The traditional steps of learning calligraphy are to draw red, fill in black (fill in hollow words) to shadow grids, deconstruct (take off one word and two words to one line), and finally write. This step-by-step arrangement is very reasonable and scientific.
Drawing red and filling in black is actually in the initial exercise of the center, laying the basic skills, so that the dot painting is exemplary, and the writing is complete and thoughtful. Why is it said that it is in the basic skills? Because, if you can't lay in the center, the red characters can't be covered, and the hollow words can't be filled in; and then further require the distribution structure, before writing shadow grids and disspace. When writing a digression, the facts are directed to the pro writing. What is "pro writing"? Writing is to learn the handwriting of a certain font, and at the same time to build a certain font shelf decently, but also pay attention to learning its spirit, which is a means of learning heritage. This period is a longer period. A book writer is often a lifelong relentless writer who does not waste writing.
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It is necessary to write three times - heart to, eye to, and hand to, which is a close combination of the three aspects of heart, eye and hand. Heart to first. Generally, there are only two to the beginner - to the eye, to the hand, the progress is not fast; the worst is only one - hand to hand, and even to say that one is reluctant, because he is not in the "pro" post but in the "copy" post, the words written are always a few words on the post, like, not at all.
"Pro", the eyes look, the heart thinks, the hand writes, there is a post in front of it, it is to be written against it, so it is called "Pro". The large and middle books we apply are nine square grids (tic-tac-toe grids) and rice character grids, but there is no nine square grids and meter character grids on the post, what to do? You can use gelatin or small glass to study the grid on the book (a grid with a thin red or black pen) and put it on the post to face it. In this way, the position of a word's pointillist can be carefully read before writing down the pen. In the past, the words that were not written well, the shelf was always a bad word, and it was necessary to carefully check in the grid, and the reasons must be found out, so that the word could be written well.
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The nine-square grid and the meter grid have different functions. The nine-square grid is mainly in the position of seeking pointillist painting, and the mizi grid is mainly in seeking the center of the structure, and it is necessary to write closely.
The purpose of the writing is to obtain both "form" and "God", and the form and god are all obtained, and the work is done to get home. The Ming Jiu Gong Grid and the Meter Character Grid can be sought to be "similar", but what should I do if I seek "God-like"? To "read". Read before the post, or not be prepared to write, as a special lesson. Huang Tingjian, a Song scholar, said: "The ancients studied books, not copied them all, and Zhang Guren's books were between the walls, and when they looked at them, they followed people's wishes when they wrote." Zhao Mengfu, a scholar of the Yuan Dynasty, said: "Learning books is playing with the ancient Fa Ti, and knowing that the pen it uses is beneficial." He had a profound understanding of what he said. During the Three Kingdoms period, Cao Cao loved the calligraphy of the then great scholar Shi Yiguan, and put it in the tent and read it whenever he had time. Ouyang Qing, a great scholar of the Tang Dynasty, once saw the stele written by Suo Jing on the road, had gone far, came back and read it carefully, stood with sore feet, sat plainly, and read it for three consecutive days.
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Reading cares about understanding the theology of calligraphy, not only in the distribution structure of pointillism to see his specific use of the pen, the exchange of gestures; but also to look at its spiritual outlook as a whole and find its charm.
Linti is like being an actor, just looking like it is not enough, you must be able to go deep into the inner world of the people in the play, and then be able to act well. It is not enough to write the words correctly, which one to write which post, we must understand his method of using the pen, and we must write it with a lively spirit.
After the post comes, it is necessary to "back" it, first do not open the post, carry the pro, can not be memorized, and then open the post to check, this kung fu is called "back pro".
Memorization is very important, before the words have been written, any time, as long as you pick up the pen, you should silently write it out. The post is written like in front of you, and if the post is not "self-contained" in front of you, the results cannot be consolidated.
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The three kung fus of reading posts, "pro posts" and "back posts" should be combined, and then they can ensure the victory of learning. Look at a handwritten post, indicating that there is no "reading" work. The post is not like writing when it is taken away, indicating that there is no "back" work. In general, the heart is not yet exhausted.
Although Linti is said to be the later stage of calligraphy learning, after all, it is the same as drawing red, filling in black, shadow grid, and disqualification, and it is a means, not an end. Because if you really write well, you must have your own face.
White banana calligraphy works
White banana calligraphy works
White banana calligraphy Orchid inscription miscellaneous partial
White banana calligraphy works
White banana calligraphy Orchid inscription miscellaneous partial
White banana calligraphy works
White banana calligraphy Orchid inscription miscellaneous partial
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