Plane Chuantuo 丨 Plane Chuantuo, that is, to soak a tough thin paper in advance, and then apply it to the top of the golden stone utensils, gently tap with a brush, make the paper enter the word mouth, dip the ink with a brush after the paper dries, gently and evenly pat the brush, so that the ink is evenly coated on the paper, and then the paper is peeled off, and a rubbing of white characters on a black background is copied, this method of copying text is called "rubbing". It is a process method of printing stone or woodcut text on paper and ink for preservation and dissemination.
Chuantuo can be divided into plane Chuantuo and full-shaped Extension, according to the different techniques, it can be divided into Ujintuo, Thin WingTuo and so on. Chuantuo is a traditional handicraft technology that has been formed for a long time in the history of the mainland, and it plays an important role in preserving, disseminating and displaying history, culture and art.
The original intention of a calligraphy lover
Lu Xun said (this is really what Lu Xun said): "The art of calligraphy on the mainland is the pearl of the Orient, it is not a painting but has the beauty of painting, it is not a dance but has the rhythm of dance, it is not a song but a melody of song."
This unique visual plastic art has attracted countless Chinese people with its infinite charm, and Chen Xiaolong from Lanxi, Zhejiang Province, is one of them.
Chen Xiaolong copied and practiced the book posts with many rubbings of famous monuments and many epitaphs. Over time, in his eyes, this rubbing is no longer a simple book post, but a piece of history, which is China's geography, culture, art, religion, local customs and folk customs.
This made Chen Xiaolong have a strong interest in this, and also prompted him to finally embark on a road of spreading the word.
Stomp all over the landscape
Xiling Printing Society, the world's first Golden Stone Famous Society. It was here that Chen Xiaolong began his cultivation of the path of transmission. Later, he went to Henan to study with Pei Jianming, the master of Chuantuo and the founder of Pei's rubbing. Chen Xiaolong highly respected his teacher, "Teacher Pei's transmission skills are currently the most advanced and the most scientific. ”
Chen Xiaolong loves to travel, and the scenic spots of Lanxi and the ancient temples of famous mountains have left his traces everywhere. After learning the art of passing on the tao, he once again stepped on this landscape, this time not for a tour, but for the monument. In addition to museums and famous mountain temples, he often visited the countryside, only because in the early years there were many temples and ancestral hall inscriptions in the countryside.
At the home of a farmer in Lanxi, Chen Xiaolong found two stele used to make steps, and the inscription on the stele was a poem left by the Ming Dynasty's Three Dynasties DuxiangYe Xianggao's tour of Lanxi Liudong Mountain.
Ye Xianggao can be called a prominent figure in the political arena of the late Ming Dynasty, the three dynasties of officials, two into the center, the sole control of the cabinet for thirteen years, such a figure in Lanxi local poetry will of course be recorded by the local chronicle, the historical records record that the stone stele was originally erected in the Qizhen Temple, and later disappeared, did not want to but wandered to the countryside peasant family, and finally Chen Xiaolong paid for it, and sent the two fragments back to the Qizhen Temple.
I'm afraid, I'm afraid they'll become wordless tablets
Calligraphy is Chen Xiaolong's hobby, and Chuantuo is also his hobby. And one day, when hobbies turn into jobs, it must be a happy thing. As a staff member of the Cultural Center, one of Chen Xiaolong's jobs today is to collect and sort out the documents of the township through stone tablets and rubbings.
Next, the province will produce a copy of the "Zhejiang Epitaph Inscription Integration", of which Jinhua and Quzhou are responsible for Chen Xiaolong, "In the next few years, some are busy." ”
Chen Xiaolong's footprints began to walk out of Lanxi, and his path of transmission was also going farther and farther. He must never forget that he witnessed a stone stele inscribed with words, which eventually became a wordless stele. The last vestiges of a piece of history have disappeared.
The stone stele was silent and wordless, but Chen Xiaolong was a little anxious, he was afraid that he could not catch up with the pace of time, he was afraid that the stone stele could not withstand the erosion of time, "afraid that they had become wordless monuments." The weathered wordless tablet seemed to be a mark on his heart, reminding him that he must not stop his steps forward.
Traditional craftsmen who create for ingenuity
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