Mr. Sha Menghai said:
"Although he is familiar with the Han Monument, there is also a perfect step ladder, which he was able to reach the peak later... He wrote Han Li in the way Yan Zhenqing wrote the letter, which became the face of the present. Qing people learned Yan "Qian Nanyuan got his body, Yi Moqing got his reason, He Zizhen got his intentions, Weng Changshu got his bones, Liu Shi'an got his rhyme"
Among several people, only Yi Bingqi's relics took the appearance of the gods to dissolve the spiritual aura of Yan Zi into the creation of Lishu, which is really a great teacher inheritance and creation, Yi's Lishu and Yan Lugong's calligraphy. The same grandeur of the cave is high, but its chest can not be perfected.
In the Qing Dynasty literature circle lined with famous artists, Yi Binglishu came out from the monuments of "Pei Cen Ji Gong Monument", "Fenglong Mountain Stele", "Han Ren Inscription Stele", "Kong Zhou Stele", and "Xiping Stone Classic", which were unique and prominent.
Yi Bingqi's Lishu has distinct personality characteristics in ancient Kaixin, his Lishu strokes are straight, strictly and evenly distributed, the four sides are full of dignified and generous, wide bo junwei beautiful rhyme, with a luxurious and graceful temperament, its pen is round and not exaggerated the wave of the goose's tail, but the silkworm head and silkworm tail go straight forward.
His Lishu absorbed some Han Li stele. The super-wonderful thing about its lishu is that it is strict and not rigid above the knot, and sometimes there is a new reason and a charm in the use of the pen, which as a whole shows the image of an elegant and simple Tsinghua high-standard temple.
What is particularly rare is that his lishu can be powerful and small, not only can "expand the Han and become larger and stronger", but also can be reduced to a small subordination exquisite.
Yi Bingqi's lishu creation can be divided into about three stages.
Forty-five years before the age of forty-five is the period of infancy. The Lishu works created during this period, such as the Lishu "Zhiyu Dao, Shi Naigong" written by Jiaqing in the third year, although there are some new intentions, they basically belong to the stage of imitation and exploration;
From the age of 5 to 50 is the period of transformation, and after the age of 450, from the eighth year of Jiaqing to the twentieth year of Jiaqing, his death is the period of maturity.
Most of his Lishu masterpieces appeared in this period, and after entering the mature period, his Lishu style still had subtle changes, such as the inscriptions of "Dingwu Lanting" and "Ruguya" in the tenth year of Jiaqing, and the inscriptions of "Never More Ancient Meaning, Can Give New Poems" in jiaqing in the ninth year of Jiaqing.
On the whole, it is known for its neatness, symmetry, and rigor. Since then, the glyphs of the books have been more refined and the strokes are more upright, and the connotations are more substantial and rich.
The original square is more rigorous and orderly. Some of the inscriptions of "Sanyi Pan ming" and "Sui Sex Caotang" show elegant and elegant meaning.
For example, in the "Qing Shi Zong Wei Liu and Jia Jiu Ji Ou Mei" of the Yang Lian, the two "mouth" characters below the "Ou" character are written like circles, the two points of the "Mei" character are dotted into dots, and the words below the "set" and "Zong" characters are rationally short apostrophes.
The horizontal pen of the "Wei" character is slightly lonely, so that there is a circle in the square, straight and curved, in this couplet, the author combines the Miao Seal Han Li treatment method according to the glyph characteristics, and skillfully presents the square, rectangular, circular, triangular diamond, trapezoid and other plane shapes in the same couplet, coupled with the solemn refining of the pen to give people an endless feeling of aftertaste.
Lishu Wuyan Lian was written in 1814
Qing Shi Zong Wei Liu, Jia Jiu Ji Ou Mei.
Castrated in the spring of castration, Yi Bingshou.
His letters are organically interesting and changeable in the strict rectification, which is simple and lively to achieve the coordination of movement and static, the unity of seriousness and liveliness, the old age is full of vitality, and the strict rectification has a rhyme and a long-range view of the momentum and is very intriguing.
His lily letters pay attention to both the beauty of form and the somberness of the penmanship. The majestic, heroic, elegant and fresh artistic style of his works is extremely beautiful, and the meaning is endless.
【Author】 Yu Weiyi, pen name Wei Yi, Qi Zhai, Ruo Yu. Born in 1958 in Shou County, Anhui Province. Graduated from university. He has served as a young intellectual, a soldier, and a military instructor. Bibliographic papers have been selected for more than 20 national book seminars. He is currently a member of the Chinese Calligraphers Association, a deacon of the Yousheng Book Club, and a special commentator of Chinese Calligraphy Magazine.