In previous years, he had collected the "Tang Sanzang Sacred Order Old Tuo Gaoyang Unbroken Edition" in the old book store. Takumoto is thirty-three centimeters long and twenty-one centimeters wide. The core is 26 cm long and 15 cm wide, with five lines of crosses on each side. Excluding the front and back of each blank page (untitled), a total of twenty open. Ancient brocade wrapped Nan wood splint, cover Aya sign: "Tang Sanzang Holy Sect Order Old Tuo Gaoyang Unbroken Ben Xunyuan Title", two Zhu seals: "Shou Ming" "Xun Yuan". There are two circular seals on the outer edge of the core of the first opening post, which have been polished for the book Jia, and the "Yuan Henry Zhen" idle seal has not been extended. Home Page Plutonium White Literary Seal: Bi Dengying; Zhu Wenyin: Bi's Treasures, Min Shu Tang Hai Ti Appreciation. At the end of the page, Zhu Wenyin: The Seal of Shou Ming; The White Seal: The True Reward of the Sleeve Stone, the Irony Hall, and the Collection of the Xunyuan Garden. The paper and ink are excellent, the pool is exquisite, and the circulation is orderly.
The cover Aya signed: "Tang Sanzang Holy Order Old Tuo Gaoyang Unbroken Ben Xunyuan Title", two Zhu seals: "Shou Ming" and "Xun Yuan".
Home Page Plutonium White Literary Seal: Bi Dengying; Zhu Wenyin: Bi's Treasures, Min Shu Tang Hai Ti Appreciation.
At the end of the page, Zhu Wenyin: The Seal of Shou Ming; The White Seal: The True Reward of the Sleeve Stone, the Irony Hall, and the Collection of the Xunyuan Garden.
Xunyuan is Fan Shouming (1870-1921), the character Dingqing, the number Xunyuan, Shaoxing people, Lu Xun's xiangxian, Fan Wenlan's uncle, the famous epigrapher during the Republic of China. He once served in Anyang and Neihuangzhi County, Henan, and later served as the director of Hebei Daoyin, the director of Henan Daozhi, and the confidential secretary of Jiangsu Public Office. He loved Jinshi in his lifetime, and when he was in Anyang Zhi County, he set up a historical monument preservation center. During the reign of Yin of Hebei Province, he and Gu Xieguang traveled through the Taihang Mountains for eight years, searching for the unsubscribed Golden Stones in various books of the Han Dynasty and the Yuan Dynasty, which became the "Chronicle of the Ancient Monuments of Heshuo", and "Anyang Golden Stone Catalogue", "Xunyuan Golden Stone Script" and "Xunyuan Ancient Tomb Relics" and so on.
Bi Dengying was a collector of the late Qing Dynasty. According to the "Compilation of Stone Carvings of Chinese Dynasties in the Beijing Library", the epitaph of Mr. and Mrs. Bi is contained in the epitaph of "Gong Zhen Dengying, surnamed Bi, formerly known as Chun Min, Zi Hai Ti, yi zi sleeve stone." Ancestors moved from Hongdong, Shanxi to Hanoi". The epitaph records that he died in the twenty-third year of Guangxu, at the age of fifty-four.
In recent years, in the auction records of major domestic auction companies, the old collection of Biden Ying is seen from time to time, and the commonly used seals are: the seal of the treasure of the Deng Ying Bi family collection, the seal of the rare calligraphy and painting of the Bideng Ying collection, the examination and approval of the sea ladder, the hand determination of the sea ladder, and the Hanoi Bi Hai Ti Shibao.
According to Wang Qi's "Qiu Ying's Gong Tu" Scroll Circulating Examination Strategy (published in the Beijing Academy of Painting", no. 27 of the "Master's Gate"), Qiu Ying's "Gong Tu" was once hidden in Bi Dengying after Li Enqing. On the picture there is zhu wenfang seal: hai ti hand ding, bai wen square seal: Bi family collection. The first paper of the tail zhu wen square seal: the sea ladder verified the authentic handwriting. At the same time, Wang Qi corrected and said that the two seals were attributed to the name of Bi Dengying, a native of Yanghu in Jiangsu Province at the end of the Qing Dynasty, and that Bi's first move had nothing to do with the seals of "Hai Ti Hand Ding" and "Hai Ti Examining and Approving Authentic Works", and this bi was not Bi Bi. The owner of the second seal should be another Bi Dengying, and quotes the "Bi Dengying and his wife Wang Clan Burial Chronicle", saying that the Bi clan is "rich in meeting people, and in self-encounter, constantly making up for food and clothing to buy ancient books and golden stone characters, very rich.". The seal before and after the certificate of the Garden Extension does not need to be re-examined, and there is no doubt that it is the same person.
