Calligraphers all know Yi Bingshou of the Qing Dynasty, this is an uncompromising Lishu everyone, let's first look at his most typical Lishu calligraphy, very "temple weather":
Yi Bingshou (1754-1815), similar in character group, number Moqing, late name Mo'an, Fujian Tingzhou Ninghua people. In addition to fine calligraphy, he is good at painting, printing and writing poetry. He and Deng Shi are like the "founding father of the Qibei Law", and later generations are called "Southern Yibei Deng".
Yi Bingshou, who is a lishu person, has been famous for more than three hundred years, but how about his Xiao Kai? See:
Judging from Yi Bingshou's calligraphy, learning Yan Zhenqing is its fundamental, the most works, there are also small Kai of the Two Kings and One Road, elegant and ethereal, empty and high,So Yi's Yan Kai is different, the strokes are slender and not weak, the bones are not exposed and implicitly introverted, especially the addition of the seal pen meaning, even with ancient variant characters, it is particularly beautiful and elegant, full of ancient meaning.
Yi Bingshou's early studies also copied the calligraphy of Ouyang Zhen, Yan Zhenqing, and Liu Gongquan, and wrote both forms and gods, but he was well aware of the principle that "if the book does not enter the Jin Dynasty, it will become a customary style", so he went deep into Zhong Xuan, the Second King, and especially the Right Army's "Treatise on Le Yi" and worked hard the most. Continue looking at the zoomed-in atlas:
Look at this little letter. Especially in contemporary times, many so-called "calligraphy masters" and "wild grass masters" must study hard, otherwise they will really be punched in the face by this little kai.
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