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First, the introduction of Jiao Mo
Jiao ink is an ink with a very small or no water content, that is, the master of thick ink is jiao, which has the effect of refreshing and finishing touch in landscape painting. Coke ink painting is a painting that does not borrow from the infiltration of water, but is composed of changes in ink color and lines.
The scorched ink method refers to the technique of painting without mixing water with a scorched ink thirst pen. It is an ancient and difficult painting technique, is to use a single scorched ink to achieve the virtual reality, dispersion, denseness, thickness, yin and yang and other layers of the picture, with the method of rendering, the number of pen content and the weight of the pen Xu disease is the main point of mastering the coke ink technique, the difficulty of the coke ink technique is not mixed with any water, but to make the picture appear lush effect and rich level, is the past generations of painters as the "dangerous realm" on the painting path, as the modern famous painter Huang Binhong said: "Painting has the most primitive scorched ink method, The pen is strong and strong, and it is advisable to contain deep shows", Mr. Pan Tianshou believes that with a thirsty pen, you must pay attention to thirst and be able to moisten, the so-called "dry crack autumn wind, moisturizing with spring rain" is also. The key to painting a good coke ink painting is to master the changes in lines and ink color, that is, to deeply study the brushwork and ink method of the coking ink painting and form a unique technique for painting scorched ink.
Second, the scorched ink brushwork
Lines are the "lifeline" of Chinese painting, and it is the most significant feature of Chinese painting that distinguishes other types of painting. Jiao ink painting is without the use of water, relying on the change of ink color and line to express the natural landscape, the use and expression of lines is particularly important, it has become the key to victory, and the coke ink brushwork is embodied in the coke ink lines.
Jiao Mo painting not only relies on lines to become images, but also relies on lines to express its virtual reality, dense interlacing, yin and yang to the back, showing the sense of hierarchy and rhythm of landscape painting, no matter the painting outline, trunk, stone block with the bone method of the pen, the pen is gentle, the strength is uniform, the weight is carried out, the air rhyme is through, the line garden is thick, elastic, the trunk is drawn, the stone is drawn with a garden pen, square corners, the pen is outlined with a straight word, the pen is sharp, the pen is turned, the seal method is up and down, the real is closed, the pen is delivered, the pen is delivered, and the end is connected.
Painting stream waterfalls, line pen more use "trembling" pen, "trembling" that is, there is a trembling, sudden stay meaning, whether you use a drag front, or a reverse front, or a rolling front, or the three are just the right alternate use, as long as you have a jitter in the line pen, dun stay, you can make the waterfall have thickness, and there is a sense of water flow that splashes down, and a vivid and vivid image of the natural landscape appears.
Jiao mo with the pen to control, such as "house leakage marks", accumulation points into lines, not hurried, the pen has a review, up and down the belt, start and stop without marks, the line is heavy and thick, with the pen is powerful, there is a sense of strength and thickness in the back of the paper, such as "mountain falling stone", the pen runs on the paper, rustling sound, into the wood three points. Various brush strokes such as light and heavy, lifting, clumsiness, square circles, and urgency, etc., show their emotions in the change.
The nature of jiao ink determines the method of using the pen, mainly to thirsty pen, especially half dry and half wet, as Huang Binhong said: "With thirst pen method, the most suitable for moisturizing", in the process of using thirst pen, the line will naturally produce a little bit, different shapes of white marks, that is, flying white, the appearance of flying white makes the original boring and tasteless lines produce the effect of pen breaking and virtual reality. The coke ink line is also relatively easy to "hair", which is similar to the flying white and helps to produce a sense of moisture. The ink line shows the beauty of form and natural beauty in a wave of three folds, forming a gentle, flexible and melodious rhythm.
Under the pen to draw the line, you must first "establish the intention", "return to the use of the pen", not the line is flat and straight, but pay attention to the meaning, strength, charm and interest of the pen, which reflects the painter's understanding of the line and the exploration of the artistic conception. Mr. Shi Lu said: "The line is transformed into a pen, with a vertical shape, to convey the mood, to lyrical rhyme, although the line is simple, but with its inhibition of The humble change and the beauty of the crowd."
Landscape painting often uses the method of rendering to express the texture of natural landscapes and the three-dimensional sense of yin and yang to the back, in order to seek the fun of ink dripping, but Jiao Mo does not use water, so the rubbing replaces the rendering, becoming the main brushwork of Jiao Mo landscape painting, wanting to make the picture achieve the effect of "dry crack autumn wind, moist with spring rain", the rub has become the key to the jiao ink painting. The painter should highlight the "brush strokes" in the rubbing, use the pen to strive for stability, subtlety, majesty, ancient clumsiness, and naturalness, and increase the texture of the rubbing through the change of brush strokes to express the lush mountain body and rich mountain texture.
