Chinese characters are divided into five types of calligraphy: seal, li, xing, cao, and kai.
But today,
Italics, affiliations, and writings are very practical,
It has always been widely used in real life.
Among them, it began in the Qin Dynasty and matured in the Lishu of the Han Dynasty,
As a kind of calligraphy in the art of calligraphy,
Has always been admired by the writers,
And become an important form of expression.
Lishu originated in the Qin Dynasty and developed from the Seal Book.
Lishu is the simplification of the complexity of the seal book,
Turn the circle into a square, turn the arc into a straight,
The glyphs are mostly wide and flat, with long horizontal drawings and short vertical drawings,
Pay attention to "silkworm head goose tail" and "three twists and turns".
Today, the most beautiful 8 lishu inscriptions in history,
Finally got together!
Zhang Qianbei
"Zhang Qianbei" is a work of the late Eastern Han Dynasty. Simple and simple, majestic and powerful, it can be called a representative work of this style in the Han Monument.
The pen is more "square pen" throughout, and the pen is angular and angular, with the characteristics of qi, straight, square and flat. The pen thickness is between the pen and the third pen. The inner cloth of the characters is less white, the sense of thickness and volume is particularly obvious compared with other Han tablets, and the space occupied by each word is more symmetrical, and the complex changes are expressed inside the strokes.
The stele is mainly flat on the knot body, with a unique shape of character formation, square integrity and strength, rigorous structure, and condensed penmanship. The style of the book is simple and mao, and Fang Jin is majestic. At first glance, it seems to be clumsy, and it is exquisite to taste carefully, and the rules and deeds also see the flexible qi, calm and powerful, and the ancient and wonderful.
Cao Quan Monument
The full name is "Gaoyang Lingcao Quan Monument" (national treasure level cultural relics). It is an important inscription of the Eastern Han Dynasty in China, and was engraved on October 21, the second year of the Eastern Han Dynasty (185 AD).
Cao Quanbei is a representative work of the Lishu of the Han Dynasty, known for its elegant style and uniform body, which has been highly respected by successive generations of calligraphers. Judging from the calligraphy of this stele, its pen characteristics are very obvious. Reverse in and out, mainly round pen, transport pen such as a homeopathic push boat, rarely squat big jump pen, not excited, steady gesture, graceful, bright and multi-faceted. The feminine beauty of this monument is characteristic of it. Graceful and graceful, posture, beautiful and not vulgar, beautiful and especially clear, the middle palace is tightly closed, the essence is hidden, stretching like a group of cranes flying wings, elegant and dignified, rich in the ancient thickness, Yu Qingxiu between the wind and moon, exquisite ink, rich and rich, love and indulgence, super easy and excellent travel, spirit and spirit, enlightened and elegant all the way.
Ceremonial monument
This stele is one of the important masterpieces of the Han Dynasty Lishu.
The "Ceremonial Tablet" is elegant, the law is strict, ethereal but calm, regular but not cheerful. The strokes are mainly thin and hard, the thickness changes significantly, especially the part of the painting, strong and powerful, crisp and clean, the contrast between the thick and the thin is formed, the flat is on the outside, the strange is on the inside, the change in posture seems to be flat, and the fine deliberation of the knot body is not simple, the layout is loose, and the word center of gravity is stable, the bone strength is reachable throughout, and the god is complete. The inscription is clear and elegant, and there is a solemn and transcendent look.
Shi Chen Monument
One of the famous Han steles, the inscription is square and neat, dignified and elegant. The gesture is introverted, the wave picks left and right, dense and tactful, the line pen is round and thick, there is a dignified and solemn meaning, although its picking feet have flowed into the atmosphere of the late Han Dynasty, it still has a posture and not a stagnant.
"Shi Chen Stele" is a treasure of the Confucius Temple, together with the "Ceremonial Instrument Monument" and the "Yi Ying Monument", and is called the three famous monuments of the Confucius Temple.
