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Master | Rare calligraphy: Wang Duoshi is very drunk, picks up the lamp scroll, and takes the Fa Yan Liu
Wang Duokai's hand-scroll "Wang Weishi Scroll" on paper, 21cm in length and 165.5cm in width, was written in the sixteenth year of Ming Chongzhen (1643), when Wang Juesi was 51 years old. Collection of the Palace Museum in Beijing.
This volume contains two poems by the Tang Dynasty poet Wang Wei, "Jeju Passing the Zhao Sou Family Banquet" and "Spring Passing the Heyuan Wai Medicine Garden", followed by a self-titled paragraph in the book. The last paragraph is "Wang Duo", and the left column is "The Chapter of Wang Duo" and "Great Emperor BoYin". This painting contains the "Secret Jin Zhai Seal", "Pu Dong's Seal" and the first place of the "Secret Jin Zhai" and other Tibetan and Indian three parties, indicating that this volume was once hidden in the Rong County Wang Mianyi place, and later belonged to Pu Dong.
Wang Duo's calligraphy is rare, and he is also in the middle of the book: "Shu Aya scroll fresh book Kai Fa person." ”
This volume of calligraphy is majestic, taking the fa Yan liu, the knot characters do not seek neatness, the size of the side, all out of the law, but throughout, it is vivid and vivid, ancient and solemn.
Wang Duokai's handwritten "Wang Wei Poetry Volume" verses are super list words
Wang Duokai's hand-scroll "Wang Wei Poetry Scroll" is self-titled with super list words
【Interpretation】
Although connected with the human realm, the closed door becomes a hermitage.
Taoism and solemnity, Confucianism and Lu renyu.
The deep alleys are slanted and quiet, and the idle doors are high and willowy.
Lotus hoe repairs the medicine garden, scatters the exposure of agricultural books.
The guest shakes Fanghan, and the Chinese chef feeds wild vegetables.
Fu Jundi drank high, and Jing Yan came out of Lin Lu.
The previous year, the fence was old, and the new medicine fence was formed.
Vanilla is a gentleman, and the famous flower is Changqing.
The water penetrates the pan stone, and the vine is ancient pine.
Painting the kitchen and leaving, to be greeted by the fallen.
Cane syrup with rice, konjac sauce dew sunflower soup.
Quite aware of the meaning of irrigation, Yu Ling is not light.
Shu Aya Scroll Fresh Book Kai Fa, that is, Huating Xuanzai also did not look at it. In December, he passed the old pro-Weng Qin Yan Zhai, the pen and ink research are excellent, the two volumes of the Book of Pick Lights, and the Ju Kai. At that time, the same as the party Guo Shu Liu Shan Yin Wei Wu Xi. Mingyue Mule entered the Purple Tuan Peak and the West Cliff Victory. When the wine was very drunk, the sound of Sumen Spring boiled, and there was a few seats in me. After knowing it, in the future, it will be covered, and it will be advanced in the calligraphy, and it will certainly be suspected that this desire will be spit on the volume. Whatever, whatever.
Wang Duo.
Wang Duo, a famous calligrapher in the late Ming and early Qing dynasties. Word sense, word sense. Song Qiao (嵩樵), Shiqiao (十樵), Shiqiao (石樵), Dementian (Idiotian), Donggao Chang (東皋長), Dementian Daoist (痴庵道人), Yantan Yushu (洞潭Yushuo), Yutang Yuyin (白雪仙道人), Lantai Waishi (蘭台外史), Xueshan Daoist (雪山道人), Ermushan (二室山人), Baixue Daoist (白道人), Yunyan Manshi (云岩漫士), etc. Henan Mengjin people, known as "Wang Mengjin", has the reputation of "Shenbi Wang Duo".
In the second year of the Ming Dynasty (1622), the thirty-year-old Wang Duoju jinshi and the first, successively served as the Shu Jishi of the Hanlin Academy, the editor, and the shao zhan shi. In the first year of Hongguang (1644), the Hongguang Emperor of the Southern Ming Dynasty appointed Wang Duo as a scholar and second assistant (deputy chancellor) of Dongge University. The following year, he entered the Qing Dynasty and was conferred the Ministry of Shangshu. In the ninth year of Shunzhi (1652), he died of illness in Mengjin at the age of sixty-one.
Wang Duo is erudite and good at ancient times, and works poetry. Wang Duo's calligraphy is strong and strong, long in cloth and white, kai, xing, li, grass, all exquisite, mainly thanks to Zhong Xuan, Wang Xizhi, Wang Xianzhi, Yan Zhenqing, Mi Fu and other families, learning Mi Fu has the reputation of chaos, showing his solid "learning the ancient" foundation, learning the ancient and being able to make his own chest.
