Wang Xizhi's "Orchid Pavilion Preface" has 20 "zigzags" that are not identical. In fact, not only that, the works and collections of characters handed down by Shusheng are especially in the "Holy Order", and there are many "homologous variants" and "homologous variations", which are very wonderful, and the richness and variety of knots and brushwork are amazing. Below, we will mainly take the "Holy Order" as an example to see Wang Xizhi's wonderful treatment of the changes in the knot.
1. Homographs
unscramble:
1. "Its" word: the middle two horizontal or minus to a point, or connected into the word "up"; two vertical or long or short. There is also a noticeable variation in speed.
2, "no" word: the shape is large or small, with a pen or square or round, or even broken or broken. Especially the treatment of the last stroke, it is very easy to produce rich word posture changes.
3, "open" word: the outer "door" two vertical thick and thin; the inner "open" right vertical has a return front, there is a front, or hanging needle, or hanging dew. Left and right, different breaths.
4, "the" word: mainly the treatment of skimming, the shape or long thin, or short fat, the middle vertical has a positive and oblique, and the second horizontal has a connection and a point.
5, "Zigzag" word: the appearance of long and flat; with the pen there are square and round, thick and thin.
6, "none" word: skimming and upper horizontal have a broken connection; the next four points or change a horizontal, or change a point a horizontal, or pitch or lean.
7. "Yu" word: body or line or grass, hook or drop or dew, dot or point or connection.
8. "And" word: apostrophe or meet the left vertical or meet the middle vertical; the middle vertical or retract or put, or change the point, or tilt.
9. "Earth" word: "also" the word is horizontal or flat or oblique, or horizontally connected with the word "earth" or connected to the lower horizontal.
10, "guo" character: the shape or square or round, with a pen or light.
11. "Book" characters: horizontal or oblique, or variable point, or elongated; vertical or curved or straight, or lufeng or Tibetan feng.
12. The word "sheng": the upper horizontal and vertical or connected with the traction wire, or the shape is broken; the lower horizontal or pitched or leaned.
Second, the same side of the change
Carefully observe the word changes on the same side. High and low, length, size, and font potential must all be adapted to the "word" conditions and produce rich changes.
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