▲ "Danfeng Pavilion Record" Silk Book Mountain Tibet Ben (Partial)
National Treasure "Eastern Tour Monument",
Actually had a direct relationship with the famous scholar and calligrapher Mr. Lin Peng,
So that all kinds of legends have arisen in the street,
There are quite a few untruths.
Yesterday (May 3),
Wenbo Shanxi published articles related to the famous writer Zhou Zongqi,
The cause and effect of this matter are stripped away,
Show Mr. Lin Peng's brightness and integrity,
A lifetime of clear names has its own public opinion.
Wenbo Shanxi related articles
▼
In fact
In the life of Mr. Lin Peng,
There are two amazing human adventures.
Once was "Eastern Tour Monument",
Show his academic spirit of persistent exploration.
Another time,
It was he who focused on the study of Fu Shan's heirloom ink treasure "Danfeng Pavilion Record".
The authenticity of this rare book was analyzed,
Confirming that the collection of the Liaoning Provincial Museum is a fake,
The true book is hidden in the Qu clan of Qi County, Shanxi,
Show his bold questioning, dare to be the first spirit.
In this issue,
An article by Mr. Zhou Zongqi describing this process is featured:
Authentic
▲Mr. Lin Peng
▲Zhou Zongqi (left) and Mr. Lin Peng (right)
Authentic
Text / Zhou Zongqi
This is a legend about the authentic calligraphy.
Naturally, all legends are human legends in the final analysis.
Since the Ming and Qing dynasties, has Shanxi ever produced a great literati who stand on top of the heavens and the earth? If there is, then the first one is Mr. Fu Shan. "Don't worry about the road ahead and don't know yourself, no one in the world knows the king." That's it!
Mr. Fu Shan was born in 1607, the thirty-fifth year of the Ming Dynasty. Counting to 2007 AD, it was 400 years old. Of course, the old man did not enjoy this Yang Shou, "in distress" (this Old Mr. Fu has many self-condition sentences - the author) lived to the age of 78, although not among the lucky "84", in that era it was also time to call "long life without boundaries".
▲Image of Dr. Kashiyama
Commemorating the 400th anniversary of Mr. Fu Shan's birth, scholars at home and abroad are concerned, which is a major event in the cultural circles of Shanxi Province.
Therefore, with its own feats of astonishment, the Shanxi People's Publishing House, a subsidiary of the Shanxi Publishing Group, solemnly launched a "Complete Collection of Fushan Calligraphy", asked Mr. Shen Peng, then chairman of the Chinese Calligraphy Association, to make a preface, sprinkled more than 6,000 words, eight volumes of hardcover, a good weight of more than 50 pounds, design and decoration printing to the fullest level of their own, placed in front of people is very deterrent effect. Some scholars from other provinces wrote exclamations: "Among the Fushan calligraphy publications that can be seen so far, the highest specifications and the largest scale", that's it!
Everything is always perfect. One of the "hard wounds" is the "Danfeng Pavilion Record" (hereinafter collectively referred to as "Liaobo Ben"), which is included in the collection of the Liaoning Provincial Museum, which is a counterfeit product, not a real work!
What is even more amazing is that this "hard wound" was "red, swollen and inflamed" 19 years ago, leaving endless damage. In 1988, the Cultural Relics Publishing House of the State Publishing House launched a kind of "Qing Fu Shan Shu Danfeng Ge Record", and specially noted that the original was stored in the Liaoning Provincial Museum, and praised this product in the "Explanation": "Fu's calligraphy often flies with a pen, the momentum is impressive, upright and strong, and endless. The upright place is like a spear and euphorbia, and the boulder is in the air; the continuous place is like a cotton wrapped in iron, and the rigidity and softness are harmonious. Cursive books are difficult to set up risks to take advantage of the situation, it is even more difficult to turn danger into destruction, and it is easy to float and flow in a light slip, while Fu's pen is calm, never to be collected, and stop when it is done. This book is longitudinal and horizontal, and the force penetrates the back of the paper, which is not easy, and you can glimpse the author's skill. ”
▲Liao Boben "Danfeng Pavilion Record" (partial)
What is the value of "Danfeng Court"? It is a masterpiece of Fushan's calligraphy and a masterpiece of masterpieces. Many Fang families at home and abroad have compared it with Wang Xizhi's "Preface to the Orchid Pavilion" and Yan Zhenqing's "Manuscript of Sacrifice to the Nephew", calling it "the third line of the world". Who would have thought that what has been ostentatious for many years is a fake thing, and you say that this flaw is more than grade!