Use burnt ink to outline the line, especially the long line, to achieve the thickness of the change in one stroke, the pen edge contains more ink, the next pen is heavy, the ink appears thick black, the pen edge content is small, the next pen is light, the ink appears light, which is completely skilled.
The painter must use different line shapes and different methods to paint according to his own understanding and feelings of natural objects, so that the lines are extremely rich, some are upright, some are graceful and colorful, some are bold and uninhibited, some are slender and feminine, and the brushwork runs through the lines. To this end, the line is not only the author's forming means, but also a tool for affection, but also the venting of emotions and the eruption of feelings, which naturally expresses the author's brushwork and emotions in the line rubbing.
Third, the scorched ink method
According to the traditional saying, ink is divided: "scorched, thick, heavy, light, light five colors, scorch is one of the colors, scorched ink is blacker than thick ink, the first of the five colors." Painters of past generations have summarized the ink method as follows: "thick, light, broken, accumulation, splash, jiao, su" seven kinds of ink method, jiao ink method is only as one of the traditional ink methods, so some people say that there is only brushwork in jiao ink and no ink method. In fact, the coke ink itself can be divided into at least seven chroma, that is, there are ink dots, ink lines, ink blocks, ink ash (at the edge of the burnt ink that is quickly wiped, or the thinner part), gray (the center heavy pen effect in the scorched ink dry pen), light gray (the lateral light pen effect in the scorched ink dry pen), medium gray (refers to the ink dots or ink lines that occasionally appear in light gray, and its chroma is between light gray and gray), the variation of the seven colors of the burnt ink is extremely rich, fully showing the ultimate beauty of black and white contrast.
The ink accumulation method is a method of staggering from shallow to thick and overlapping layers. This is the most common ink method and painting technique used by painters throughout the ages. Because the landscape painting representation is colorful and complex, a single image is often difficult to meet the requirements of the thick and broad, in order to make the picture more thick and dignified, so the ink accumulation method is a must-use method for landscape painters, it can be said that it is difficult to become a landscape painting without the ink accumulation method. Without mixing water, without adding color, with pure scorched ink thirst pen painting, this method is more important, coke ink painting is to rely on the ink accumulation method to present the seven ink colors mentioned above, in order to show the virtual reality, dispersion, denseness, thickness, yin and yang to the back and other layers of the picture, the front of the colorful picture is completed by the ink accumulation method. Therefore, the ink accumulation method is the most basic ink method of burnt ink painting.
The characteristics of the ink accumulation method, you must dry the ink before and then draw the second time, in order to make the picture black layered, full of vitality, thick Huazi, the pen should be flexible, whether it is with the center or the flank, the pen line should be jagged and staggered, gathered and scattered, cut and push stacked rigid, we must pay attention to the difference between the first ink color and the second ink color, in order to see the pen marks, both integrated, but also have handwriting to find.
In particular, the shady side of the painting ravine, most of them use the center garden pen, holding the weight, staggering and superimposing, strengthening the ink line, ink block staggered overlap, the top of the mountain and the hillside can often be added with ink dots, which not only makes the picture garden thick, but also brings rich imagery to the viewer.
When accumulating ink, we should focus on the whole, use ink to know in mind, the more changes in ink accumulation, the richer the level, the stronger the overall sense, but the greater the difficulty. Li Ke and others have said: "The black group is black in the black group, and the ink is wide in the middle of the heavens and the earth" is his reason. Use well, the ink accumulation method always maintains the luster of the ink, the more the product, the more gloss, if there is gray dead ink after drying, then the ink accumulation method will fail.
The ink accumulation method paints the tree, the mud point from the tree, from the light to the thick ink, it looks very thick.
The cloud intentionally flicks the accumulated ink, superimposed layer by layer, showing the thickness of the clouds until a natural cloud layer is formed, and the accumulated ink is supplemented by its cloud gas.
Su mo is the ink every other day or a few days, landscape painters often use su ink dipped in clear water on rice paper, so that it presents a degummed ink charm, because the infiltration of su ink on rice paper is more than the new ink infiltration more than a pen and ink charm, with an ethereal and simple beauty, often used in the last ink, playing a role in finishing touches.
Jiao mo painters often use su ink to paint, which has become a kind of ink method of jiao mo painting, which is blacker in su mo ink, but also has a luster, and shines in black, thus strengthening the contrast between black and white, making the picture more colorful. Holding the difference is that there is often dregs precipitated in the ink, but painting with dregs of ink will increase the texture of the mountain rubbing. However, before the clouds are wiped, it is best to wash the pen clean, cool and dry before use, so as to avoid dregs contaminating the purity of the clouds. However, the use of su ink is not good, extremely dry and dirty, so the use of su ink to paint requires a high degree of pen and ink skill.
Proficiency in ink accumulation method to paint with su ink is an important way to improve the painting effect of coke ink painting. With the development of the times, it will certainly make the ancient artistic life of Jiao Mo painting burst out with renewed vitality
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