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White banana: The common eye is mostly ugly

White banana: The common eye is mostly ugly

Mr. White Banana

The conditions that calligraphy should have are nothing more than the six big characters of divine qi, bones and bones, and flesh and blood. Among the three, if there is a defect in one aspect, there is a problem with the writing.

The word "divine qi" has signs to say. For example, if a sick person has a mental outlook, he will naturally not be the same as a healthy person. The brilliance of calligraphy is also known at a glance.

The "five obediences" and "five combinations" mentioned in the "Book Genealogy" are the root causes of disease and disease. If you forge the ink of the ancients, why do you immediately distinguish between true and false when you look at the Fa?

White banana calligraphy works

It turned out that when he was bent on falsifying, there was someone in his heart, and there was something in front of him, trembling, afraid of distortion. When the ink falls and moves the pen, the qi pulse has been inconsistencies, and the pen and ink cannot be as casual as the self-luck, so the radiance is gone.

As for the bones and bones, the flesh and blood, that is tangible and referential, because the bones and bones come from the power of the pen, and the flesh and blood come from the ink. Of course, the occurrence of general problems is due to ignorance, making, transferring, and using. And because of the lack of knowledge of other people's problems, or even ugly as beauty, it is also a very common phenomenon.

Beginners who want to understand the book disease, if it is difficult to distinguish for a while, they can ask for it from the back of the page.

Jiang He's word disease

Because of the problem of not knowing how to cling, make, transfer, and use, Xi Xian had already given examples, such as those given in Jiang He's "Authentic Calligraphy": (癸) character disease. Words are sick, everyone is inevitable. Beginners are not disciplined, often full of diseases, incorrigible.

What is cited now, but a spot, always pay attention, if there is a change, if there is no encouragement, if the flaw is gone, it can be expected.

Chen Gongzhe's "Word Disease Diagram Theory" analyzes and categorizes it more clearly.

Chen Gongzhe's "word disease diagram says" of the "point" and "horn" disease

The origin of all the above pathologies is not the wrong pen, the front is not gathered, the front cannot be reversed, the force is uneven, the dun is too heavy, too slippery, too fast, too slow, and naturally sometimes because of the influence of ink.

In the past, the old predecessors took a post to teach the children to write, often circled the Zhu circle next to the word, and without the word of the Zhu circle, they taught the children not to write. This kind of word selection is reasonable, because even the words written by a big scholar are not necessarily good.

Chen Gongzhe's "word disease diagram says" of "horizontal straight" and "vertical" disease

For the same reason, an article by a great writer, or a poem by a great poet, is not necessarily a good and brilliant first.

However, in general, the selection of words by the elders pays attention to the structure, and ignores the fundamental problems of a certain family.

For example, the yanzi, the cross-fold of the treasure cover is too heavy, as if a tumor has a tumor on the back of a person's head; the pen is drawn too quickly, as if the golden lotus of the old lady in the past, plus the heel of the modern modern women's high heels; the pen pen of a painting is too heavy; the back of a vertical hook is too sufficient. The three points of the willow character three points of water, the point is excessively elongated, like the chin of the portrait of Ming Taizu that the world has passed on.

Chen Gongzhe's "arc" disease of "word disease diagram"

Li Hou lord ridiculed Lu Gongshu as "Tian Sheweng". Mi Xiangyangyun: "Yan and Liu pick and kick, the ancestor of the evil Za in the future generations." He also laughed at the pen and ink of those who were not good at learning faces, and called it "thick-skinned steamed buns". Zhao Mengjianyun: "Lu Gong's righteousness is also vulgar; the strength of sincerity is also cold." ”

Huang Gu said: "Fat characters must have bones, and thin characters must have meat." The ancients studied books and learned the two places; today's people learn books, fat and thin are sick, and often get ugly places in their people. Now man is the one who is indistinguishable. ”

These words all speak of Yan, Liuzi itself, and the ills of scholars.

The general phenomenon of the world's inability to learn Yanshu is that the writing is bloated and dirty, just like leprosy and beggars; those who are not good at learning willow books can write teeth and claws, which is also a cold begging.

This is all due to scholars' excessive emphasis on the characteristics and ills of Yan and Liu bodies.

The same is true in terms of penmanship, the "direction" meaning of Yan and Liu characters is already obvious enough, and those who learn Yan and Liu do not fail to emphasize and flattery -- the "problem of not knowing others" that I talked about above refers to these places, and scholars mistakenly think that only in this way can they see Yan and Liu.

So learning the yan character into a "dumb word"; learning the willow character into a "tumor word", is to recognize ugliness as beauty. The reason why the Yellow Valley is "indignant" is precisely because it "favors the ugliness of its people".