Asked: With the size of Shanxi and the size of China, didn't we have a pair of eyes to see the truth beforehand?
Answer: Non-also!
As early as 1984, there was a man named Lin Peng in Shanxi Province who carefully studied Fu Shan's ancestors for many years, naturally including his masterpiece "Frost Red Niche Collection" and the calligraphy masterpiece "Danfeng Pavilion Record". At the end of this year, Mr. Lin accumulated a lot of money and wrote a "Fu Shan Xingcao Fine Works "Danfeng Pavilion Record". The "Danfeng Pavilion Record" on which the article is based is the "Danfeng Pavilion Record" (hereinafter collectively referred to as the "Commercial Book") in the "Fu Qing Lord Zhengjun Inkblot" published by the Commercial Press in the 23rd year of the Republic of China, that is, in 1934.
The opening paragraph of the article reads:
After Wang Xizhi's "Preface to the Orchid Pavilion" and Yan Zhenqing's "Manuscript of sacrifice to the Nephew", Fu Shan's "Danfeng Pavilion Record" can be regarded as a fine work of grass art. Fu Shan's calligraphy works were not widely disseminated, and there were not many reviews, although Zhao Qiugu and others praised him as "the first in the early Qing Dynasty" (the first in the early Qing Dynasty), but because Fu Shan was a Taoist monk, neither had a high-ranking official and eminent lord enough to honor himself, nor was he used by Ruyun disciples as You Yang, outsiders heard the name of the Qing Lord, but his works could not be seen, so the fame was much smaller. After liberation, two copies of Fushan Calligraphy and Paintings were published, but there was no "Danfeng Pavilion Record". What can be seen now is the "Danfeng Pavilion Record" in the "Inkblot of Fu Qing's Lord Zhengjun" published by the Commercial Press in the 23rd year of the Republic of China.
This pair of Lin's eyes were very poisonous, and a short xiaowen grasped the key point. And listen to his comments:
After Wang Xizhi abandoned his official post and went into hiding, only this time when he was in the best mood at the Lanting Zen meeting, so there was the ancient book "Orchid Pavilion Preface". When Yan Zhenqing went to retrieve the corpse of his nephew Yan Jiming, who had died in battle, after quelling the Anshi Rebellion, he was full of grief and indignation, and he wrote the "Manuscript of Sacrifice to the Nephew". After experiencing the change of Jia Shen and the jia wu Zhu yi case, Fu Shan was very difficult not to die, wandering through the mountains and forests, "Shi Sheng has no way to help, relying on the old", the old man has achieved nothing, can only be poor and sad to write a book, at this time met his friends in ordinary life, relived old dreams, the past is like smoke, pouring wine and deleting poems, old tears frequently bombed, so he wrote "Danfeng Ge Ji", which is a rare fine work of grass art. The majestic Danfeng Pavilion may have been built for him, and when he saw his best friend and lived on the newly built Danfeng Pavilion, the joy in his heart was no less than that of Wang Xizhi, and the sorrow and indignation in his heart were no less than yan Zhenqing. Since the death of the Ming Dynasty, Fu Shan, disgusted with the boneless literati who surrendered on his knees, admired Yan Zhenqing's personality and backbone, so he washed Zhao Dong's femininity in calligraphy and studied Yan Shu directly. This "Danfeng Dysentery" is completely the authentic style of the Yan body, the brushwork structure, directly chasing the plain. Because Fu Shan was good at cursive writing in his later years, the front of this "Danfeng Pavilion Record" was a line book, and the more he wrote it later, the more grass he wrote. It is precisely because the back is very casual, so the most powerful, the most temperamental, especially rare.
At this time, Mr. Lin must not have thought that this sonorous speech that reached the true meaning of art was the chief ironclad evidence that later identified the true and false "Danfeng Pavilion" and the ultimate iron evidence.
