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The gorge river is dangerous and the author is Lu Yushao
Lu Yushao created two new techniques in landscape painting, one is "leaving blank", that is, leaving white marks with ink to express clouds, springs, mountain paths and waves. The second is the "ink block". That is, the blank space should be contrasted with ink color, and the thick ink accumulation points should be blocked. He is also good at drawing clouds and water patterns with long lines, and the clouds are drawn with a thinner brush in the center of the cloud, and the yin side of the cloud is drawn with a lighter and hairier ring curve. In addition, he painted stones that were always empty and unkempt, using only an undulating line to express the mountain stone structure, often with thick ink, until the ink color was dry and white, and then dipped for the second time. Lu Yushao's landscape paintings give people a fresh and timeless, ancient and strange feeling, with otherworldly interest and fascinating beauty, exuding a high-grade literati atmosphere. Regarding landscape painting, Lu Yushao has his own opinion:
In addition to living, reading, writing, etc., the improvement of painting techniques, etc., here we must achieve four 'more', that is, to see more, listen more, think more, and paint more.
It is difficult to improve without seeing good works and hearing comments from others. The good and bad of a thing are from the comparison, can not see the good, how can we know the good standard, then the secondary thing is also regarded as a good thing. So it's important to see the good, the best. The higher the standard of looking, the higher the imagination, and the improvement in their own hands.
Seeing a good painting, I don't know where the good is, I see the bad painting, and I don't know where the bad is, which also limits the recognition ability, so you must listen to people's comments, and then go to see the painting, read and think again, understand his meaning, remember it, learn it over time, and the vision will be high.
The eye is low and the hand is an ordinary phenomenon, and there is no eye low and the hand is high. The so-called low eyes means that the thoughts in the brain are low and the perception is low. The hand is directed by the brain, the low brain, where will there be a high hand? Keep your eyes and hands close, not too far apart, so you have to draw more. Train your hands and wrists, take the materials obtained in your life, as well as the successful works of ancient and modern painters, and the techniques they express, and dissolve them into your own hands to achieve a handy situation. If one end is only buried in the painting, and there is no mutual promotion of other learning, to a certain extent, it is difficult to improve. We cannot seek quick results.
Chunjiang is not old Figure The author Lu Yushao
Learning to paint in the initial stage, while learning to write, and reading some books, can not see any effect, but to a certain stage, you will see the difference, you feel that reading and writing, some effort, to improve has great benefits. Not only when reading books, we must think of painting, when writing, we must think of painting, but also in the contact of ordinary life, we must always think of painting, and we cannot think of painting until a piece of paper is spread out.
Learning to paint early to become famous is not necessarily a good thing. Becoming famous, socializing more, hindering the exercise of basic skills, and there is no time to write and read, which hinders improvement. Therefore, learn to paint and avoid too much fame and fortune. At a young age, do some basic kung fu in a down-to-earth manner, gain the strengths of the people, smelt the furnace self-casting, and gradually form their own style.
Some people write dirty, some people write is this kind of "clean", it is difficult to change for a while, which may also be related to everyone's penmanship. Read more, write more, ask for the dirty, "clean" the seeker to put it, so that the pen and ink refined, flying changes, wash away the evil turbidity, attract the clear spirit, always think, learn over time, can be changed and overcome.
Mei Shitu is written by Lu Yushao
It is best to have someone point out and demonstrate when learning to draw. After starting, the teacher's rules will affect you for life. Although it has changed since then, it cannot be completely shaken off. So the enlightenment teacher is very important.
The painting is taught by the famous master himself, depending on the order of his pen, how to write, how to judge the situation, how to use pen, ink, water, color, how to clean up, layer by layer dye, and even complete. Especially in the middle of the painting, the pieces of words, point out the key, inspire a lot, remember it, carefully ponder it after returning, recall the whole process, and benefit from it.
With a famous teacher, if you are not a wise person, you are always trapped by a famous teacher. The greater the teacher's achievements, the greater the power of being trapped, and the more difficult it is to jump out. Lifelong is the face of the teacher, it is difficult to form their own unique style. Instead, it is better to teach without a name. Explore on your own, go all directions, absorb nutrients, limit less box, and be easy to make new ones yourself.
Ruixue Qichun figure Author Lu Yushao
In order to learn to be "the master of the transformation is my teacher", gather the strengths of all the families, and turn them into their own things. Drawing is like this, and writing is the same. Avoid familiar faces when writing, and have a unique style. Give the viewer a fresh feel. And to copy the families, I also have to choose font dot painting, the face of the wind god and my personality is similar. The focus should be on reading the post, familiarizing it with the unusual places in which the knots are mutated and the dots are drawn upside down, and the heart is chased by the hand, memorized in the heart, and then it is transformed into its own face. To learn Yang Ning's style, we should also learn from his spirit and change it on his basis. Don't want to go the same way, exactly like him.
