Pan Weiguo, the character rushui, the owner of qingfeng building, was born in 1956 in Xingtai, Hebei. He is a member of the Chinese Calligraphers Association, the inheritor of white cursive writing, the vice chairman of the Chinese Standard Cursive Research Association, the vice president of the Cursive Research Association, the director of the Cursive Committee of the Hebei Provincial Book Association, and a specially invited calligrapher of the Shengshi Lanting Calligraphy and Painting Institute. Cursive calligraphy works are collected by Beijing Rongbaozhai Calligraphy and Painting Institute, Shaanxi Yuyouren Calligraphy Research Society, Nippon Calligraphy Museum, Taiwan Yuti Art Museum and other institutions.
In the early years, Pan Weiguo's calligraphy was mostly in orthography and calligraphy, and after middle age, he turned to cursive writing research and creation. Its grass is based on the Yan body, referring to the charm of the Wei Stele Lishu, and the style of the book is strong and simple and contains a beautiful atmosphere. Pan Weiguo's calligraphy achievements first stemmed from the cultivation of talent. Since he was a child, he has been full of traditional Chinese classics, familiar with literature and history, and deeply baptized by traditional Chinese culture.
Pan Weiguo was born heroic and nourished by poetry and scripture, and his next strokes could naturally get rid of the world. Any successful bookmaker, no matter how talented, if there is no "retreat into a tomb" and "pool water ink", painstaking efforts, hard work, want to achieve outstanding achievements is undoubtedly a fool's dream. Mr. Pan Weiguo once described his own study book: Hundreds of posts are counted every day. Hard work set into a joint, night and night tears wet pillow. It can be seen that he has exerted so much effort on the road of artistic pursuit.
Pan Weiguo advocated the study of steles, not only wrote in the morning, but also searched for rubbings from the Han Dynasty to the Song Dynasty. Later, all of them were donated to the museum and cultural institutions, making an immortal contribution to the inheritance and protection of The heritage of Chinese calligraphy. Mr. Pan Weiguo is particularly diligent in cursive writing, and at the end of the 1970s, he began to study cursive calligraphy, and his art style of entering the grass with his intention to enter the grass and cast hundreds of families eventually became his majestic and mellow, dashing and wandering artistic style. Outstanding achievements, known as "Yu Ti Pan". Teacher Pan Weiguo went to Xi'an, Shaanxi Province three times to exchange views with the Yu youran cursive research society, and was highly recognized by Yu Yuan, the famous yu body calligrapher yu yuan, the granddaughter of Yu Right Ren, and was hired as the vice president of the Yu body cursive study society.
Pan Weiguo is also committed to the standardization and standardization of cursive writing. Participated in the preparation of the standard cursive society, committed to the collation and summary of the cursive system of the past. Study and inherit the four principles of "easy to read, easy to write, accurate and beautiful", set up a standard for the writing of cursive characters, benefit future generations, and make great achievements. From Mr. Pan Weiguo's interactions with the contemporary calligraphers Xu Yu and Huang Ji, we can also understand the influence of his collection and research on his ancient stele collection and style. Mr. Pan Weiguo entered the grass with a stele, which was a great coincidence and broadened the cursive pattern, thanks to his collection and research of ancient stele.
In the 1990s, Mr. Pan Weiguo went to Japan with the famous cursive calligraphers of the body and the calligraphers of Rongbaozhai and joined hands with the famous Japanese calligraphers to tour the exhibition in Tokyo, Taipei and Singapore, and was highly recognized by collectors and peers in the book industry, and his cursive works were selected for many national exhibitions and won awards, and were collected by institutions and collectors at home and abroad such as Taiwan, Japan, Singapore, and the United States. His works were selected for the 7th and 9th National Book Fairs and won the Silver Award. The cursive works "Qinyuan Spring Snow" and "Thousand Character Text" were selected for the Second National Cursive Book Exhibition.