▲Mr. Lin Peng
Four years later, in 1988, When Mr. Lin Peng saw the "LiaoBo Ben" of the Cultural Relics Publishing House, his eyes were extremely red, and he immediately wrote "Reading the Book of Qing Fu Shan Danfeng Pavilion", which was less than 3,000, but the knife saw red, and the product was three inches straight. The opening paragraph bluntly declares:
Foolish to think that this "Danfeng Pavilion Record" has not yet been recognized!
Mr. Lin said that if you put the two photocopies together, can't you see that their spiritual outlook is very different? "It's so different, it's a world apart"! In addition to briefly reiterating the fundamental difference between grasping the authentic and false works of art from the inner spiritual level, he focused on the "five major flaws" of the counterfeit products as follows.
One:
In the text, "and the writer's pen is extremely humorous and illusory, it cannot be described in case, but the wonderful state of the article is also like a dream, it is incredible" There is no "ran" word in the sentence, and I feel that there is no "ran" word without a tone, so I add a small word in the middle of the right side of the four words of "in case of article": "ran". Although the word "Ran" published by the Commercial Press is not very clear, it is not written wrong. Published by the Cultural Relics Publishing House, this "ran" character is also carried next to it, but it is not in a glyph shape.
▲Shanghai Commercial Press (Collection of Collectors surnamed Qu, Shanxi)
It contains the character "Ran" in Fu Shan's book "Danfeng Pavilion Record"
▲The Cultural Relics Publishing House publishes the inclusion in the book
"Ran" in Fu Shan's "Danfeng Pavilion Record"
Second:
In the text, "two people ** (pronounced "meng deng", editor's note), with the resurrection and forget it", the word "**" was lost, and later carried next to the word "person". The scribe also wrote it down as it was, and also carried it aside. Just think, if Fu Shan had rewritten his own work himself, he would never have followed the gourd to this point. Fu Shan was a calligrapher, so why did he repeat his mistakes in a cat's picture? This is not possible.
▲Shanxi Qu surname collector "meng deng" in the Book of Danfeng Pavilion
(Meaning new sleep appearance)
▲The Cultural Relics Publishing House publishes the inclusion in the book
"meng deng" in Fu Shan's "Danfeng Pavilion Record"
(Meaning new sleep appearance)
Third:
There are two "and" words that are worth mentioning. "Russian and feng shui are injected, and the block is lying down." Published by the Cultural Relics Publishing House, this "and" word is in the process of writing, while writing and reading, learning is not like at all, it can be said that it is badly written. Fu Shan originally did not write the word "and" of "Fortunately, Feng Zhong forgot it", but the more he wrote it later, the more grassy it became, so that the people who were about to write did not know this word, but wrote it into a clear "for" word. He probably thought that the meaning of the text here was "fortunately forgotten by Feng Zhong". As everyone knows, "fortunately" is both smooth and ready-made, and if it is changed to "fortunate", it seems to be deliberately forgotten, which is very unnatural. It can be seen that the people who wrote it have not even read the "Frost Red Niche Collection", and the concentration is "fortunately forgotten by Feng Zhong".
▲ Shanxi Qu surname collector zang Fu Shan book "Danfeng Ge Record" in the word "and"
▲The Cultural Relics Publishing House publishes the inclusion in the book
"And" in Fu Shan's Book of Danfeng Pavilion
Fourth:
The entire "Danfeng Pavilion Record" and Fu Shan's "Baowen" are all about dreams from beginning to end, so there are as many as thirty "dream" words in the text. The common style of the word "dream" is written in the form of "dream". Song Caixiang has this way of writing, see "Chinese Calligraphy Dictionary", Ming Xuwei has this way of writing, see "Cursive Character Compilation", Yu is rare. Fu Shan wrote the vulgar "dream" character into cursive, and the shape was very unique. The writer tried his best to imitate Fu Shan's writing, but none of them imitated it. This writer is very honest, Fu Shan is inking somewhere, and he is also inking somewhere. If it is Fu Shan's rewrite, it is not like this.
▲ Shanxi Qu surname collector zang Fu Shan book "Danfeng Ge Ji" in the word "dream"
▲The Cultural Relics Publishing House publishes the inclusion in the book
The word "dream" in Fu Shan's Book of Danfeng Pavilion
Fifth:
The holder of the "business book" has the seal of Dai Tingyu on it, but the Liaoning Museum does not have a stamp under The name of Dai Tingyu. Imagine that Dai Tingyu did not stamp the original, but stamped the later copy, which is impossible.