White banana paintings

Take the word of rice, rice as a vertical hook, often with backhand, Nu is also very excessive, "straight chest and convex belly", the force is used outside the pen, the so-called "drum nu for the force, marked into the body" . Thus we saw a sword-rattling atmosphere, and the rice learners always got this habit first.

"Haiyue Famous Sayings" Yun: "Words should be bone grid, flesh must be wrapped, tendons must be hidden flesh, beautiful and raw, stable layout, not bad." Danger is not strange, old is not dry, moist is not fat. Perverted noble form is not expensive, bitter anger, anger is strange. Expensive shape is not expensive work, painting into painting, painting into the custom, are word disease also. ”

Then, according to his own words, the problem of the rice character is probably a testimony to "bitter anger". Moreover, whoever uses the power of the finger, the pen will be weak, and he will want to lie on the paper, and the situation will be real, and the Su character has the disease of the pen and is sitting here. Now, let's take some of the word diseases that the ancients talked about.

Zhang Huaiyun: "The branches are fat and fat, and the arrangement is forced, which is intolerable." Angular and shaped, the situation is not imaged, the appearance is dim, and the climate is contemptuous. Those who take the thickness as the Chinese, the book is also trapped, it is even more sick, and it is advisable to attack it with poison. Youyun: "The book must also be turned in a circle, according to its natural reason, if it is angular, it is a disease, and it is not a force!" Good engineering, no trace of the axe. And yun: "Those who are angular, the evil of the book is also thin; the fatty flesh, the book is also dirty." Babies are ill, and they must visit a good doctor to cleanse their hearts and minds and remove their troubles. ”

Jiang Baishiyun: "The book is to neglect the wind god, and secretly desire to be old-fashioned." For example, the four horizontals of 'Good', the three straights of 'Chuan', the four points of 'Fish', and the nine paintings of 'Painting', must be written vigorously and cleanly, and it is better to stop densely and evenly. When it is not sparse, it becomes a cold beggar; when it is not dense, it will wither. ”

Dong Si Weng said: "Make good use of the author's qingjin; do not make good use of the author's turbidity." ”

Feng Daosheng said: "Those who are happy and accustomed to the effect of today's people are either old and hard in the ink of the cloud pen, or the beauty between the clouds, or the thick use of the cloud pen." As everyone knows, the old hard man is called angry and angry, and he is not the face of a virtuous gentleman. The whole person, the ancient so-called shape like an operator, is not a book. The fresh and thick, the so-called tendonless and powerless in ancient times, is called the ink pig. However, what is pleasing to the present is the evil of the ancients; what the ancients are afraid of is the trend of the present. Ancient and modern are different, such as the opposite of day and night cold and summer, do not believe it? ”

Speaking of the general common eye, of course, it refers to the unheard of calligraphy, or to the half-understanding, they sometimes do not necessarily think that ugliness is beautiful, but it is really because the skill has not yet arrived, and the lack of artistic cultivation. It refers to the slenderness for beauty, the roughness for the bold, the floating for the lively, the frivolity for the loose, the sloppiness for the flowing, the decoration for the kung fu, the stagnant for the rules, the crookedness for the posture, and the withering for the old knot.

As everyone knows, it is beautiful and not delicate, bold and not rough, lively and not slippery, loose and not frivolous, fluent and not sloppy, kung fu not embellished, rules not stagnant, posture not crooked, old knots not withered.

If you ask me for a clinical prescription, then I will take the muscles and bones to treat the weak, take the stability of the doctor rough, take the calm doctor to be slippery, take the thick doctor to be frivolous, take the strict medical sloppiness, take the leisure and elegance to get rid of the medical decoration, take the vivid and courageous medical stagnation, take the plain and serene doctor to be crooked, and take the moist cleaning doctor to wither.

The common eye does not know the word disease, then it is needless to say. But the so-called "generalists" are really not easy!

I quote a section from the Book Genealogy: "I have tried to make a book with all my thoughts, and it is said that it is very consistent." When the one who knows, he is quoted. Among them, Qiaoli, who has not looked at it, or mistakenly lost, was rewarded. What is seen is seen, especially what is heard, or the self-esteem of the year is light, and the accusations are light. If yu is false and elaborate, and the title is ancient, then the sage will change, and the fool will follow the voice, and the reward will be the wonder of the end, and the loss of the rare front end will be discussed. ”

White banana painting

In addition, the strokes of the writing are wrong, which is also one of the sources of disease. Scholars do not know this, and it is easy to become a habit. This kind of mistake in the order of writing, commonly known as "left ugly", is now recorded by the past people, for beginners are easy to mistake in the future, please refer to scholars, easy to correct themselves.

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