Today we introduce a neglected calligraphy to everyone, there are many interesting things about him, and it is relatively close to us, and for his calligraphy, we can also look at and appreciate and look at it more intuitively.
He was Prince Cheng, one of the "Four Houses of the Qing Dynasty".
Prince Cheng was the eleventh son of the Qianlong Emperor, and his daughter-in-law was the daughter of fu Heng, a university scholar, who Fu Heng was, a friend familiar with history should be no stranger, he was a great collector in the history of calligraphy, and the Qianlong Emperor also had many rewards for him. The famous Lingfei Sutra was once in his hands.
Prince Cheng was a miserly man, loved money as much as his life, and although he was the emperor's son, he was extremely frugal throughout his life, and after Fu Heng's daughter married, he confiscated all his dowry, and then wore coarse cloth clothes and lived a life of poverty.
Once, when a horse died of illness in the family, Yong Yao ordered that it should not be buried, and finally let the family cook it, and the whole palace ate horse meat for three consecutive days, and the drip of rice was not stained.
Prince Cheng's calligraphy is famous all over the world, and there is an endless stream of people seeking words, but he is stingy and miserly for people, and it is often difficult for those who ask for words to get them.
Prince Cheng's calligraphy is more taken from Tang Kai, and today, Yong Yao's works are especially unique, which is also an important point that he can win over the other three, if Liu Yong's calligraphy is in the Jin people's penmanship, then Prince Cheng's calligraphy is standing on the shoulders of the Tang sages and standing on the shoulders of the Tang sages.
Nowadays, we see that Prince Cheng's calligraphy takes more from The Gongquan of Fa Liu and Ouyang Inquiry, and in terms of the overall posture, it is the posture of the Middle Palace of the European Script, and in the twist and click of the pen, it is a complete Yan Liu pen method. In fact, Tang Kai's penmanship is the same, but the degree of prominence in the conversion is different, Yan Liu emphasizes the production of "Gui Angle", while Ou Kai pays attention to a stroke in place. Contemporary example, "Tian Kai" is completely pictorial calligraphy, not the same thing as "ancient law".
Prince Cheng has always been known as the "first master of Qing Dynasty calligraphy", and among the sages of the past 300 years, no one in terms of calligraphy has been able to surpass him. Another royal nobleman in later generations, that is, the grandson of Prince Gong Yibi, Pu Fu, whose calligraphy is also famous at home and abroad, and his willow body skills are also extremely profound, but compared with Prince Cheng, he is also inferior in temperament.
Prince Cheng's most famous calligraphy is the long volume of the Book of Letters, the "Great Master's Scroll", which is 89 centimeters in width and 32 centimeters in length, which is one of the most elegant works of Prince Cheng's calligraphy.
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