Wang Duo (1592-1652), minister and calligrapher of the late Ming and early Qing dynasties. Word sense, word sense. The number ten trees, the number Song tree, also known as the idiot temple, the idiot immortal Daoist, do not sign the smoke pond fisherman. A native of Mengjin (present-day Mengjin, Henan).
Legend has it that after Wang Duo entered the cabinet to pay homage, the emperor asked him to write a plaque: The World is Peaceful. After the huge plaque was hung, in a round of praise, a eunuch suddenly found that the word "tai" was a little less, becoming the "big" flat in the world. The crowd looked up and scrutinized, and sure enough, it was true. When he was about to ask a question, he saw that Wang Duo was not in a hurry to hold the decadent pen in his hand, full of thick ink, and threw the pen to the plaque, not high or low, not crooked or oblique, just pointing at the bottom left of the "big" word, a "too" word that was vigorously and freely displayed in full view of everyone. Dengshi was full of applause, and Qiqua Wang Duo's divine feats. The emperor was surprised and blurted out praise: "Wang Aiqing is really a divine pen." Since then, "Divine Pen Wang Duo" has become famous all over the world.
Wang Duo's calligraphy has unique characteristics, and is known as "Divine Pen Wang Duo". With the same name as Dong Qichang, at the end of the Ming Dynasty, he was known as the "King of the South Dong and the North", and his calligraphy used a pen, out of the rules, and was relaxed, but full of the power of flowing freely and with thousands of strengths. Wang Duo is good at grass, the penmanship is atmospheric, vigorous and free, dripping with pain, Dai Minggao said in the "Wang Duo Cursive Poetry Scroll": "Yuan Zhang (Mi Fu) wild grass is especially teaching the Fa, Jue Si is full of power, Wei and Jin's wind track sweeps the ground, but the wind is fierce, the wind is extremely pleasant, and the boldness is great, which is beyond the reach of Zhao and Dong. ”
Wang Duo's calligraphy is popular in Japan, South Korea, Singapore and other countries. The Japanese people greatly appreciated Wang Duo's calligraphy, and thus evolved into a school, called "Ming and Qing tones". His "Quasi-Mountain Garden" was introduced to Japan and was a sensation. They listed Wang Duo as a first-class calligrapher. The idea that "the later king (Wang Duo) won the first king (Wang Xizhi)" was put forward.
Wang Duoyi wrote the book at the age of fifty-seven. The penmanship of this post is exquisite, the momentum is magnificent, and the rules and regulations are mixed and mixed into a masterpiece of later years.
