At present, many calligraphy enthusiasts are prone to such problems:
1. Tracing. A stroke is written for a long time, and a little writing is chaotic;
2. Mechanical writing. Lifeless, unchanged, lifeless;
3, can only write the letter, blindly think that writing fast is the line of writing;
4. Only the calligraphy is respected, and other books are rejected or even disregarded;
5, do not understand the rules and ink method, creation such as operators, cloth white dull;
6, temper twisted, dead brain, can not listen to criticism, lonely self-congratulation.
If a calligraphy lover has these six symptoms, he is in trouble.
A major psychological factor in the appearance of these symptoms is "only Kai", although he loves calligraphy, but there are only calligraphy in his eyes, and some of them have been walking on the road of calligraphy for one or two decades, and have never thought about other books (even have rejection).
In fact, people who really understand calligraphy understand that the so-called basic skills of calligraphy are the comprehensive ability of various calligraphy skills, in short: the comprehensive ability of calligraphers to control the level of brushwork, ink and chapter skills. Therefore, successful calligraphy should be rich in calligraphy and very infectious.
Photo/ Good calligraphy works are "alive"!
As I just said, the biggest core problem in killing calligraphy is actually the problem of consciousness: many people still blindly and persistently believe that "calligraphy is the basic skill of calligraphy", and even more people think that "Tang Kai is the real basic skill of calligraphy". Therefore, he stubbornly hugged Yan, Liu, Ou, and Zhao, and stuck to the "basic skills" for more than a few years and more than ten years.
Inexplicably, they only identified the calligraphy (only Tang Kai or the Ouyang Inquiry family, etc.), and considered the calligraphy to be the true art of calligraphy. It is considered that the script is the most difficult, the most supreme, the body of the book that governs everything. In fact, it is not difficult to find that this phenomenon is very common, and most of them eventually become book slaves.
After the death of the italic writing, it is highly readable, poorly appreciative, the technique is unchanged, and the style is consistent. Most of them are written ou can not write Chu, let alone write bad grass. If you can write line grass, it is often written as a "Trinity work" (the ink color is the same, the stroke is generally thick, and the font is the same). There are also even more terrible people, who cling to the family and do not say anything, and have not been able to keep the right at all. For example, it is said that it is to learn Yan Kai, but it is full of black crows and crows, that is, it has not solved the pen of yanzi, and it has not captured the shape of Yanzi.
Thinking determines the way out, please put an end to the narrow thinking of "only Kai alone", in addition to practicing kaishu, we must also learn the seal law, the law and the source, but also to feel the line and rhyme of the book, can not ignore the grandeur and agility of the Wei Monument, more experience of the work of ink and chapter white, read more, read more, more products, live to learn calligraphy.
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