▲ Shanxi Qu surname collector collected Fu Shan book "Danfeng Pavilion Record"
Stamped with the stamp "Dai Tingyu"
▲The Cultural Relics Publishing House publishes the inclusion in the book
In Fu Shan's "Records of Danfeng Pavilion", there is no "Dai Tingyu" seal
This article was collected in Mr. Lin's calligraphy monograph "Danya Book Theory" published in the following year, that is, in 1989, and was widely known for its national circulation. In the past five years by 1994, neither the owner of the "Liaobo Ben" raised objections, nor did he see the cultural relics publishing house argue, nor did he see the big man in the calligraphy circle spitting out lotus flowers; instead, many of the agreeables cheered and cheered in unison, but some Shanxi Ancient Books Publishing House reprinted the "Danfeng Pavilion Record" of the "Business Book", and specially attached Mr. Lin's article to the back and distributed it at home and abroad. However, it is not true that there is not a single "dissident" if you want to say that there is no one else, and there is a skeptic who is not another, but it is Mr. Lin Peng himself. He said:
I have not seen Liaobo's collection, just speaking according to the printed material, which is dangerous. You say something is fake, and you have a responsibility to get the real thing out. How can I take it out? So the heart has not been steady. Where the authentic works are now, it has no impact, and it may have been destroyed or lost overseas, and it is unknown.
Don't you say that for a person with a strong sense of responsibility and morality, the "business book" you see is only a printed material, so how can you prove that the basis for it must be genuine? This is a problem.
There are some problems in the world that really have no solution, and they can only be handed over to God. This time, God opened his eyes again.
One day, a very old and very old man, with the support of his old son, touched the Lin Peng family in the provincial city of Taiyuan. After explaining his intentions, Mr. Lin Peng was first stunned and thought he was dreaming. Who are you to whom you are coming? "Danfeng Pavilion" authentic collector also!
The old man did not want to be named, but he was behind the famous door on the right side of the mountain. He explained the following facts and circumstances to his face:
Dai May have passed this authentic handwriting to my family for the sake of paying off the debt, and has not made a single step in 300 years;
I was there more than 60 years ago when the Shanghai Commercial Press took pictures of the authentic works. Afterwards, the other party gave me a photo as big as the original, and I also brought it.
Once upon a time, there was a high-ranking official who sought the real handiwork, and I knew that there was no return, and I politely refused;
Once upon a time, there were two famous people who said that this was a counterfeit product, but they insisted that I change hands on them at a low price, and the small merchants and hawkers flowed, and I served tea to thank customers.
Eight years ago, Shanxi Ancient Books Publishing House launched a one-line edition of "Danfeng Pavilion Record", with Lin Junyou's masterpiece "Reading the Book of Qing Fu Mountain Danfeng Pavilion". I read it repeatedly, thinking about it for many years, and inquiring about your origin and character in many ways, so that I can deliver to my family, and do this life without regrets;
Please, Lin Jun, write another high text, and hope to be able to write a mantra behind the authentic handwriting, to justify the name of the "Danfeng Pavilion Record" to dispel evil, to comfort Fu and Dai Xianxian's spirit in heaven, and to correct the audio-visual as an example for future generations of scholars. What do the elderly people want? With this, death is also blind.
Mr. Lin Peng was inexplicably moved. Only insist on the inscription: Don't say me, no one dares, this is the Buddha's head in dung, do not dare not dare. You always gave me a copy of the original handwriting, let me take pictures of the real thing, I was already overjoyed, how dare I rob the beauty again. And in the section of the article, I have an unshirkable responsibility.
The author did not have the opportunity to live, I think that at that time, this kind of high righteousness and brightness were taken care of, how many pictures could there be in ancient and modern times?
Now let's take a closer look at the authentic style of "Danfeng Pavilion".
It is 34 cm high and 27 cm wide, on silk, yellowish, album, brocade cover, and covered with 6 small seals. Overall, the ink is vivid and the brushwork is natural, although it has been more than 300 years, its spirit is as bright as yesterday.
▲ "Danfeng Pavilion Record" silk book Mountain Tibet Ben