Li Jiayuan, the owner of The Consulting Yanzhai, is currently a member of the Chinese Calligraphers Association and a member of the Presidium of the Calligraphers Association of Central State Organs. From 2016 to 2021, he went to Zhongnanhai for six consecutive years to write the Spring Festival League for the party and state leaders of the General Office of the State Council, and his calligraphy works were permanently collected by Zhongnanhai, Chairman Mao Memorial Hall and great hall of the People.
Jane is quiet and elegant
Calligraphy is the essence of traditional Chinese culture, with a long history, unique form, rich charm, wonderful charm. It has swept through the millennium and has not faded, condensing the wisdom, perception, humanistic connotation and poetic meaning of the Chinese nation. It reflects the unique aesthetic tastes and philosophical concepts of Chinese, and has created a profound cultural connotation and a mature art system. In the contemporary book world, Mr. Li Jiayuan is an artist in the calligraphy world who is knowledgeable and has both moral and artistic qualities. Has its own pursuit and value orientation in calligraphy creation; His calligraphy works have rich connotations of life and cultural meaning, focusing on expressing and reflecting the understanding and understanding of life, and conveying their own life experiences and perceptions through artistic creation.
Mr. Li Jiayuan is cheerful and open-minded. Have a more comprehensive and profound cultural literacy, profound knowledge and good writing skills. Starting from the styles of Liu, Ou, Yanshu and so on, and then to the Zhang Qianbei and Zheng Wengong Monuments, he studied a large number of "Wang Xizhi", Wen Zhengming, Sun Guoting, Huai Su, Wang Duo and other family inscriptions, drawing on the essence, melting the ancient and casting the present. Carefully study and ponder the magic of the ancients' pens, knots, chapters and momentum! Through reading, the eyes will see the gods, subtly deepen their understanding, enrich their visual memory, improve their aesthetic ability, enhance their artistic accomplishment, and gradually understand and master the "qi rhyme" and "shen rhyme" of ancient books. Among them, it is obvious that he took the square pen of Ouyang Qian, Wang Duo and others; Yu Wenzhengming and Sun Guoting took the muscles and bones straight, and the outer flaunting edge; Yu Wang Xizhi, Mi Fu, then take the penmanship exquisitely, duan xiu fresh; Take Huaisu's brushwork thin, flying nature, the heart at the end of the pen, thus forging their own unique calligraphy style.
Injecting his own emotions and mind into the calligraphy reflects the characteristics of vividness, freedom and passion. With the feeling of virtue, he creates a unique style of writing that is elegant and handsome, vigorous and upright, graceful and generous, and stretched smoothly. You can clearly see that Mr. Li Jiayuan's calligraphy is naturally flowing and steady with his pen. In the creation of calligraphy, explore the richness of linear expression, explore the artistic language of the contemporary self, fully mobilize all the positive factors in the writing process, and add a deep and solid traditional foundation to give people a fresh, pleasing and elegant meaning!
Decades of dedicated research and practice in calligraphy, as well as the artistic watch and ambition of the pen, have made Mr. Lee Ka-won's calligraphy art have its profound connotation and aesthetic taste. His calligraphy not only presents a vivid and unrestrained and indulgent style, but also has a characteristic of poetry with literary connotations. In particular, he detached a super-strong and solid atmosphere from the ancient meaning, and integrated it into his heart and revealed it in the pen, thus forming a calligraphy characteristic that is different from his predecessors and transcends the present.
In the consciousness of many people, excellent calligraphy works can generally show the social outlook and humanistic feelings very well, so they have its historical positioning and social value. The most basic value of calligraphy works is its own cultural connotation, including artistic value, historical value and aesthetic value, and the artistic inheritance, historical change and aesthetic experience embodied in it. This is an ontological value that first appears in calligraphy, which is created through the study of artistic concepts, the absorption of traditional culture, the exploration of expression language, and the honing of related skills. The unique historical inheritance of Mr. Li Jiayuan's works, with its distinctive aesthetic style, deep aesthetic composition and the humanistic connotation behind it, has created a new and innovative modern calligraphy.
Calligraphy works with a deep traditional foundation, distinct style and unique artistic language and aesthetic charm will be further recognized. Calligraphy has always been a continuation of the development and reconstruction of traditions. Modern Chinese calligraphy pen and ink can only talk about inheritance, development and change under the premise of respecting the essence of Chinese calligraphy art. This requires us to reconstruct the form and structure of the traditional Chinese calligraphy language. The traditional pen and ink language is projected to the current level, making it modern, and fully expressing the modern consciousness and spiritual content in the form of Chinese calligraphy freehand language, so that the form and content can be unified on a higher basis. These are reflected in Mr. Li Jiayuan's calligraphy works.