The Book of Li takes the Han Stele as the pole, and each stele is surprising, and there is no one who is the same. The "Yi Ying Monument" holds a unique beauty of the Zongmiao Temple, and it is irreplaceable compared with other monuments. It neither wants "Ode to the Stone Gate" to be arrogant, nor is it as beautiful as "Cao Quanbei". There is no square arrangement of "Zhang Qianbei", nor is it as important as "Ceremonial Stele".
Its pen is calm and heavy, and the knot is dignified and graceful, reflecting a dimension of traditional cultural pursuit and deeply embodying the beauty of the temple. As Fang Shuo of the Qing Dynasty said in the "Pillow Sutra Jinshi Bao": "(Yi Ying) is the first in the three steles, and the square of the character is thick, which is enough to call the beauty of the Zongmiao Temple and the wealth of the hundred officials." Wang Weilin Taishi is xionggu, Weng Qin Xi Ge is said to be evenly balanced, the love text is fluent, and the most capable teacher of Han Lizhi is not vain. ”
The Yi Ying Stele is the ultimate in the complete standardization of the Eight Points Lishu, and has the full expression method of Han Li. Its pen is not as multi-faceted as "Zhang Qianbei", nor is it as round as "Cao Quanbei", but it is a multi-cutting square pen into the paper, and the pen is round and out of the front, and the rigidity and softness are balanced. The flat painting is the most obvious. The wave disc paintings, which are the most important expressive features of Han Li, stand out prominently. Its knots, strokes are arranged evenly, the row of near small seals is white, there is no major tightening change, the space inside the word is relatively average, and the strokes are evenly arranged around, unlike the "Shi Chen Stele" and "Cao Quan Stele" that deliberately highlight the main strokes that grow up.
The full name of the "Yi Ying Stele" is "Han Lu Xiang Yi Ying Please Place the Confucius Temple Hundred Stone Stele", which was carved in June of the first year of the Eastern Han Dynasty Yongxing and now exists in the Confucius Temple in Qufu, Shandong. Because this stele is neat and uniform, the structure is strict, the pen is very law-bound, the contrast between thickness and thickness is obvious, and the same as the "Ceremonial Instrument Stele", it is very suitable for beginners to enter the subordinate, and the use of the "Yi Ying Stele" to enter the subordinate, can be both male and female, and can also be beautiful.
As far as the artistic characteristics of the "Yi Ying Stele" are concerned, its pen is very rich, hiding the sharp pen, laying the pen, pressing the obvious, and returning to the front to close the pen. With a pen, the circle is both square, the waves are clear, the flesh and bones are even, and the board is not stagnant. The structure is dignified and generous, the characters are solemn, the middle palace is tightly closed, the structure of the dot painting is rigorous, the interspersed avoidance is also very appropriate, and the glyphs are vivid and vivid, which is quite interesting. Long strokes are generally curved, giving them a whim and a dashing, flowing charm.
Judging from the performance of the chapter, the word spacing is greater than the line spacing, and the layout of the plot is slightly horizontal. The writing is neat and vigorous, dignified and simple, which also fully reflects the superb artistic level of the creators and has a huge impact on future generations.
Before writing "Yi Ying Stele", we should pay attention not to be too neat, so as not to write the words rigidly and vulgarly, especially the silkworm head and goose tail, if the pen is slightly slippery, the decoration is too strong, so we must pay attention to the rhythm of the pen, increase the contact between the pen and the paper, and form a high ancient and thick artistic feature. The so-called "golden stone tool" is the archaic style of a stele, rather than using a brush to simulate the erosion and peeling traces of its remnants.
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