The "Sacred Order" was widely circulated, and later took the Northern Song Dynasty and the Southern Song Dynasty as the still, and judging the time limit of the Extension, in addition to factors such as inscriptions, was mainly based on the damaged handwriting of the Tuoben, which now seems to be not unlimited. In the process of circulation, the phenomenon of ink filling, painting, painting, and supplementation has been seen from time to time, that is, the name of Tuo, I am afraid that it is inevitable, in addition, the degree of Tuo's craftsmanship, the degree of intention and other factors can affect the judgment of Tuoben. For example, the Republic of China edition of Gao Yehou identified that the "law" character of the "Way of One Multiplication and Five Laws" in the "Tang Dynasty Collection Book of Sacred Teachings" has been damaged, while the Xunyuan Ben is intact, and the "Phase" character of the "so-called Fa Xiang Permanent Residence" has been damaged in the lower half, while the Xunyuan Ben is intact. The Commercial Edition of the Republic of China's Colo edition of "Song Tuo's First Sacred Religious Order" (republished in 1943), before and after there are wang shu, Wang Guowei, Kang Youwei, Liang Qichao and other celebrity inscriptions, but compared with the Xunyuan Ben, some of the Houtuo handwriting is more than the previous Tuo, such as "Tenghan Ting and Kyauk Dream", "Dream" character, Xunyuan Ben is clear, and The Song Ben is more damaged; "Gui" is at the "Gui" place, the upper part of the Xunyuan Ben is slightly damaged, and the Song Ben is clear and clean, suspected to be the post-depicted characters, "Li Sui Ancient and Zhen Chang", "Zhen" character, XunYuan Ben is intact, and song Ben "Zhen" is intact, and Song Ben "Zhen" is intact. The middle of the word is obviously damaged, such as a careful examination of the word, or there is a suspicious place. When the Colo edition reprints the original rubbing, it is easier to make up the sketch, so the printed version only has reference significance, and it is in fact extremely difficult to contact the rare extension. Moreover, the Tuoben is sheared, and the "Holy Order" stele body grows up, the number of words is large, there are technical discrepancies when the Tuo hand works, at that time there was no large paper such as the stele, generally there are paper pick-ups, how many pieces of splicing? Where to stitch? Connected to the word or connected to a blank line, etc., there is a large discrepancy. The thickness of the heart when shearing is also very influential on the expansion. Therefore, the more Tuoben discovers, the more opportunities for comparison, as long as the true Tuo appears, it is not without benefit to the identification of each issue of the "Holy Order".
The "Sacred Order" stele breaks the time, to the inconclusive theory, the Song dynasty breaks the ming, each insists on the same word, the popular saying is that it was broken in the thirty-fourth year of Ming Jiajing, but in recent years, Zhongwei published "Introduction to the Identification of Stele Posts" and "Records of rare stele posts" and continued two volumes, tending to think: "During the Northern Song Dynasty, the stele had a very fine oblique crack from the word 'Jin' in the second line to the word 'Lin' in the last line, but it did not hurt the text point scratches. The Yuan and Ming Tablets were officially broken, so the bottom line of 'unbroken' is the 'Southern Song Dynasty Tuoben'. (131 pp., Cultural Relics Publishing House)
Zhongwei's standard is: the Northern Song Dynasty stele stone has crack lines, from the second line of "Jin" character, to the last line of "Lin" character, after the Southern Song Dynasty, the crack line gradually increased, the Yuanming post-stele completely broken. Based on this understanding, his judgment is that "those who see only one oblique crack and have not completely broken it are the Southern Song Dynasty Tuoben; if the stele is completely broken, the person who lacks the characters on the crack line is the Tuoben after the Yuan and Ming Dynasties, which is the key point to distinguish between the Southern Song Dynasty Tuoben and the Ming Dynasty Tuoben" (Introduction to the Identification of Steles, p. 204, Shanghai Century Publishing Co., Ltd., 2014). Zhongwei lists all the missing words above the crack line, and the text is not detailed. He concluded: "Whoever is intact of the above characters is the unbroken copy of the stele and the proof of the Song and Yuan Tuoben." ”
According to Zhongwei's standards, the phenomenon of "Gao Yang not breaking the original" in Xunyuan is not fully in line with the phenomenon of word loss. For example, the character "Jin" is intact, the word "is" is intact, the word "pole" of "the western pole of the introduction of Ciyun" is intact, the word "Gui" of "self-purifying and noble" is only slightly damaged in the upper part, the word "Fu" of "The Long Night of Fu Zhi Lantern" is intact, and the other damaged characters are in line with Zhongwei's observation.