Liang Wei commented that he "had to write the book, learn the old and energetic health of the Minang Palace, and win with all his strength.". Wang Duo's calligraphy belongs to the Xionghun Road. Wang Duo made up sentences for the text, strived to be ancient, and used words that were quite strange and strange, seeking danger, curiosity, and strangeness. After the Jin and Tang Dynasties, Wang Duo only studied Mi Fu alone, also because Mi Shu had a strong and powerful wind of wanton danger, sharp penmanship, and sharp edges.
Jiang Shaoshu's "History of Silent Poetry" states that he "wrote cursive zongshanyin father and son (Wang Xizhi, Wang Xianzhi), the main book out of Zhong Yuanchang, although exemplary Zhong Wang, can also come out of his chest." His heirloom works mainly include "Quasi-Mountain Garden Thesis" and "Langhuaguan Thesis", etc., all of which are well-prepared, and the name is contemporary, and the scholar Zongzhi.
In the history of Chinese calligraphy, the rigorous and elegant style of Dong Qichang's school was prevalent in the late Ming and early Qing dynasties, and Wang Duo took the fa gaogu to compete with the restrained and boring, slippery and powerless style of writing, boldly innovated, and created a generation of calligraphy.
He was an outstanding innovator in the history of calligraphy. Influenced by the ideological trend of the times in his youth, Wang Duo had a strange stubborn mind of the reflective trend very early on, and in the "Wen Dan" in his "Anthology of Quasi-Mountain Garden", he concentrated on his shocking aesthetics. His greatest achievement was his superb cursive writing.
His cursive writing, wild and wild, free wielding, with the pen calm and painful, vertical and horizontal ups and downs, natural surprise, showing a shocking majestic momentum, very infectious.
Ma Zonghuo said, "Ming rencao, all of them are vertical pens to take the momentum, and Juesi is intended and able to be captured, so it is not extremely powerful and the momentum is not endless, and those who are not more than powerful have not been easy to say this." ”
Lin Sanzhi called his cursive "the first person since Tang Huaisu." "Not too much.
Some people compare his lines with Xu Wei and Zhu Zhishan, two other cursive calligraphers of the Ming Dynasty: then his vigor is different from Xu Wei's roughness, and it is also different from Zhu Zhishan's rawness, and Wen Zhengming and Dong Qichang are even more important.
In addition, his sense of composition in the structural treatment is also unprecedented. The cutting of space is entirely orderly, with a powerful rational disposition effect—the calm, methodical effect of tempering such a wild and changeable cursive is really unexpected and at the same time makes people admire his ability. If it is said that from Zhang Zhi, Zhang Xu, Huai Su, Huang Gu to Xu Wei, the development of cursive writing is based on the richness and frustration of the pen, and in the structural treatment, it is put back and forth, and the lyrics are exhaustive, then Wang Duo has successfully blocked this uncontrollable torrent, and he has used calm rationality to cage this wild horse that has lost its reins, taking the momentum vertically and horizontally, changing in many ways, not falling into the clichés, coming up with new ideas in the law, and achieving miraculous results beyond the imagination.
His innovation in pen and ink is also pioneering, his lines are vigorous and old, subtle and changeable, showing a special personality in the inadvertent soaring and jumping, and sometimes boldly creating a strong contrast between lines and blocks with thick, light and even su ink, forming a strong rhythm, can not but say that his intentional or unintentional innovation is a major achievement in the exaggerated contrast of calligraphy forms. Before him, no one could actively pursue the "ink increase" effect as he did.
Wang Duo was extensively involved in the wei, Jin, Tang, and Song dynasties, and his research on the Chunhua Ge Ti was the most in-depth, and Shi Gu Lin Ti was his secret. He is known as the "Divine Pen King Duo". His calligraphy is on a par with Dong Qichang, and at the end of the Ming Dynasty, he was known as the "King of the South Dong and the North", and his calligraphy used a pen, out of the rules, and was relaxed, but full of the power of flowing freely and with thousands of strengths. Wang Duo is good at walking grass, with atmospheric brushwork, vigorous and free, and dripping with pain.
Wang Duo's calligraphy had a great influence on the later development of Chinese calligraphy, and even spread to the overseas book circles, especially to Dongying calligraphy.
Wang Duokai's hand-scrolled "Wang Wei Poetry Scroll" is super qing appreciation
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