Chinese painting should be a painting from the whole, and when viewed separately, it is not a painting, it is calligraphy.
Calligraphy can't pass, and painting can't pass. Goldstones, calligraphy, poetry, and painting must be familiar to everyone who draws.
Calligraphy is art, so like painting, there is beauty with true feelings, and it is ugly to be pretentious.
Calligraphy is feminine, the world thinks it is beautiful, but it is actually extremely ugly. Great mortals have no independent personality, but their art is feminine, and there is no independent personality, how can it be beautiful?
You have to really work hard to write, you can't just write. Shen Yusuo just wrote more, thought less, and preferred to examine the evidence. We don't have to learn words.
Declaration Form
There is a school of hard work in writing, the so-called "closed for several years, buried in the pen into a grave", such as Deng Shiru, Bao Shichen and other people. But we can't ignore the kung fu of reading posts, looking more and thinking more, and then having it. If you blindly think that as long as you write more, you can write well, then Mr. Bazi writes dry branches every day, and Taoist priests write yin and yin texts all year round, can they be written as calligraphers? If you want to do it, you must not abolish it, but you must see more and think more, and read more ancient inscriptions to obtain its divine reasoning. The ancients called "heart imitation hand chase", must be copied by heart and then hand chased and successful.
Beginners should write heavily, and in the future, they will write more and more lightly, if it is not laborious. If you are light at first, you will become lighter and lighter, and the more you write, the more floating you are.
Writing initially requires heavy and strong, and not to pursue purity and eternity.
"Hurry up"
Jinshi calligraphy and painting are all based on xiongqiang as the first. Some people say that strength means momentum, which is not the case. Such as the yellow valley zigzag, the sword is fierce, can be called strong? "Hurry to the Chapter" is subtle and rich, can it be said that it is not strong? In fact, the yellow character has more bones and less flesh, and its connotation is thin, and its heart and chest are under the power of Liu Gongquan, and it cannot be regarded as strong. The strong man is the inner health, the vitality is long- and the life force is not broken. In calligraphy, Zhong and Zhang belong to Xiongqiang, and the opposite of Xiongqiang is slender, and it collapses when it is compared.
To learn to write, we must learn both the strong and the strong, but also the hunks, both the thick pen and the fine pen. If the whole school is let go all the way, it will be lost.
A calligraphy must have a holistic beauty. The beauty of the whole lies in the wind god.
Beginners in calligraphy and painting, the emphasis is on generosity, the pattern should be high, good or bad is still secondary.
Words must always be written to carry out, generous and luxurious. As long as you understand one method, you can write it at will.
Bada Shanren calligraphy
The calligraphy of bad mountain people and Shi Tao is good, and the root is open in their hearts. Compared with them, Yan, Liu, Ou, Su, Huang, Mi, and Cai are all too much of a shackle, that is, there are so-called "obstacles" of the Buddhist family - fame and fortune obstacles, all kinds of obstacles.
Books and paintings, whether they are knotted or brushed, must be unique and unpredictable, so that people cannot see their beginnings.
Six books are required to write. Tong Liu Shu understands the raw materials for making characters, and can shake the words loosely and pull them together, such as making buns with noodles, which can be pinched at will. It's amazing to be able to organize five thousand words. You can't cling to other people's fonts, you have to be able to shape yourself.
When I was young, I listened to Mr. Chen Buluan's words: Writing is one of the qualities, and writing is Xi Jing. When people move for a long time in a day, they must be able to be quiet, and although writing is also moving, there is stillness in movement. Long-term writing can change people's temperament without knowing it.
"Fish Eater"
Center forward, is straight. Even if the pen barrel is upside down, as long as the millimeter is still straight, it is also a center.
Flanking, is the pen is not biased. Even if the barrel is straight, as long as it is biased, it is also a flanking.
In the past, people who talked about calligraphy said that the words written by a certain calligrapher had a black line in the center of the sun, which was a model of the pen used by the center, which was nonsense.
Calligraphy uses a chisel pen to turn outward, and the pen is like a knife, which is often the case with calligraphy of the nearest person. Yu Yu Yu Ren, Xie Wuliang, and Ma Yifu all wrote like this.
Every time the calligraphy is difficult to fall, although the clouds fall backwards, it is also said that its intentions are ear- and if you want to find a model, you should still seek it in the Han Fen.