There is a "crack line" in the "Holy Order", if according to the time of the expansion of the Xi'an Stele Forest, to the Jiajing Stele, there are nearly four hundred years, this period of stele from the crack to the fracture, there should be a rather complex phenomenon, the Zhongwei standard is the ideal standard, and the expansion that fully meets this condition should be very limited.
According to Fang Ruo and Wang Zhuanghong's statistics on the loss of characters in the "Order of the Holy Religion", the broken version is more obvious, such as the loss of the word "so" of "because of the reason", the loss of the word "saved", the loss of the word "god" of "look", the loss of the three characters of "Gaoyang County", and the loss of the three characters of "Wen Linlang".
According to this standard, the situation in the garden is: the word "saved" is intact, the word "god" of "look" is damaged, and the word "Shang" of "Shangshu Gaoyang County" is clear, but the word "book" is half damaged. The word "Lin" of "Wen Lin Lang" has been damaged, but "Wen Lang" is clear. Exhaustive expansion is difficult, limited exploration, it is very easy to have exceptions.
According to Tuoben's judgment, half-word, single word or stroke is defective and prone to controversy. The continuous loss of more than three words of two words is easier to become the standard, and the garden calls "Gaoyang unbroken", which includes the consideration of the time of the stele's break, that is, not based on the specific time but on the expansion of the factual theory. I also happen to have a copy of the Order of the Holy Teachings (Cicada Wing Tuo. Unframed. "Wenlin Lang" and "Gaoyang County" total loss), careful comparison, the degree of stele breaking is the process of change, the degree of loss during the period, and the situation of each extension is quite complicated. Xunyuan said that "Gaoyang has not broken the book", I personally understand that the basic stability of the stele is: "Wen Linlang" and "Gaoyang County" total loss (Fang Ruo, Wang Zhuanghong the same judgment), because the tail of the stele is in the same position, easy to judge. That is to say, "Gao Yang" is not broken, it may be the habit of collectors at that time, there is a rare word "Gao Yang", and it is easy to see nothing. First look at the original stele, then look at the whole Tuo, and then read the Tuoben, it is easy to enhance the discriminating power of the stele. By the way, this book is roughly the same as the System of Liu Wenzhu and Song Tuoben in the National Library of China (see the "National Library of China Rare Books and Tablets" volume 279 pages, Shanghai Calligraphy and Painting Publishing House, 2021), but the handwriting damage is not exactly the same. For example, the last word on the second side of the Tuoben is "like a character", Liu Ben is damaged to the left, and the Xunyuan Ben is intact. Compared with the Xunyuan ben on several photocopied pages, Liu Ben may have many graffiti, such as the "Lin" characters and "Book" characters at the end of the stele, "Wen Lin Lang" and "Shang Shu Gaoyang County", which are quite suspicious.
Predecessors have observed the phenomenon of word loss in the past, accumulated over the generations, and are also limited experience. For example, at the "entanglement of the place", the Northern Song Dynasty Tuoxiang can be seen in the first part of the "point" character, and the right half of the word "to" is not thick. However, these two characteristics only involve simple strokes, and the degree of intention of the extension is slightly different, and the extension will be different. In the "Hundred Heavy Cold and Summer" section, the "Tian" part of the "heavy" is intact as the standard, but the "Tian" part is extremely small in the Takumoto, and it is susceptible to the influence of the Takuma technique (I am in the whole Tuotuo, here is intact), and then considering that the "Sacred Order" has been pounded for a long time, there is a washing situation in the late Qing Dynasty (resulting in some of the backward Tobi and the former Tuotuo handwriting is clear), "So I know that the Place where the Sacred Ci is", the "Ci" character is intact, but the degree of damage is also difficult to grasp; at the "Jiuzhi Shengyuan", the lower left of the "Yuan" character is not even intact with the stone flower, but even if there are more than one, it is only an empirical judgment.
Luo Feng's article "The Expansion and Inscription of the Jiwang Sacred Sect Order" once emphasized that the "Sacred Religious Order" should be re-paid attention to, "because this involves some conclusions about the extension." It is common knowledge of today's people to take the continuous ben as the song Tuoji, and the continuous ben has existed quite a lot in the Ming Wanli calendar" (see the Spring 2019 issue of "Chinese Culture").
In terms of collection and appreciation identity, Bi Dengying and Fan Shouming are all famous artists of the late Qing Dynasty, and their collection of the "Holy Order" should be of a considerable standard, and their collection of "unbroken copies" does not specify the specific time, but the "broken" and "unbroken" inscriptions in Xunyuan are far more prudent than the "Northern Song and Southern Song Dynasties", because it is extremely difficult to accurately grasp the common damage standards. In the future, if possible, the extension limit may be reduced, or more scientific means can be introduced, such as the new method of measuring paper, ink, printing clay and other information attached to the extension. The combination of humanities and scientific means, or the modern direction of inscription identification.