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He took Wang Xianzhi's Xiao Kai to the extreme!

Today, let's enjoy one

Wang Xianzhi Xiaokai's "Thirteen Elements of the Jade Edition"

What do you book lovers think?

Let's take a look at the whole picture:

He took Wang Xianzhi's Xiao Kai to the extreme!

Let's take a look at the effect of zooming in:

He took Wang Xianzhi's Xiao Kai to the extreme!
He took Wang Xianzhi's Xiao Kai to the extreme!
He took Wang Xianzhi's Xiao Kai to the extreme!
He took Wang Xianzhi's Xiao Kai to the extreme!
He took Wang Xianzhi's Xiao Kai to the extreme!

Do you know who the author of this pro works is?

……

In fact, the end of the work has been made public,

Its author is Lingnan calligraphy everyone Mai Huasan!

Mai Huasan, a native of Guanyong Village, Shiqi Town, Panyu, Guangzhou. He attended a private school at an early age, and in the 16th year of the Republic of China (1927), he was admitted to the preparatory department of Guangzhou University, and worked half time and studied half time. When he was young, he was fascinated by calligraphy and was usually committed to copying from various families. He felt that the history of the surviving inscriptions and books could not be combined between the ancient and the modern, so he collected information to compile the "Ancient and Modern Calligraphy Collection". The book spread to Japan and was appreciated by the calligraphy community.

Guangzhou fell, and Mai Huasan went to Hong Kong. He participated in the "Guangdong Cultural Relics Exhibition", and wrote articles introducing guangdong calligraphers, and later edited the monthly research journal of "Calligraphy". When the Japanese army occupied Hong Kong, Mai fled to Shaoguan, taught at Guangzhou University, and wrote "The Origin of Calligraphy", introducing more than 300 frames of works from Yin Ruins to the Republic of China. In 1935, Mai Huasan was also an associate professor at the Institute of Chinese Culture. In 1938, he was an associate professor at the School of Literature of Guangzhou University. He published "The Contribution of Han Jinmujian to the History of Books", "The Source of Calligraphy" and "Yizhou Shuying" in the form of columns in the "Shang Bao", which were serialized day by day and later compiled and printed into books.

After the liberation of Guangzhou, Mai Huasan was appointed as an associate professor at the School of Literature of South China Union University and identified historical inscriptions for Sun Yat-sen University. Subsequently, the Annals of Wang Xi were compiled. In October 1956, he was appointed as the head of the calligraphy and painting research group of the Guangdong Provincial Museum of Culture and History. In 1957, he was invited to Tokyo to participate in the Exhibition of Chinese Calligraphy by Kaoya Nihonbashi. In 1958, Mai was invited to copy the full text of the mainland constitution in duan kai and send it to the State Council. In 1961, he was transferred to the Guangzhou Academy of Fine Arts as an associate professor.

He has studied calligraphy since childhood, is good at a variety of calligraphy, is known for his calligraphy, line, and subordination, and his methods are rigorous, healthy and elegant, and he has his own style. His works have been selected for major calligraphy exhibitions at home and abroad and published in professional newspapers and periodicals, or collected and inscribed by museums and memorials. Proficient in book theory research. Mai Huasan devoted his life to the art of calligraphy and calligraphy education, and was more enthusiastic about the cultivation of young people, and was a famous calligrapher and calligraphy educator. In 1983, he suffered from rectal cancer, and after surgery, he was invited by the University of Chinese of Hong Kong to give a lecture in Hong Kong for more than a month. He died in 1986. On December 25 of the same year, his protégés established the "Mai Hua San Calligraphy Society" in Guangzhou and Hong Kong.

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