Ordinary people write slowly and cursive quickly, but in fact, it is difficult to write fast and cursive slowly, and it is difficult to reach this situation. Cursive lines should be wrapped around the line and should not go straight.
Writing italics is like writing grass, and writing grass is like a photo. Kai is a model, and this seal book comes. The book of letters cannot be said only about the Tang and Song dynasties, but also the book of li and the book of eight points.
Part of "Ode to the Stone Gate"
Write a line book with more slow strokes and fewer fast pens.
Although Deng Shiru's calligraphy skills are deep, they lack natural interest, multi-technicality, and lack artistry.
Yi Bingshou's "Ode to the Pavilion" has a large temperament, which will feel bad at first glance, which is its beauty connotation. Ordinary people write, always hiding with a pen, and he writes with a pen and loses his pen, without any trickery. Painting also needs to be like this, always undressed, the atmosphere is circling, and it is better not to focus on the details.
He Zizhen wrote the letter with a seal pen, which was very good.
Learning calligraphy and painting can not but seek to be similar. He Zizhen's "Zhang Qianbei" and "Ode to Shimen" are not the original appearance of "Zhang Qian" and "Shimen". This can inspire people who learn to paint. Qing Yang Da Shan wrote the "Ceremonial Instrument Monument" to obtain its god and enter the realm.
Wu Changshuo Lishu
Wu Changshuo's book has a lot of fun.
In the modern era, the eldest son of Gongsun was the first person in the Northern Wei Dynasty, who was talented, rich in collection, and achieved above Zhao Zhiqian.
The calligraphy of Zheng Xiaoxu, Feng Zikai, Yu Youren and Tan Yanmin is all first-rate, but compared to them, Zheng is the most, Feng is second, and Yu and Tan are last. Gai Zheng and Feng write casually, like children; Yu zi is imposing and difficult. Good calligraphy should be like the Buddha, and seeing it makes life respectful and not fearful. But if you look at the great official, you will only see his majesty and majesty, and you will not be able to see his virtue. We often exclaim, "Ah! How big is this tree! How big is this mountain! And never say "how big is this day", "how big is this land". It is really great, and man does not realize that it is great. Yu De and Yu Yi are like this, so that people do not feel that the great one is really big.
Feng Zikai calligraphy
To learn calligraphy, choose a good model to write for a long time, or even write for a lifetime, so as to be the backbone of your life's calligraphy. In addition, the benefits of other works are also absorbed. To enrich this one. However, we should not only focus on the inscriptions, but also the Yin Zhou bronzes, the Qin Quan zhi tablets, and the Han bricks and tiles as texts.
Writing should be based on a certain kind of book style of the ancients, and after writing, write others. Writing others is also meant to enrich this one. Such as blindly posting, seeing different thoughts, but wasting energy in vain.
Writing should be written one by one, understand its structure, dot painting, brushwork, and then put down another kind of learning.
To write well, you always need to work hard from the seal. "It is easy to write and difficult to read", first of all, we must recognize words, and we must understand general philology.
Stone Drum Text
Shi Guwen talks about dense white, and xiao zhen talks about stopping and arranging evenly.
The writers of the book failed to enter the realm of being able to appreciate the Yin Zhou Jinwen and Qin and Han brick and tile carvings, and they could not talk about the high level.
Li Si's power is measured and the style is higher than that of the Han People.
Learning calligraphy can be inspired in Chinese Jane. The Hanjian realm is high, first of all, it is simple, so it is high.
Writing Han Li can be changed to a seal body; you can also use a seal pen to write a letter.
Calligraphy is highest in Qin and Han. The Western Han Dynasty was higher than the Eastern Han Dynasty. I used to like the Book of the Two Kings, but now I don't see it very well.
The Han dynasty took the "speech system" to take the soldiers, so there were many good readers, and the predecessor Yun "the two queens have no books", in fact, the two kings are already weaker than the Han people.
"Monument to the Three Gong Mountains"
I have been working hard for thirty years on the "Monument to the Three Gong Mountains of Qi", the "Monument to the Gods of Wu Tianfa", and the Qin QuanLiang Edict. "Sangong Mountain" and "Tianfa Divine Saying" are actually two male pens in the history of Chinese books. Among them, "Sangong Mountain" is very atmospheric and written without concern.