If the pen is not good, we should do the transformation work and transform the bad pen to a good pen. The method of transformation is to first cultivate good moral character and be a decent person.
Learning to paint can not be content with Xiaocheng, but must have ambition, that is, to have high standards for yourself. We should dare to compare with the best painters in history, the so-called "blood war with the ancients", have high ideas, high artistic conception, high creative skills, perseverance, and throw all the spirit up. Establish the spirit of martyrdom, do not seek fame and fortune, do not be moved by foreign objects, add other experiences, and then succeed.
The wild bridge molecules are thin, and the sand bank is slightly around the author Lu Yu is small
We must have high insight, so that we can have high standards in our hearts, we can identify good and bad, and we must choose the good and follow in the study, so as not to hesitate and be at a loss. Seeing good paintings, taking this as a standard, to evaluate other paintings, you can see where the good is, where the bad is, and add the kung fu of copying, the kung fu of looking at famous paintings, the kung fu of seeing real landscapes, the kung fu of thinking, listening to the discussion of experts, accumulating day by day, step by step upwards, the world only takes the wrong road and can not reach the destination, there is no cheap to negotiate, the short road can be walked.
To learn landscape painting, you don't have to draw sketches, but you have to write. Writing can train the use of pen and ink, the so-called basic skills, half refers to this.
There are two situations in which students are not like teachers: one is that the teacher is too bad and the student does not want to learn from him, and the other is that the student is too wise to be a teacher, and the teacher cannot frame him. If the teacher is mediocre and the students have no outstanding talents, then it is easy to be like.
To improve the study of painting, we must also rely on other learning to help us go up. Often referred to as "poetry, book, and painting", these three are the sister arts closest to each other. If you only learn to draw without touching poetry and books, it will definitely hinder future improvement. The ancients said that reading thousands of books and walking thousands of miles. In addition to experiencing nature, you must read some classical literature books to increase your knowledge of history and geography. After reading the book, not only the inscription and painting avoid often writing empty paragraphs, but also a few sentences on the title, you can be smooth, and do not make jokes. Mainly studying the ancient words of poetry, you can broaden your mind, cultivate your artistic conception, and change your temperament. If you can write your own poems and compositions, of course, it is best, otherwise you must also be able to appreciate and extract the nutrients in it, otherwise you will feel nutritional deficiency and stunted development.
Lu Yu is less calligraphy
Calligraphy must be practiced. Writing well, not only when the inscription is painted, the calligraphy and painting are both good and complement each other. Writing is an essential muscle training. The use of the pen depends on the continuous training of the usual time, so that it can reach the nib of the pen and run freely. Moreover, more optimistic Dharma books, silent meditation, are often in the mind, and over time, they can also influence and paint, change the breath, and increase the rhyme. In my previous learning experience, if the kung fu is ten, four points for reading, three points for writing, and three points for painting. If you always think about it, you often have a "painting" word in your heart, and the three-point painting will not harm gradually improve and achieve something. So I am against beginners, from morning to night, all day painting, and not others, although hard work, the results are not great.
Painting is expensive to write, expensive to write, the use of stunts, a moment of occasional, and with the author's emotions are not in harmony, such as and extravagant abstraction, it is not my so-called abstraction.
Between pointillist paintings, as for random turns, intentional or unintentional, peeling and peeling, such as insect erosion wood, occasionally written, this pen and ink is the ultimate, and the abstract is contained in it. If you borrow foreign objects, the art of rubbing and scrubbing is incompatible with your own feelings, and you are precious.
The shore wind turns the sunset waves, and the boat snow sprinkles cold lights The author Lu Yu is few
As a big person, we must be frank in heart, if the heart is narrow, the climbing is cramped, there will be no realm mentioned above, optimistic about the landscape, good at calligraphy and painting, reading good articles, good poetry, listening to music and drama singing, all the first-class people have this feeling, learn for a long time, naturally can cultivate sentiments, the heart is integrated with it.
The relationship between learning to draw and reading is, on the one hand, to change people's temperament, imperceptibly, so that there is noble sentiment, the heart is consistent, not for fraud, nor is it harmless to people's hearts, so that the character is high, and it also brings the improvement of animation products.
In reading, knowing some historical geography, birds, animals, fish and insects, etc., also has direct help for painting, and it is especially important that when you open a good article or a poem that is loud or silent, you can chew and appreciate the charm of its sound words, the extreme of literary brilliance, and then deduce that its structure is virtual, thick and simple, so as to stimulate emotions to create an artistic mood, and transfer the feelings on the book to the picture, then this first-class intellectual sentiment, after absorption and melting, naturally forms a special picture.
There are two factors: congenital and acquired. Innate comes from endowment, innate insufficiency, depending on the acquired remedy. The remedy lies mainly in the establishment of character, coupled with reading and writing. Reading to change temperament, writing to correct dot painting, in order to achieve the agility of using the pen. This avoids craftsmanship. But this is not an overnight thing, and there are no shortcuts in between
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