Turn the pen, it is advisable to review left and right, and do not make the program lonely.
Hidden front, dot painting in and out of the traces, want to left first right, to return to the left Yier.
Hidden head, round pen is paper, so that the pen heart is often in the dot painting.
Protect the tail, draw the point to the end, and try to collect it.
The momentum, out of the pecking, is also within the tightness of the vertical pen.
Skimming the pen lies in the use of Bao Fengjun.
Shibuki lies in the method of tightening the battle.
Horizontal scales, vertical rules.
This name nine potentials, although there is no teacher to teach, can also be a wonderful ancient, SuHan Mo Gong, that is, to create a wonderful ear.
--Cai Yong Nine Forces
1
Cao Quan Monument
2
Zhang Qianbei was studying
3
Everyday writing
Zi Yue: Cautiously pursue the far away, and the people's morality returns to the thick.
Fan noodles, back to the back
4
Book theory
The Nine Forces are about strokes.
Turning the pen, it is said that the direction of a stroke changes, how to deal with it. First of all, there is such a change, not a circle, but a square fold. However, this fold, the connection is natural, the shape is broken, but the qi pulse is unobstructed.
Hidden front, nine postures to write. My understanding is that there is no beginning and no end. Here it mainly reflects the desire to leave first right, and the desire to right first left. This is generally the case with the beginning of the book. The seal book also has a rounded round, but the turn is a round turn.
Hidden head, mainly embodies the center line pen.
Tail protection, mainly reflects a stroke to have a close. There are tangible receipts, collections on paper, and invisible collections, closing momentum in the air.
We understand text, and we understand it from both the visible and the invisible.
Rapid momentum, rapid pen speed. Its momentum is short, short and rapid.
Skimming, mainly used in long skimming, skimming away.
Astringent, moving forward steadily in friction. There is this in the press. My teacher talked about differential ups and downs.
Horizontal scales, horizontal strokes, like fish scales, look flat, but ah, there are ups and downs, like a section of progress, micro-differentiation, the overall look is integral. Vertical strokes, like lifting reins, tightening feeling, have an inherent tension.
To write calligraphy, you must try to experience the wonders of calligraphy.