Wang Xizhi's "Idle Post"
Explanation of the "Idler's Post":
Idle people have one or two things, although they do not participate in the rise and fall, but they make people hate things Zhou Lingzi, although to make Jun Ming practice, every thought, so that they can be defeated.
Contemporary Liu Jingwen "Yi Lin" "Idle Post"
Wang Xizhi (303-361, also said 303-379, 307-365, 321-379), Eastern Jin Dynasty calligrapher, Character Yi Shao, Trumpet Zhai, Han ethnicity, ancestral home of Langya Linyi (now part of Shandong), later moved to Huiji (present-day Shaoxing, Zhejiang), in his later years lived in seclusion in Jinting, Jiaoxian County, Chinese Eastern Jin Dynasty calligrapher, known as shusheng. He successively served as secretary Of TheOry, General Ningyuan, and Assassin of Jiangzhou. Later, he was the general of huijian neishi, leading the right general, known as "Wang Right Army" and "Wang Huiji". His son Wang Xianzhi's calligraphy is also excellent, and the world is collectively known as the "Second King". Since then, successive generations of Wang family calligraphy talents have emerged. DongShengping died five years ago, buried in Jinting Waterfall Mountain (also known as Wisteria Mountain), and his fifth grandson Hengshe's residence is Jinting Temple, and the ruins still exist.
Wang Xizhi was born into a famous and prestigious family, from his great-grandfather Wang Lan and Wang Xiang in the "Twenty-Four Filial Pieties" as half-brothers, Wang Languan to Dazhong Dafu, and Wang Xiangguan to Taibao. From his uncle Wang Daoguan to Taiwei, his father Wang Kuangguan Huainan Taishou. When Xi Zhi was 16 years old, he was named "Dragon Rider" by Tai Wei Xi Jian Xiang. Initially a secretary Lang, he was later promoted by the Zhengxi general Yu Liang to be the general of Ningyuan, and was reappointed as the Assassin of Jiangzhou, the General of the Right Army, and the Internal History of Huiji (present-day Shaoxing, Zhejiang). Due to a conflict with Wang Shu of Yangzhou, he resigned from his post. When Wang Xizhi was in Jiangzhou (345-347), he once set up a house on the eastern slope of Linchuan County, known as "Xincheng" (now in the Wenchang School of Linchuan City), and dug a well for daily life and an ink washing pond for practicing calligraphy, which is recorded in the "Linchuan Record" of the famous literary scholar of the Southern Dynasty Liu Song Dynasty, Linchuan Neishi Xun Bozi, and the "Ink Pond Record" of the Song Dynasty literary master Zeng Gong. The full text of "Ink Pond Record" is 285 words, introducing the origin of ink pond and praising the spirit of Wang Xizhi's painstaking practice of calligraphy. During the Cultural Revolution, the ink pond was destroyed. In June 2002, the Fuzhou Municipal Government introduced 5 million yuan of foreign investment to rebuild the ink washing pond and restore the old appearance for tourists to see.
Wang Xizhi loved calligraphy since childhood, and was enlightened by his father Wang Kuang and uncle Wang Xi. At the age of seven, he read the "Treatise on Pen" from his father's pillow. Wang Kuang was good at calligraphy and painting, and Wang Shengqian's "On books" once commented: "Since jiangdong, before the right army, only The emperor of Jin Ming was the most, the painting was the master of the Jin Ming Emperor, and the book was the right military law." "Wang Xizhi has been deeply influenced by the Wang family's profound calligraphy since he was a child.
In his early years, Wang Xizhi studied from Lady Wei. Wei Shuo, Shi Chengzhong, miao, passed on his method. She taught Wang Xizhi the method of Zhong Xuan, the method of Wei's several generations of calligraphy, and the style and method of writing that she herself had bred. The Tang Ren Book Review said: "Lady Wei's book is like a flower arrangement dancer, low and beautiful." Another example is the beauty of the Inner Painter Yi Ding Nei Shu Huang Ting Jingtai, Xian'e Lane Shadow, Red Lotus Reflection Water, and Bi Numa Floating Xia. Shen Yinmo, a modern person, analyzed: "Xi Zhi learned books from Lady Wei, naturally influenced by her, once he obeyed the bell law, the habit of posture, and also formed from it, and later he exhibited the traces of the Qin and Han Dynasties since the Seal of Chungu, which was different from the new style of the bell law transmitted by Lady Wei, so he was dissatisfied with the master's transmission, which was the same as the later generations of scholars who started from the thesis, once they saw the tablet, they became interested, and they wanted to change their studies, which is also understandable." You can appreciate Xizhi's charming style and endless places, which have deep roots. (The Two Kings Law Book Pipe Peep)
Wang Xizhi was good at turning to many teachers, and when he broke away from Lady Wei's calligraphy barrier, he was already on the new layer of history. He once described this historical turning point: "Xi Zhi Shao xue wei lady's book will be called great power; and cross the river north to travel to the famous mountains, see Li Si, Cao Xi and other books; and promised, see Zhong Jue and Liang Hu books; and Luo Xia, see Cai Yong's "Stone Classic" three-body book; and at Cong's brother Qia, see Zhang Chang's "Huayue Stele", the first knowledge of Xuewei Lady's book, in vain. ...... So he changed his master and still studied in the monuments. From this passage, we can see Wang Xizhi's experience and intention of constantly broadening his horizons, widely hearing and learning, and exploring the source and reasoning.
Wang Xizhi's ambition is lofty and creative. He learned to be a bell and could melt on his own. The bell book is still turned, the real book also has a different trend, with the pen is still expanded, there is a bird and bird soaring trend, the so-called Zhong jia falcon tail wave. Wang Xi's favorite hand chases, but it is easy to turn into a song, subtracting the momentum. With the pen still inward, without folding, the so-called right army "swept straight down." He learned Zhang Zhi also spontaneously. Zhang Huaigeng of the Tang Dynasty once pointed out this point in the "Book Break": "Analyzing Zhang Gong's grass, and the thick and thin compromise is ashamed of his proficiency; the profit and loss of Zhong Jun's subordinate, although it uses augmentation, but the quaint elegance is not caught, and the study of fine posture is all-powerful." Wang Xizhi's "analysis" and "compromise" of Zhang Zhi's cursive writing, and the "profit and loss" and "application" of Zhong Xuanli's book, can "study the essence of the body" for these two masters of calligraphy. Shen Yinmo said: Wang Xizhi did not coil mud at the feet of his predecessors and paint gourds like this, but he wanted to use his own hands to make the ancients serve me, not mud in the past, not to betray the present. He used all kinds of different brushwork techniques that he had obtained from the exposition in his life into the True Grass Body, thus forming the best posture of his time, introducing the old and the new, and opening up a new world for future generations. This is the reason why Wang Xizhi's "combining the law of the masses and preparing to become a family" is therefore highly respected.
In the "Collection of Wang Xi", there is a "Linchuan Post": "Do not ask Linchuan, suspense is unspeakable." When the son of the Son of Song comes, he will be counted, and he will be asked for it. "Expressed the feelings of concern for Linchuan." His spirit of "ink pond" of "Mu Zhangzhi, Linchi Learning Books, And The Pool Water Is Black" in Linchuan has always inspired Linchuan students.
His works are not authentic, and the heirs are all copies. His xingshu "Lanting Collection", cursive "Seventeen Theses", the main book "Huangting Jing", and "Le Yi Theory" are the most famous.
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