5 pieces of 6-foot rice paper spliced together, each piece of paper written in 8 large characters of the Yan body italics, forming a complete 30-square-foot huge calligraphy work, the characters of iron hook silver strokes, the atmosphere is magnificent - a few days ago, 78-year-old calligraphy elder, one of the founders of the China Book Association, CCTV calligraphy speaker Yang Zaichun posted this huge calligraphy work, amazing.
Many netizens exclaimed: Mr. Yang is famous for writing cursive, he did not expect that the big characters were written so finely, it is really a sword that is not old!
Mr. Yang Zaichun introduced to calligraphy enthusiasts that this is a calligraphy book Written by Yan Zhenqing. The six-foot paper has 4 words on one line and 8 words on it. I basically used the basic brushwork of Yan Zhenqing's "Qin Li Monument", and also integrated some of my own penmanship, writing a total of two and a half hours, writing 5 pieces of paper, plus a drop.
The calligraphy enthusiasts at the scene were somewhat surprised, and Mr. Yang Zaichun gave the impression that he was known for his cursive writing, and it was rare to see him write in letters. In fact, Mr. Yang's script foundation is very good.
Mr. Yang Zaichun said that when I went to visit my teacher Zheng Shuxian in my early years, I took Yan Zhenqing's "Duo Pagoda Stele" study work that I had written, and later after the old man read it, he criticized me for not being able to write this way, and suggested that I write the inscription before the Tang Dynasty first. Later, I put down Yan Zhenqing's writing for a long time and did not continue to write. In the process of my study, I realized that Yan Zhenqing's calligraphy is broad and atmospheric, it is best to use large characters to show it, and writing small letters or small letters is not enough to show its majestic courage.
Mr. Yang pointed to the specific analysis of some words in this work, he said that some of the handover parts of the words, paid attention to the welding between the strokes, in the process of writing, I stopped the pen at the intersection, let the ink come out to make the words appear more full.
Like the most representative paintings and vertical hooks of the Yan body, pushed out to write, they are all rough and powerful. This word is not a full yan body, but also fused with the brush meaning of some stele, Yang Zaichun believes that after mastering the basic strokes of the Yan body, you can play it yourself and write it together.
Regarding the material of this huge work, Mr. Yang introduced that he used a pen that was slightly harder, and it was written to achieve such an effect. Use the ink to pour a pot of ink at once, add some water, add a high degree of liquor and some Pu'er tea, so that the ink is easier to write, and there is no need to write a dip.
Also, writing such a huge letter, Mr. Yang does not need to use paper towels to absorb ink, there is no ink running, it is indeed kung fu! After writing a sheet of eight big characters, it is basically dry, and then hang up to dry.
Yang Zaichun, a 78-year-old calligraphy elder, wrote a 30-square-foot giant Yan body calligraphy that is stunning, not only cursive writing to the peak, but also profound skill, majestic and majestic, which is indeed rare!