Writing a letter must be run on a rolling motion, which is called a twisted pen, and this method must be used to obtain a twist and turn. Lishu originates from the seal and is different from the seal, between the seal, the book is closer to the seal, and its stroke order is also different from the letter and more like the seal book, therefore, the Book of Xi Li does not start from the seal book, and it is rare to find the meaning of the ancients, and this theory knows that the widow is widowed.
Cai Yong's "Seal Posture", Wei Heng's "Li Shi", and Bao Zhao's "Feibai Shushi Ming" talk about the structure, changes, and momentum of calligraphy, and do their best, and those who study calligraphy and painting must read it well.
Not all Han monuments are good, if the calligraphy is less varied and uninteresting, although the Han stele may not be good.
Of course, calligraphy is good for the Six Dynasties of Han and Wei, that was the prosperous era, and the Sui and Tang Dynasties were the rest of the waves, inferior.
Learning the ancient stele stone text is to experience the spirit of the ancient stele, "Zhang Qianbei" and other Han Li, He Zizhen has been in the eighty times, more than a hundred times, his experience is in this Linben, I learn from He Zizhen, is equivalent to cooperating with him, he learned to help me learn, I walked a lot less.
Li Bai "On the Balcony Post"
Li Bai's book "On the Balcony Post", named "Taibai", is written almost like "the second day of the university", much like "big white", which is very enlightening. The artwork must be interesting to look at the easy illusion. If you use this brushwork to paint landscapes, flowers and birds, it is the highest qualification.
The Northern Wei monuments were originally neat. We learn it, take the word "sharp" enough, do not have to follow the trend, do not have to simulate the appearance. Good scholars, do the opposite, the other glyph is short, I am long, he is long, I am short. He is in orthography, and I am about to write a book, and so on.
The minimum number of words should be written in the epitaph of the Six Dynasties.
"Cuan Long Yan Stele" is like a golden jade, but it is also beautiful and tall. The next stroke is like a kun knife cutting jade, but it is seen in a muddy way; the cloth is like a Seiko painter, each with its own intentions. The bloodline originates from the "Yang Huai Table Record" and "Ode to the Stone Gate", which is the victory of the thick and vivid and dense and powerful, and is the pole of the book. In the past, people said that Li Si's seal calligraphy and painting were like iron stones, and their bodies were like flying, which could be moved to describe this monument.
"Zhang Hei Nu Stele" is like a terrifying horse crossing the stream, the side is arrogant, the strength is unmatched, and it is quite clumsy.
"Zhang Ronglong Monument" is like the Zhou Metric Ceremony, everything is beautiful and good; the length of the structure is pitched, each according to its body, and it is very elegant and exquisite.
"Tianfa Divine Tablet" Master Wang Mang's "Jia Liang Ming", Qi Wei was astonished.
The "HengFang Stele" is rich and condensed, written by Zhu Deng, although it is not a well-known person, it has been worked like this.
In ancient times, when we talked about the "book of insects", it was said that the words were written like insects and moths, like silkworms and snakes. Lu Ji's "Ping Fu Ti" is written like a hungry silkworm with its head held high and earthworms drilling mud, which is a painting method into calligraphy, reaching the realm of forgetting things and me, without a single image.
"Orchid Pavilion Preface" Facsimile of Feng Chengsu
Throughout the ages, many celebrities have been born of "karma", because there are a few people who like it and pick it up. The "Orchid Pavilion Preface" is also not very big, you came over, I came, and the emperor sent someone to steal, so the reputation became famous. Speaking of writing, one says that it is the second king, the bell, and the Zhang, is there no one in history except the second king Zhong Zhang?
All small kai must be charmed in simplicity. Jinren Xiaokai is only simple and has no charm, if you paint with it, you need to change it slightly to increase its beauty. The Jin script and later the zhengkai are called "official documents" and are relatively old-fashioned.
Learning the king character is easy to fall into the cliché. Xie Wuliang is good at learning, he first wrote the Second King, coupled with the brushwork of "Qianqiu Pavilion", it became a family style.
The ancients said that the pen was written with the "plucking method", that is, using the pen as if it were a wick. Some people say that if you use your legs to pluck stirrups, you will not be able to use your fingers to dial the lamp, and rely on fingering to write small letters. Wang Xi's good little Kai should use this method.
Wang Xizhi's "Shangyu Thesis"
Writing small letters talks about the wind, and the wind is reflected in the pen posture.
