Face and body appearance - Fu Shan's calligraphy "Ananda Yin" broad and rich calligraphy strokes

Fu Shan was a master of calligraphy in the late Ming and early Qing dynasties along with Wang Duo, and their calligraphy attainments were extraordinary, and their cursive achievements were particularly superb. We shared Fu Shan's cursive script and small block script before, and many friends liked it very much. I also hope to collect more cursive handscrolls from Fu Shan in the later stage to share with you.

Today I will share Fu Shan's calligraphy work "Ananda Yin". I don't know how you feel when you first read this post. I feel that there is the feeling of Yan Zhenqing's regular script pen characteristics and the feeling of "Taishan Jing Shiyu Diamond Sutra" pen movement.

In fact, Fu Shan also worked very hard in ancient times. "Ananda Yin" uses the pen freely and freely, the strokes are broad and thick, a feeling of face and body comes to the face, and some of the pen moves to present the simple nature of "Mount Tai Jing Shiyu Diamond Sutra". The font size is well combined, harmonious and vivid, and I like this natural and honest calligraphy feeling.

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