than the penmanship of Song Ming Sushi, Huang Yu, Zhang Ruitu, Zodiac Zhou and others, with a swift and sharp pen, thick ink, and the knot is left low and right high, which is called a tight knot of oblique flowers. The three lines of the department are long, and the whole work is old and majestic, and the atmosphere is magnificent.
Shu Tong ( 1905 -1998 )
Modern calligrapher. A native of Dongxiang, Jiangxi. The calligraphy sects Xian Zhenqing and He Shaoji all the way, became their own faces, called "Shu Body", dignified and dignified, and like bells and stone drums. This bone strength is contained and is broad and thick.
Qi Gong (1912-2005)
A famous contemporary scholar and calligrapher. Peking Man. Shu Shou Zong Ti also borrowed the stele to strengthen his backbone. This joint is horizontal and vertical, and the iron is drawn with silver hooks. The characters are longitudinal and handsome. The word guards the middle line, and the momentum runs through. Looking at its entire passage, beauty is better than the charm of the form, beautiful and beautiful, and the creation of elegance and customs is the ultimate.