The center takes the quality, the flanker takes the yan. Wang Xizhi uses the flanking, so Wang Shuyan is beautiful.
Wang Xizhi's character is strong and beautiful, and he has many flanks.
In the "ChengxinTang Thesis", there is Wang Xizhi's book "Abstinence from Alcohol", the strokes are thick and the thin ones are like gossamer, the best written, and they are not like the dozens of times.
To learn a stele, it is enough to learn one of its advantages. Such as the Sui Monument, you can learn its development clearly.
Yan Lu Gongxue Hanbei is the most diligent, you can know the Hanbei from the Yanshu, and you can also use the Yanshu as a bridge to learn the Hanbei.
Generally, the writer is familiar with it, and the willow characters and the words that have been written well in the past can be.
Yan Zhenqing's "Three Table Posts"
Yan, Liu, and Ou are all very skilled. Yan Lu Gongri wrote 10,000 words, and the photo book was not bounded and divided into no bad characters, but the meaning was weak.
Su Dongpo's calligraphy is good, but at first glance, it seems that it is not good. Beauty that cannot be seen without immersing oneself in the taste is true beauty. The sun and the moon in heaven and earth give people infinite benefits, and people receive it day by day without feeling good, but they are always complaining, complaining about heat and cold, complaining about sunshine and rain, in fact, there is no four hours of cold and hot, how can anyone be? But "heaven speaks, four hours of action, a hundred things are born", this is the true beauty.
The words of the Song people Huang Gu, Mi Fu, and Cai Xiang are still bound by the Fa, and there is no instrument and no inspiration. The same is true of the words that Su Dongpo carefully wrote.
Li Jianzhong's "Xitai Title Yang Ning-style Wind Zi Inscription Wall Character" poem Yun: "Dead cedar poured juniper frost is old, pine smoke musk coal rainy cold." I was also born with a bookish habit, and I looked at it once I returned to the temple. ”
The first sentence says that the gesture is like a dead tree on a frost day, the second sentence says that it is inky, and the fourth sentence says that there is an experience when you see it once. The best works of art are tireless to see, because they are infinitely contained and the wisdom of inspiration is infinite, and they are inspired by seeing them once.
Yan Zhenqing's "Sacrifice Nephew Manuscript"
Writing the Thin Golden Book must be done on Chu Suiliang to know its source.
Calligraphy is out of line, painting is outrageous, and it is not easy. Ming calligraphy is straight a layman. Wen, Shen, Qiu, and Tang Quan did not understand the three tastes of calligraphy, and only tasted the center forward. By the end of the Ming Dynasty, green vines, white yang middle and side were used together, and the square began to change.
The calligraphy of the pavilion is an official book, which is used by slaves to their masters, and must be written respectfully. Everyone has servility, and learning art is to demand the removal of servility. I don't think it's necessary to learn kanko calligraphy.
Writing and painting must be prepared in advance, and then the next pen is not delayed. The Qianlong Emperor of the Qing Dynasty often conceited himself with the book of Neng, and when he traveled to Jiangnan, the Lingyin monks asked for the three characters of the imperial book "Lingyin Temple", knelt down the steps, and were quiet and abnormal. Qianlong did not hesitate to write with a pen, and only then did he write that the "rain" head accounted for half of it, and he was so anxious that he did not know how to be good. Ji Xiaolan was beside him, and the word "Yun" in his palm indicated that Qianlong Fang had rewritten it as "Yunyin Temple", and Ji Yu hurriedly ordered the monks to thank the imperial monks for the grace of giving the temple name "Yunyin", and only then did he step down. The pretentious and bold are always bad.
Southern Song Dynasty ZhongyiTang Ben Yan Zhenqing's Poems of General Pei
From the ancient Cong Ti to the current calligraphy anthologies, most of them are not well chosen, they are all things that the emperor likes, and posterity is also bustling with people. Now to select ancient calligraphy works, we must work hard to "discover" again.
The Tang people are deeply skilled. For example, the 10,000-word Yanlu Gongri Book, although the text is long, the font before and after is also the same, but although the skill is deep, the meaning is not as good as that of the Han people. But Kang Youwei said that the Tang people were useless, which was an extreme view. Beginners write Chu and Xue through them. Just looking at the ancients is good is retro, saying that the ancients are not good is extreme.
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