The biggest taboo in writing is that the cloth is like an operator, that is, a plan and even layout like an abacus like an abacus. We must let the writing breathe, we must be clear, we must resolve contradictions, we must create contrasts, and we must have the release of conflicts. This is true of one word, and it is true of another; it is true of the cursing, and it is true of the main book.
Chinese calligraphy, which embodies temperament, is essentially closer to the Taoist spirit. Valuing humility. A work must have a quiet place. Not vain, that is, the house has no windows, no internal space. The house is not vain, then it cannot be used, and it is not called a house. In calligraphy, there is no void and quiet place, it is airtight, it is too depressed and rigid, and it seems to have no vitality. This is especially important in cursive writing. Our works should make people feel real, but in a certain place, the sudden appearance of emptiness will give people a feeling of sudden enlightenment.
Such as "inside", never let the internal space even. The empty place is particularly large. (Selected characters Wang Xizhi's "Holy Religious Order")
The same is true of the "moon", the virtual left. We can call the real place a poly, and the virtual place is called a scatter. Where it is scattered, let him scatter, such as this word, never let the last stroke be connected with the first stroke. (Selected characters Wang Xizhi's "Holy Religious Order")
The biggest empty space is that the vertical position should be written well. If the space of the cloth is even, it is dead. (Selected characters Wang Xizhi's "Holy Religious Order")
Left and right. Scattered places give a lot of space. The gathering place should be sealed more. For example, the arrow is marked with a stroke in the middle. This word is very interestingly written, and the middle stroke is not straight. The composition of the wang character is very rich, to clarify the gathering and dispersion, and then to see other posts, there is a sense of the small mountains. (Selected characters Wang Xizhi's "Holy Religious Order")
The top is real, and the bottom is virtual. Every word is born of virtual reality. Leave at least one gap in the void. Let the inside air out. This is consistent with the concept of qi in Go. (Selected characters Wang Xizhi's "Holy Religious Order")
Notice which seals and which ones are not sealed by the arrows. The upper arrow cannot be sealed, and the previous example also says the concept of qi. In fact, watching the movie, you know that the siege of the city that understands the art of war will always surround three sides, not four sides. The road to life can not only be high, but also will not provoke death in the city. (Selected words Ouyang Inquiry "Jiucheng Palace")
The calligraphy of successive generations of calligraphers is basically the same. The key is that the brushwork is different. As soon as the penmanship changes, so does the orthography. Therefore, in the treatise on the book, it is said that the brushwork is the core of calligraphy. If you continue to draw along the yellow outer line, it will become a triangle. Pick words. The middle is gathered, up and down. (Selected words Ouyang inquired about "Zhang Hanti")
The shape is not very similar to the previous word. At the same time, the interior is left scattered, rather than evenly whitened. Many people write About, lifeless, can't see the changes inside, and write the word space evenly, which has no meaning at all. If you can see these blank spaces in your eyes and understand the principle of gathering and dispersing (leaving blanks), you will find that the European body is actually very interesting. (Selected words Ouyang Inquiry "Jiucheng Palace")
Left arrow, not next to each other. Then the top will appear scattered. The two pens of "and" are beaten, and if they are sealed, they are gathered. It seems that the middle palace is very tight. It is also typical of up and down scattered, middle poly. It is consistent with the previous example word "soldier". (Selected words Ouyang Inquiry "Jiucheng Palace")
Turning horizontal into dots, the words are immediately vivid. If it is horizontal, then one word and three horizontal, it is inevitable that they will be similar, and it is far less clever to handle.
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