Introduction to Du Huxiang's art
Du Huxiang, born in 1950, a native of Xi'an, the owner of the tin stone dragon, since childhood love calligraphy and painting deeply studied, no dispute with the world, pen name, huang shi, under the guidance of his brother Tao, learn calligraphy, when he was a teenager, made of conditions, with yellow mud as ink, the earth as paper, mud for food, tired and not quit, lin xi Yan, Zhao Shu shu, xing shu, tracing the two kings, famous posters, Bo Zhongjia's color, perseverance, calligraphy to line, line grass, grass as the mainstay, arrogance, teachers and not mud ancient. In order to pursue the simplicity of the style of writing, he sometimes came to learn Wei Monument, Li, Seal, and other famous posts, and wanted to have Xiaocheng. The works have been well received and collected by calligraphy enthusiasts at home and abroad.
The cursive work "Independent Cold Autumn" has been played by the Central Calligraphy and Painting Channel many times.
The fourth, sixth and seventh calligraphy exhibitions held by the China Great Wall Calligraphers and Painters Association were included in the exhibition and won awards.
Eight Foot Banner Book?? The Chinese Dream was published by Shaanxi Daily, Sanqin Metropolis Daily, and Xi'an Commercial Daily, respectively.
His works have won the National Celebrity Calligraphy and Painting Invitation Exhibition and won the Excellence Award.
In 2013, he was launched by Xi'an Kebo as one of the 50 powerful calligraphers in Xi'an, China, and won the Excellent Works Award
His works were selected for the 2011 Invitation Exhibition of Calligraphy and Painting Masters at the Ruins of Daming Palace.
Invitation Exhibition of Calligraphy and Painting Masters on the Third Anniversary of the Establishment of Xi'an China Book Court
He has been rated as an excellent member by Xi'an Calligraphy Association for many times,
Qin Feng Yue Yun Belt and Road, Xi'an Zhongshan Calligraphy and Painting Exhibition Works Exhibition
In recent years, he has actively worked to inherit the development of Chinese Du family culture, and has written more than 100 pairs of calligraphy works and commercial plaques free of charge for the clan family members at home and abroad, which have been well received by du clan relatives.
Currently: a member of the Great Wall of China Calligraphers and Painters Association, a member of the Shaanxi Calligraphers Association, a director of the Xi'an Calligraphers Association, the deputy director of the Main Book Committee of the Xi'an Calligraphers Association, the head of the Outreach Department of the Xi'an China Book Court, the honorary president of the Xi'an Hanmo Calligraphy and Painting Institute, and the director of the Xi'an Brilliant Culture and Art Exchange Center.
Calligraphy is not a flashy thing, but the essence of life that has been accumulated over the years and has been full of vicissitudes. And the calligraphy works also show the calligrapher's perception and creativity of life! Calligraphy is such a "god paper", once you fall in love, it is a lifetime of exploration!
The method of calligraphy lies in the endless variation of brushwork. Mr. Du unlocked the penmanship of the ancient sages and sages, and had the heart to pursue the grinding and paying of the hand, so the law was taught by the inscription and could write through the Zhengda weather. With a strong sense of shaping the lines of cursive calligraphy, it must be written in the form of the image of all things, with the wonders of nature, to achieve a realm that no human being can achieve! Full of ink and male pens, volleying to kill paper, writing thick lines like the horror of the Flying Beast, and also like running thunder and falling stones! Force through the back of the paper, composure and pain! The fine lines of the work are skillfully sprinkled with sharp whiskers, and the silk is reflected, which is shaped by the grass of the upper stream of qingquan stone, which is the naturalism of the landscape and water! Writing lines, comparing length and shortness, greeting each other with height, and following each other before and after, is obviously the charm of the unity of heart and pen, and the charm of heart handwriting. Only the unremitting pondering of spring and autumn can get the skillful and wonderful writing. Therefore, his brushwork is the result of cultivation! The results of cultivation have made cursive calligraphy so vivid and infinite, which is rare in the contemporary book world!
Mr. Du's calligraphy, in addition to the powerful and penetrating power of the back of the paper, also has a kaleidoscopic change due to the momentum of the qi. If calligraphy only has strength and no potential, it is inevitable that it will be dull. Only the powerless must be slippery. His pen power can kill the paper in the air, the expression of the power through the back of the paper is handy, and it can be intended to be the first of the pen, because the qi lays out the pen and ink, the qi condenses into a potential, the pen has not yet been swallowed, the momentum is unstoppable, the momentum is unstoppable! Flying up and down to write dynamics, facing danger and high posture, movement and potential conversion, you can write the grass works left and right like shock, like Chu and Han attacking each other! Horizontal like a cloth array of clouds, like a long live dry vine!
Mr. Du's pen is like a cloud, like flowing water, full of vigor, the pen edge swims, the escapement is stretched, up and down, left and right, between the dot paintings, there is no ambiguity, slackness, and the law is all between his fingers and wrists.
The so-called vertical and horizontal elephants must be called books. Mr. Du is deeply aware of this meaning, his line of grass pen is thick and solemn, implicit and unrestrained, pen and ink retract freely, not changing rules, line thickness and dryness, change is measured, the word posture is like the meaning of the word, the whole font shows the rigidity and softness of yin and yang, and the momentum of opening and eloquence. Obviously, Mr. Li has successfully reached the realm of the combination of form and meaning, and he has presented a kind of artistic pride for the grass with the dry cracked autumn wind and the pen and ink containing spring rain, and the context and momentum of the cursive calligraphy have also been displayed, which is actually rigorous and loose without losing stability and freedom!
Mr. Du's writing is flying, not constrained in the slightest, and even the whole line is down, like a fairy-like indulgence, coming and going without a trace. Look at its strength without losing, the posture is unfolded without exaggeration, and the handwriting flows through the clouds.
As an artist, he has rich life experience and persistent artistic pursuits, his works are rough and inky, the pen is surging and the momentum is ups and downs, the pen is dragon and snake, the opening and closing are measured, and the passion is full of pen and ink.
May Mr. Du Huxiang on the road of calligraphy art, the pen cultivation unswerving, the original intention unswerving, with exquisite brushwork, inheritance of national culture, ink dye brilliant life, so that the traditional cultural treasures of the Chinese nation shine brightly! Bloom!