The Mid-Autumn Festival" is a famous ancient calligraphy work, which was once praised by Emperor Gaozong of the Qing Dynasty (Qianlong Emperor) as one of the "Three Xi", meaning a treasure of the Xi dynasty. The book is 3 lines, a total of 22 words, no signature. According to the research of contemporary calligraphy and painting appraisers, most of them believe that it is the arrival of Song Mi fu, so it is equally precious. At the end of 1951, Zhou Enlai bought it back and entered the Palace Museum. The Mid-Autumn Festival' penmanship inherits the moments of Zhang Zhi and the Right Army, and the methods of Zhang Xu and Huai Su, and for a long time was regarded as the true handiwork of Wang Xianzhi. Some people think that the style of the "Mid-Autumn Festival" is far from the "Twenty-Nine Day Thesis" and "Duck Head Pill Thesis" passed down from generation to generation, and the calligraphy is more than enough and calm and dignified, and lacks the dashing connotation that Jin calligraphy should have; the plump pen and ink form of the post can only be expressed by the softer heartless pen of the Song Dynasty, not the heartless pen of the Jin Dynasty; the paper is written on bamboo paper, which cannot be made in the Eastern Jin Dynasty fashion, and appears around the time of the Northern Song Dynasty. Therefore, it is believed that the "Mid-Autumn Festival" is the festival of the "December Thesis" offered by the old Tibetan king of Mi fu. And the "Calligraphy and Painting Fang" Yun: "The Mid-Autumn Festival" volume of the "Mid-Autumn Festival" volume is hidden in the Zijing of the Li Xiang clan, and has its own trek. A closer look at the Tang Dynasty Linben, not the real handwriting. Qing Wusheng's Great View Record Yun: This handwriting is ancient and thick, and the black collection is fresh and moist, but it is like a fat, although it is not hooked, I am afraid that it is imitated by the Song people. ”
This post was once collected by Xuanhe of the Song Dynasty, Shaoxing Inner Province, Ming Xiang Yuanbian, and Qingnei Province. During the Republic of China, Puyi took him out of the palace and scattered the people. Before the founding of the People's Republic of China, he was pawned in a foreign bank in Hong Kong along with Wang Xun's "Bo Yuan Ti". At the end of 1951, when the pawn period was about to expire, some people abroad intended to buy it, and Premier Zhou Enlai heard the news and immediately instructed the relevant departments to buy it back and enter the Palace Museum. 【Interpretation】 The Mid-Autumn Festival is no longer in phase, and it is still very provincial, he ran to win the victory over he qing, and so on. (The Mid-Autumn Festival can not be returned to each other, that is, how to overcome the people he Qing and other large armies)
How the "Mid-Autumn Festival" breaks sentences is also reverie, somewhat obscure. There are several reasons for speculating on the ideas to be expressed at that time: 1. The Mid-Autumn Festival has arrived or is coming, there are feelings of longing, and there are feelings of reunion. 2, himself, or his relatives and friends may be in war, may also be in the struggle of life, some worries and worries. 3) He feels very contradictory about these phenomena and needs to be solved.
"Mid-Autumn Festival" Collection of the Palace Museum▼
[1] The Mid-Autumn Festival is no longer compatible, and it is still
[2] For the sake of even if it is very provincial, how to win
[3] Man He Qing, and other large armies.
[4] The Mid-Autumn Festival is no longer in phase, and it is still very provincial, he ran to win the victory over he qing, and so on.