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1. Rules and regulations
The rules are for the general situation of a painting. A work, regardless of the length, must be clearly divided into primary and secondary, there are virtual and real, there are sparse and dense, there are yin and yang to the back. The composition should not stand on top of the sky, too full or scattered, giving people a feeling of suffocation and suffocation, which is not in line with the aesthetic habits of the public. According to the general composition program, painting flowers should be left one right two, or on the odd and low, giving people a sense of naturalness and stability, the layout of the law, then the dense place is not too full, the sparse place is not too rare. If the total trend of painting is appropriate, then every flower and leaf will also be in order. The lack of flowers is relative, sometimes it is also caused by different viewing angles, there will inevitably be no very round flowers in nature, and some flower branches will inevitably be interspersed in dense leaves, otherwise flowers and leaves cannot grow hair, and when painting, observation must be as fine as hair, no wind when turning leaves does not have to paint too much, the back of the sun should be painted in the back, and the branches should be painted crisply and neatly, and the shape of the snake cannot be bent.
2. Penmanship
Intention to pen first, confident, the next pen is coming, fast and sure, fast and powerful, no increase or decrease, pen is the essence, no sloppy handwriting, pen and non-pen, very natural. Hook leaves and hook flowers must be folded, and the outline tendons and dry must also be rigid and soft. The flower heart should be drawn as strong as a tiger's whiskers, and the moss point should be drawn as dense as a flock of ants. The pen should be changed according to the object being painted, and the hanging needle is exposed, the iron sickle floating goose, the silkworm head and rat tail, and the pen method is flexibly selected. Although painting is used to depict images, it is the same as calligraphy with pens. For example, the more special categories of plum, orchid, bamboo, and chrysanthemum paintings use the pen purely as calligraphy, which is different from other doors, and does not borrow the strength of the pen, and certainly does not produce good works. Ancient and modern good calligraphers and painters, all pay attention to the use of pen, rigid pen with soft, flexible pen with rigid, and such as round petals can not be drawn too round, nor can not be round, and a stroke, both qi and spirit, center, flank and use, to get fun. Bamboo orchids should be used with calligraphy pens, but they should not stick to the center of the pen, they must turn and stumble, and the center should also have a flanking, otherwise the orchid is painted like a wood stick, and the bamboo leaves are painted like iron nails, which are both impermanent and impermanent.
Third, the ink method
The ink is divided into five colors, and the thick and dry wet are transported at will. Avoid using old ink, accumulated ink, and leftover ink. The ink varies according to the type of paper and silk, and the brush rises and falls rapidly, and the position of the flower should be slightly glued alum, and the raw paper is slightly cooked, which is to make the painted flowers more three-dimensional and full, and can draw details. Dots of moss can be wet in the pen, creating a hazy feeling.
When transporting ink, the flower heart is thick, the petals are light, the flower peduncle is deep, and the flower buds are shallow, which should not be confused and inverted, otherwise the flower shape and perspective are extremely strange and unreasonable. Sketching is good at using ink, which is the best way to paint flowers. However, today's painting of flowers, ink method is more innovative, do not have to be too rigid in the ancient people's arguments, pen breaking ink Qinyuan is a drawback, if you can get through the power to change, but it is wonderful, ink law should change according to the changes of creation.
Fourth, the color method
Coloring should be superimposed from light to deep layers, can not be in a hurry, otherwise the heavy color pressed paper silk, dull lack of agility, the color weight of the pigment in the gel thick, attached to the paper silk appears sticky and not moist, if you want to show dark color, that is, with light color multi-level rendering can be, the colored flower form is real, three-dimensional full, the style is biased. Colorful performance, must be divided into guests, all colors are the lord, then chaotic and vulgar, the use of contrast hue, similar hue should also be grasped well, such as blue, purple should not be juxtaposed, yellow, white can not be compared, big red, big green this kind of hue is very saturated and gorgeous color, in a painting, less use is better. According to the overall tone of the picture, the local color can be continuously adjusted to achieve balance and harmony. Common sense coloring methods must also be paid attention to, flowers, leaves are the same root, the flower color is heavy, the leaf color should not be light, otherwise it does not meet the flowering period, the scorched leaves must be added to the ochre, the young leaves must be fattened, otherwise the color is consistent and does not conform to the principle of natural metabolism.
Fifth, point dyeing method
Painting flowers, especially brush flowers, point dyeing is indispensable, dot dyeing is ingenious, the delicate state of the flower is alive and free on the paper, point with a single pen, dye the color pen, water pen double tube alternate, point dye petals when the chalk dipped in dark light on the milli end of the petals, and then use the water pen to slowly and evenly dye open, it will be the effect of shades and shades of nature, dyeing flowers can not be anxious, the background color is good, the overall hue has a rich sense of layering, you must first lay the powder foundation, in the position of the painting flower and then sweep a layer of alum water, fill the leak after the paper is cooked again, Painting on such paper can depict the subtleties of the flower vividly, will be dried, with a color pen dyed in the center, the water pen slowly opened, the first time to be very light, dye several times to deepen the color, the outer petals to dye three to four times, the center petals at least five or six times, the flowers will have a three-dimensional sense, layered sense, the color is natural and round, with grease slightly glued alum to prevent staining, and the color after drying is bright and bright, very suitable for the performance of flowers that have just opened in early spring. On the leaf painting method in general, the large leaves should be dyed, the small leaves should be used, as for the priority of the next pen, it lies in each person's grasp, not the pen and ink method, but the natural flower growth trend.
Sixth, the drying method
The meaning of the main halo, the meaning of light and light, can not be noisy, the pen has enough water, gently halo can not leave handwriting, the halo method is mostly used when painting white flowers, the white flower white background is not obvious, with a light cyan halo on the outer edge, it sets off the ice jade purity of the white flower, the quiet and elegant texture, which is not loyal to the natural scenery, but emphasizes the clever technique of natural flower beauty.
7. Tree stone method
Flowers contain tree stones, painting tree stones must use the method, with a dry pen with wet random sweep, every knot, turning place is different, each tree species growth theory, the potential is different, then the method is also different, tung horizontal wipe, willow oblique rubbing, soft strip thin stem point to the end, no double hook, intertwined is not afraid of bloat. Painting stones between flowers should be avoided and deliberately piled up for a disease.
8. Moss lining method
The picture moss is very exquisite, and should be used with caution, the tree stone painting is good, you do not have to point moss, if it is not just right, the effect of the picture is injured. The dot moss must be intricate and orderly, not more and no less, we must observe its posture and layout, the form or garden or the tip, or chaos or whole, the painter should not pay attention to itself, but should penetrate its set off the trunk more rounded, the stone is more towering and standing wonderful, moss lining method and halo method have similarities, are to set off the natural beauty of the subject, must not be in order to show off the painting skills and ignore its original function.
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