Yi Ying Monument
The full name is "Lu Xiang Yiying Please Place the Hundred Stones of the Confucius Temple", also known as the "Confucius Temple Hundred Stones of the Temple of Confucius", without a forehead. 18 lines, 40 words. Emperor Huan erected in the first year of Yongxing (153), and the monument is at the Confucius Temple in Qufu, Shandong.
"Yi Ying Stele" is a number of Yipin in Han Li, the characters are carried out, simple and thick, pitched and clear, and the back is clear. Especially in the second half, the reverse line of the pen shaft is taken to the left, so that each point is drawn into the wood three points, and the buckle is very tight, which is particularly clever. The knot of the "Yi Ying Stele" seems to be regular, but in fact it is clever, and the word potential expands to the left and right. The style of writing is strict and simple, and it is one of the models for learning Han Li.
Cuan Bao Zi Monument
The full name is "Tombstone of the Jin Dynasty Zhenwei General Jianning Taishou Cuofu Jun", the Eastern Jin Dynasty Emperor Yi has been engraved (405 AD), with a pen knot and the "Zhongyue Song Gaoling Temple Stele" is very similar, between Li Kai, Kang Youwei commented on it: "Duan Pu Ruo Ancient Buddha's Appearance", "Park Hou Gu Mao, Strange Posture". The head of the stele is semi-circular, and the whole stele is rectangular, with a height of 1.83 meters, a width of 0.68 meters, and a thickness of 0.21 meters. The inscription counts 13 lines of 30 words each. At the end of the stele, there are 13 lines of inscriptions, each line is 4 characters, and the forehead is 15 words, all of which are written in the original book. The calligraphy of this stele is between Li Kai, which embodies a style of transition from LiShu to Kai Shu, providing valuable information for the evolution of Chinese characters and the study of calligraphy, and its high status of calligraphy.
West Narrow Monument
Because it is a stone carved cliff, it is rough and strong, the handwriting appears simple and ancient, the structure is beautiful, and the knife technique is powerful. The calligraphy of "Ode to the Western Narrow" is simple and square, just healthy and tidy, with a pen in many ways, less press, take the center line pen, and also participate in the flank as a wave. In particular, the outside and inner circles at the turn of the stroke are clearly angular, and the rigidity of the circle contains deep strength. This stele has a unique position in the Han Dynasty, and its calligraphy is in italics, which is both rigorous and flexible. Yang Shoujing commented that it was "majestic and majestic, with no lack of head and tail, especially treasure weight". Xu Shujun said: "Evacuate Junyi, like the wind blowing the fairy song, floating in the clouds, and the extraordinary can be an ordinary explorer, don't be interested in Han Li."
Ode to the Stone Gate
The knots of "Ode to the Stone Gate" vary in size, sprinkled with grace, vertical and horizontal, exuding a naïve, flowing novelty. The neatness of the book will become flexible, the regularity will become unrestrained, its strokes, reverse in and out, implicit implications, horizontal painting is uneven, vertical painting is not straight, the line pen is strong and powerful, such as the retrograde of the boat, the force exceeds a thousand jun. The turning point is either square or round, and often the "Ode to the Stone Gate" is broken and the pen is broken. The thickness of the stroke horizontal and vertical skimming does not change much, that is, the end of the swallowtail or stroke, and it is not excessively aggravated. The smoothness and vigor of its lines are rare in ancient carved stones. From the overall point of view, the whole style is unified, the font structure is rigorous, and it is full of changes, full of life, and full of a sense of agility. In particular, the elongated characters of "fate", "sheng" and "recitation" of the vertical pen retain the remains of the Han Dynasty Jianshu, which is unique among the existing Han Dynasty stone carvings in the country.
Admire these famous monuments in the book,
There is a feeling of cloud opening fog and suddenly opening up.
There are beautiful like beautiful women, there are rough mines like big men,
Each has its own style, each has its own advantages.
Don't know which inscription is most suitable for your heart?